Provenance

Mr. Robert H. Smith

1928 - 2009

Explore selected works

See all 96 works of art
Cornelis Norbertus Gijsbrechts, A Hanging Wall Pouch, c. 1677, oil on panel, mirrored glass, Gift of Robert H. and Clarice Smith, 2022.181.81

A Hanging Wall Pouch

Cornelis Norbertus Gijsbrechts · c. 1677 · oil on panel, mirrored glass ·  Accession ID  2022.181.81

The sculpture depicts a mythical creature resembling a lion with a long, flowing tail that spirals above its back. The creature appears to be in a playful or possibly aggressive posture, with its mouth open and teeth visible. It has detailed features, including a mane that is intricately carved and its body is muscular and powerful. The sculpture is made of bronze, giving it a dark brown color with lighter golden-brown highlights. The material is smooth, with some areas where the texture of the mane and fur is accentuated. The sculpture's size is relatively small in the image, suggesting it could be a decorative or functional object. The overall appearance is dynamic, lending the sculpture a sense of movement.
North Italian 16th Century, Oil Lamp in the Form of a Monster, mid 16th century, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.7

Oil Lamp in the Form of a Monster

North Italian 16th Century · mid 16th century · bronze ·  Accession ID  2022.181.7

The sculpture depicts a classical warrior female figure wearing a helmet with a crest. She is dressed in armor and holds a shield in her left hand. Her right arm is raised, and she stands barefoot on a circular base. She holds a spear in her right hand. The figure's stance suggests movement or readiness, and her overall appearance conveys strength and classical antiquity.
Alessandro Vittoria, Minerva, c. 1560, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.15

Minerva

Alessandro Vittoria · c. 1560 · bronze ·  Accession ID  2022.181.15

The image depicts a drawing of a castle on rocky terrain in a rugged landscape. The horizon is low in the image, showing rolling hills, valleys, and small, indistinct shapes suggesting human habitation. The drawing features fine details and expressive lines, giving a sense of texture and depth. The color palette consists of muted, earthy tones and dark, monochromatic ink. In the foreground, a shepherd is tending to a flock of sheep, and in the background, there is a small town with clustered buildings extending towards the water. Above the castle, a flock of birds is in flight.
Matthys Cock, Landscape with Castle above a Harbor, 1540, pen and brown ink with watercolor and white heightening on light brown laid paper, Ailsa Mellon Bruce Fund, 1978.19.2

Landscape with Castle above a Harbor

Matthys Cock · 1540 · pen and brown ink with watercolor and white heightening on light brown laid paper ·  Accession ID  1978.19.2

The sculpture depicts a seated nude male figure balancing on a tree stump. He is hunched forward, focused on his left foot, appearing to be removing a thorn. His posture is relaxed yet concentrated, with his right leg crossed over his left knee. The sculpture is crafted from dark bronze, giving it a shiny, reflective finish that accentuates the figure's musculature and curly hair on his head. The texture of the sculpture is smooth, with naturalistic detailing in the figure's body and the tree stump's surface, adding realistic depth.
Severo da Ravenna, Spinario, first quarter 16th century, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.12

Spinario

Severo da Ravenna · first quarter 16th century · bronze ·  Accession ID  2022.181.12

The image depicts a scene within a circular frame. It shows a group of four people, each a full-body depiction. To the left, a man and woman are standing. The woman wears an ornate dress and a cape, while the man wears a large hat and a long coat. He has his hand around her waist and his other hand gesturing. In the center, a bearded man is seated with his legs crossed and slightly reclined, wearing a detailed buttoned robe. He holds a viewing device to his eye, and a caped attendant behind him carefully affixes a headpiece. They are in an opulent interior with decorated arches and columns in the background. To the right, a globe and stack of books rest on a table beside the seated man's chair. The background within the circular frame is richly adorned with architectural elements and drapery. Latin script surrounds the edge of the circle.
Crispijn van de Passe I, Crispijn van de Passe I, LXX: Seventy Years, c. 1599, engraving on laid paper, Gift of Robert H. and Clarice Smith, 2022.181.88

LXX: Seventy Years

Crispijn van de Passe I, Crispijn van de Passe I · c. 1599 · engraving on laid paper ·  Accession ID  2022.181.88

The sculpture is a bell with intricate relief carvings on its surface. The carvings depict human figures, including one with wings and a halo, engaged in activities with agricultural tools and possibly a shield. At the top of the bell is a bust of a figure with a beard and helmet, surrounded by decorative foliage. The sculpture is a dark, aged bronze color, indicating it is likely made of metal, possibly bronze. The detailed designs on the bell tell a narrative through scenes and characters in a historic and ornamental style.
Anonymous Artist, Hand Bell with Heraldic Bust of a Wild Man, Winged Boys, and Trauttmannsdorff and Arco Arms, mid-16th century, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.2

Hand Bell with Heraldic Bust of a Wild Man, Winged Boys, and Trauttmannsdorff and Arco Arms

Anonymous Artist · mid-16th century · bronze ·  Accession ID  2022.181.2

The sculpture depicts a male figure sitting on a square pedestal. He is semi-nude, with defined musculature visible on his torso, arms, and legs. The man appears to be of mature age, with short, wavy hair and a contemplative expression on his face. The sculpture is crafted from a dark bronze material. The pedestal is rectangular with a slightly projecting top, and the man is seated with his right leg crossed under his left leg, which dangles off the edge. His hands rest on the top surface of the pedestal.
Leonhard Kern, The Money Counter (Geldzähler), 1630-1650, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.65

The Money Counter (Geldzähler)

Leonhard Kern · 1630-1650 · bronze ·  Accession ID  2022.181.65

Francesco Fanelli, Marcus Curtius Leaping into the Gulf, second quarter 17th century, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.54

Marcus Curtius Leaping into the Gulf

Francesco Fanelli · second quarter 17th century · bronze ·  Accession ID  2022.181.54

The image displays a landscape with a wooded area filled with dense foliage. The horizon is obscured by the thick growth of trees. The trees are depicted with fine, detailed brushstrokes, creating a sense of texture and depth. The color palette is monochrome brown, giving the image a sepia-toned effect. Light and shadow are subtly rendered, adding depth and creating the illusion of sunlight filtering through the leaves. The attention to detail and limited color palette contribute to a harmonious composition.
Jan Lievens, Deer Park, 1655/1660, brush and brown ink, Ailsa Mellon Bruce Fund, 1978.19.5

Deer Park

Jan Lievens · 1655/1660 · brush and brown ink ·  Accession ID  1978.19.5