Provenance

Paul McCarron

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This is a drawing of a group of figures with various objects as heads gathered in a room. The setting includes whimsical and satirical elements. The figures are around a table, engaged in a discussion or evaluation of artworks. The drawing combines satire and surrealism, highlighting the folly and absurdity of artistic judgment.
Clément Pruche, Aubert, Bauger et Cie, Fameux Jury de Peinture; Salon de 1840, 1840, lithograph, Corcoran Collection (Gift of the Friends of the Corcoran Gallery of Art), 2015.143.1385

Fameux Jury de Peinture; Salon de 1840

Clément Pruche, Aubert, Bauger et Cie · 1840 · lithograph ·  Accession ID  2015.143.1385

This is a drawing of a group of armored individuals gathered around a large barrel containing a man's head. The central figure is pushing the large barrel which features spikes and a visage inside. The background includes foliage, trees, and a distant castle. The hatching and line work create a tactile quality throughout the composition, emphasizing textures of clothing and nature. The work is reminiscent of engravings from the Northern Renaissance.
Georg Pencz, Attilius Regulus, 1535, engraving on laid paper, Ailsa Mellon Bruce Fund, 2003.25.2

Attilius Regulus

Georg Pencz · 1535 · engraving on laid paper ·  Accession ID  2003.25.2

The drawing depicts a figure seated in a natural, rocky environment. The scene shows a person engrossed in writing or drawing on a tablet or book, surrounded by a dense landscape with trees, rocks, and clouds. In the background, there is a view of a lake or river with a boat, and a distant town with church spires. A lion is partially visible among the rocks and trees. The drawing is detailed with intricate lines creating textures for the foliage, fabric, and overall composition. The style resembles that of Albrecht Dürer.
Albrecht Dürer, Saint Jerome in a Cave, 1512, woodcut on laid paper, Robert A. McNeil Fund, 1992.43.1

Saint Jerome in a Cave

Albrecht Dürer · 1512 · woodcut on laid paper ·  Accession ID  1992.43.1

The image shows a seated woman with a cherub in her arms. The woman has closed eyes, long hair, and is draped in flowing fabric. Surrounding her are several cherubs with curly hair and wings. The background has swirling lines suggesting clouds or fabric. The scene has a classical style with a serene tone.
Lodovico Carracci, Madonna and Child with Angels, 1595/1610, etching, engraving, and drypoint on laid paper, Ailsa Mellon Bruce Fund, 2002.44.1

Madonna and Child with Angels

Lodovico Carracci · 1595/1610 · etching, engraving, and drypoint on laid paper ·  Accession ID  2002.44.1

The image shows a person in profile facing to the right. They are depicted from the shoulders up, with their body turned to display their left side. The person has distinct facial features such as a prominent nose, full lips, and expressive eyes looking upwards. Their hair is styled in curls with a headdress embellished with feathers and a tassel. The individual is wearing a draped garment secured with a brooch, along with earrings. The background is plain with a light texture and enclosed in an oval border.
Stefano Della Bella, Woman in a Feathered Turban, Turned to the Right, 1649/1650, etching on laid paper, Ailsa Mellon Bruce Fund, 1994.72.2

Woman in a Feathered Turban, Turned to the Right

Stefano Della Bella · 1649/1650 · etching on laid paper ·  Accession ID  1994.72.2

The image is a black and white etching depicting a landscape viewed from an elevated perspective. The composition includes detailed clouds, distant mountains, intricate trees and foliage, human figures, and a winged figure in motion. The middle ground features cross-hatched trees, while hills lead towards distant mountains. The artwork emphasizes light and dark contrast through shading.
Herman van Swanevelt, Venus Lamenting over Adonis' Death, etching, Andrew W. Mellon Fund, 1977.38.7

Venus Lamenting over Adonis' Death

Herman van Swanevelt · · etching ·  Accession ID  1977.38.7

The image shows a group of classical figures. The figures have various poses and interactions, with some seated and others standing. Several symbolic items are present, such as a trident and a winged staff. The figures are draped in flowing garments and some are nude. The drawing displays detailed linework and shading, creating depth and form, against a backdrop of clouds.
François Perrier, The Admission of Psyche to Olympia, c. 1635, etching with engraving on laid paper, Ailsa Mellon Bruce Fund, 1993.37.3

The Admission of Psyche to Olympia

François Perrier · c. 1635 · etching with engraving on laid paper ·  Accession ID  1993.37.3

The image shows multiple figures in a group scene. Central in the composition, a bearded man holds an infant with another elderly man reaching out towards the child. They are surrounded by other figures, including a woman. Several other figures are depicted, with detailed historical period attire. The background is an interior space with high arched ceilings and intricate architectural details, including a large chandelier and decorative items on a tray.
Netherlandish 16th Century, Hendrick Goltzius, The Circumcision, 1594, engraving on laid paper, Ailsa Mellon Bruce Fund, 1994.21.1

The Circumcision

Netherlandish 16th Century, Hendrick Goltzius · 1594 · engraving on laid paper ·  Accession ID  1994.21.1

The image shows a view from a hidden spot within thick vegetation. The horizon is in the upper part of the image, revealing a vast natural landscape. The artwork features detailed line work depicting leaves and plants. The brushstrokes add movement and texture through hatching and cross-hatching. The color scheme is primarily sepia and ink, accentuating the textures and patterns in the foliage. The overall effect is of a peaceful, secluded natural setting with rich detail.
Jules-Ferdinand Jacquemart, Plantes de Serre (Greenhouse or Aquatic Plants), 1863, etching in brown-black on laid paper, Ailsa Mellon Bruce Fund, 1983.34.1

Plantes de Serre (Greenhouse or Aquatic Plants)

Jules-Ferdinand Jacquemart · 1863 · etching in brown-black on laid paper ·  Accession ID  1983.34.1

The image shows two women in full length, positioned facing each other. The woman on the left has braided hair and gazes towards the other woman. The woman on the right also has braided hair and seems to lean slightly towards her companion. Both women wear long robes. In the background is a large stone structure with an arched opening leading to classical architecture. In the foreground is a small dog. Another character in the background is walking away towards buildings with smoke coming from chimneys. The ground is paved with irregular stones.
Hendrick Goltzius, Netherlandish 16th Century, The Visitation, 1593, engraving on laid paper, Ailsa Mellon Bruce Fund, 1994.21.2

The Visitation

Hendrick Goltzius, Netherlandish 16th Century · 1593 · engraving on laid paper ·  Accession ID  1994.21.2