Provenance

Adolphe Stein

French, 1913 - 2002

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See all 17 works of art
The image features a sketch of a seated person from the waist up. The individual is turned slightly to the side with hands resting in their lap. They have long, wavy hair, wear a wide-brimmed hat, and exhibit a slight smile. The person is depicted wearing a coat or jacket with button details and slightly puffed sleeves. No jewelry is visible. The background is a blank blue canvas, and there is a border framing the image.
Jan Miel, Seated Cavalier with His Arm Akimbo, black chalk and brush and black ink with white heightening on blue paper; laid down, Ailsa Mellon Bruce Fund, 1989.33.1

Seated Cavalier with His Arm Akimbo

Jan Miel · · black chalk and brush and black ink with white heightening on blue paper; laid down ·  Accession ID  1989.33.1

This is a drawing of multiple figures surrounded by clouds. The image shows various figures interacting in graceful poses, some with wings and flowing clothing. The scene appears to depict a lively, otherworldly assembly with the figures engaging with each other. The clouds are depicted with soft, swirling lines, creating a sense of depth and ethereal atmosphere. Light and shadow within the clouds add dimensionality, while delicate inked outlines define the whimsical and serene nature of the illustration.
Bartolomeo Tarsia, The Triumph of Wisdom, c. 1750, brown ink with gray and brown wash and white heightening over black chalk, squared for transfer in black chalk on laid paper, Ailsa Mellon Bruce Fund, 2000.153.1

The Triumph of Wisdom

Bartolomeo Tarsia · c. 1750 · brown ink with gray and brown wash and white heightening over black chalk, squared for transfer in black chalk on laid paper ·  Accession ID  2000.153.1

The image shows a rural landscape with a windmill as the central focus, surrounded by structures, trees, and figures engaged in various activities. The scene is depicted in a monochromatic palette with gentle pencil or charcoal tones, creating a soft and timeless quality. Fine details are visible in the architecture and natural elements, and birds are scattered in the sky.
Esaias van de Velde I, A Windmill and Cottages on a River Bank, Men in Rowing Boats, early 17th century, black chalk with pinkish-gray wash on laid paper, Gift of Donald Stone, 2022.40.7

A Windmill and Cottages on a River Bank, Men in Rowing Boats

Esaias van de Velde I · early 17th century · black chalk with pinkish-gray wash on laid paper ·  Accession ID  2022.40.7

The image shows a drawing of a person in a kneeling position. They are facing left in profile, with their hands clasped in front of their chin. The person has short hair and is wearing a long, flowing garment. The background is simple and the drawing is framed.
Parmigianino, Kneeling Woman Lifting Her Hand to Her Head, in or after 1531, red chalk, Ailsa Mellon Bruce Fund, 1972.60.2

Kneeling Woman Lifting Her Hand to Her Head

Parmigianino · in or after 1531 · red chalk ·  Accession ID  1972.60.2

This is a drawing of a religious scene. It depicts figures in robes with one figure extending a hand towards a kneeling individual, while others observe. The central figure with a halo seems to bless or heal the kneeling figure. The background includes abstract detailing of rocky formations and a tree. The drawing is done in a delicate line work style.
Pieter de Jode I, Christ Healing the Leper, pen and brown ink with brown wash, Ailsa Mellon Bruce Fund, 1973.11.1

Christ Healing the Leper

Pieter de Jode I · · pen and brown ink with brown wash ·  Accession ID  1973.11.1

This is a drawing of three lion heads. The artwork features detailed sketches of lions' heads, drawn with brown ink and fine lines. Each lion is depicted with its mane flowing around its face, with intricate line work capturing the texture of their fur. The expressions of the lions convey a sense of strength and majesty, each depicted from different angles—one from the side, another in a slightly upward facing orientation, and the last lying down. The use of line and shading gives the drawing a dynamic quality.
Stefano Della Bella, Studies of a Lion's Head, pen and brown ink on laid paper, Gift of Mr. and Mrs. John Steiner, 1982.5.1

Studies of a Lion's Head

Stefano Della Bella · · pen and brown ink on laid paper ·  Accession ID  1982.5.1

The image shows three figures. One figure stands in the center, pointing with one hand. Another figure sits to the right, and a third figure lies on the ground to the left. The background is sketchy.
Giovanni Battista Tiepolo, Two Monks with a Prostrate Man, c. 1725, pen and brown ink with brown wash and added gray wash over black chalk on laid paper, laid down, Woodner Collection, 2001.3.4

Two Monks with a Prostrate Man

Giovanni Battista Tiepolo · c. 1725 · pen and brown ink with brown wash and added gray wash over black chalk on laid paper, laid down ·  Accession ID  2001.3.4

The image depicts a view looking up through a cluster of trees with branches and foliage reaching skyward. The brushstrokes are swift and loose, conveying movement and form to the trees and leaves. The color palette is primarily different shades of brown, creating an earthy and monochromatic appearance. In the background, wispy clouds are suggested with light strokes against the pale surface of the page.
Bartholomeus Breenbergh, Landscape Study, probably 1631, brown wash over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1972.60.1

Landscape Study

Bartholomeus Breenbergh · probably 1631 · brown wash over black chalk on laid paper ·  Accession ID  1972.60.1

This is a drawing of a gathering of figures beneath a celestial vision. The scene is filled with many figures, some seated or kneeling, engaged in various activities or in conversation with each other at the lower part of the composition. Above them, surrounded by clouds, is a central heavenly figure surrounded by winged cherubs. The detailed line work represents texture and depth, as seen in the foliage of trees and the clouds. The drawing features intricate detailing on the garments of the figures, with emphasis on folds and flowing lines. The composition is balanced with a combination of natural elements like trees and fantastical elements like the figures in the clouds.
François Collignon, The Resurrection, etching, Ailsa Mellon Bruce Fund, 1982.37.2

The Resurrection

François Collignon · · etching ·  Accession ID  1982.37.2

The image depicts a person from the knees up in a dynamic posture. The figure is shown with their upper body slightly turned, right arm outstretched to the front. The facial features are subtly suggested, with an outline of a prominent nose, beard extending below the chin, and wavy, receding hair flowing into the beard. The person is dressed in long, flowing robes with folds indicating layers and movement. There are no visible jewelry or objects held by the figure. The background is plain.
Italian 17th Century, Standing Bearded Man Pointing Toward the Left, mid 17th century, red chalk on laid paper, Ailsa Mellon Bruce Fund, 1972.60.3

Standing Bearded Man Pointing Toward the Left

Italian 17th Century · mid 17th century · red chalk on laid paper ·  Accession ID  1972.60.3