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David Tunick, Inc.

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This image depicts a head-and-shoulders portrait of a person in a side profile. The person has a straight nose, full lips, and eyes looking forward. Their hair is wavy and frames the sides of the head. The subject wears a garment that appears to be a shirt or jacket, with subtle details blending into the background. The background is plain, rendered in reddish-brown tones on light, textured paper. No jewelry or objects are visible, and the paper's edges are slightly frayed.
Edgar Degas, Self-Portrait, c. 1855, red chalk on laid paper, Woodner Collection, 1991.182.23

Self-Portrait

Edgar Degas · c. 1855 · red chalk on laid paper ·  Accession ID  1991.182.23

This is a drawing of abstract human-like figures and a striped feline. The drawing contains two sections: on the left side, there is a group of figures that appear to be interacting, with circular shapes possibly representing hats or hair. On the right side, two large profile sketches of faces are visible. Below them, a striped feline figure is drawn with bold lines, showing motion as if walking across the page. The drawing style is loose and expressive, using bold black lines on a pale background.
Pierre Bonnard, Sketches including "A Promenade in Fancy Hats", 1891/1893, pen and brush and black ink on wove paper, Gift of Mr. and Mrs. Neil Phillips, 1987.53.1

Sketches including "A Promenade in Fancy Hats"

Pierre Bonnard · 1891/1893 · pen and brush and black ink on wove paper ·  Accession ID  1987.53.1

The image depicts a man crucified on a wooden cross with his outstretched arms nailed to the crossbeam. He has long hair and wears a crown of thorns on his head, along with a cloth around his waist. A woman kneels below the cross, grasping it and looking up at the man. Beside her are two others, also looking at the man. In the background, several soldiers, one holding a spear, and a horse are present. The scene is set against a cloudy sky with outlines of distant structures, suggesting a hilly landscape. An inscription is placed above the man's head on the cross. The image is in a monochromatic style with contrasting light and shadow.
Jacobus Neeffs, Christ on the Cross, engraving on laid paper, Gift of David P. Tunick, 2009.127.22

Christ on the Cross

Jacobus Neeffs · · engraving on laid paper ·  Accession ID  2009.127.22

The image shows a serene landscape painted with delicate brushstrokes. A rocky formation with trees sits on the left, with a horizon of distant mountains in the background. The sky is filled with large cloud formations, reflecting in the water. A small boat with rowers and a larger sail ship are visible on the water. The color palette is predominantly sepia tones, creating a tranquil atmosphere.
Allart van Everdingen, Figures in Rowing Boats in a Rocky Cove, Sailing Ships Beyond, pen and brown ink with brown and gray wash on laidpaper, Andrew W. Mellon Fund, 1977.36.1

Figures in Rowing Boats in a Rocky Cove, Sailing Ships Beyond

Allart van Everdingen · · pen and brown ink with brown and gray wash on laidpaper ·  Accession ID  1977.36.1

The image shows a scene in a wooded area with a path and two figures on horseback in the background. The artwork features intricate etchings for texture and detail, focusing on foliage, clothing, and facial expressions. The color scheme is monochromatic with varying shades of black and white for contrast. The scene includes a figure by a tree and an ambush on a carriage with figures in motion. In the distance, there are birds flying in the sky.
Gerrit van Schagen, Attack on a Coach, c. 1642/1680, etching and engraving on laid paper, Ailsa Mellon Bruce Fund, 1974.55.52

Attack on a Coach

Gerrit van Schagen · c. 1642/1680 · etching and engraving on laid paper ·  Accession ID  1974.55.52

This is a drawing of a group of individuals in a bureaucratic setting. One person is seated at a desk writing, wearing official attire. Another person is leaning over the desk, possibly arguing. Additional individuals are standing and watching, dressed casually. A humorous or satirical exchange about payment for a rescue is depicted at the bottom. The drawing is done in a style with sketch lines and cross-hatching to show expressions on the faces.
Honoré Daumier, Un Homme sauvé malgré lui, 1843, lithograph on newsprint, Ailsa Mellon Bruce Fund, 1979.49.160

Un Homme sauvé malgré lui

Honoré Daumier · 1843 · lithograph on newsprint ·  Accession ID  1979.49.160

This is a drawing depicting multiple figures in motion in a chaotic scene. The scene features a dramatic and historical event set against a grand architectural backdrop with columns and arches. In the foreground, numerous figures, mostly male, engage in dynamic poses. The figures are depicted in various states of dress, with flowing garments and dynamic movement emphasized in their lines. There is a sense of urgency and intensity captured in the expressions and postures of the figures, set against darkened skies and sweeping drapery above. The fine lines and shading give the drawing a detailed and textured appearance, creating depth and movement throughout the composition.
Aegidius Sadeler II, The Rape of the Sabines, engraving, Ailsa Mellon Bruce Fund, 1974.55.16

The Rape of the Sabines

Aegidius Sadeler II · · engraving ·  Accession ID  1974.55.16

This is a drawing of a rider on a horse gesturing towards a doorway marked "REPUBLIQUE FRANÇAISE ASSEMBLÉE NATIONALE". The drawing features a dramatic and expressive style with heavy use of lines and shading. The rider is depicted in a dynamic pose with arms raised and head thrown back. The horse is drawn in a rearing position, adding to the sense of drama. The sign indicates the French National Assembly. The background includes radiating lines that add to the sense of motion and energy.
Honoré Daumier, Ce pauvre Louis XIV n'en croyant pas ses yeux, 1871, gillotype on newsprint, Ailsa Mellon Bruce Fund, 1979.49.207

Ce pauvre Louis XIV n'en croyant pas ses yeux

Honoré Daumier · 1871 · gillotype on newsprint ·  Accession ID  1979.49.207

The image shows a detailed engraving with two men depicted in oval frames. The man on the left tilts his head downward with a sideways glance, while the man on the right faces slightly towards the left. The man on the left has curly hair and prominent facial features, including a long nose and furrowed brow. The man on the right wears a hood-like garment and has less visible hair, with facial features that include a prominent nose and deep-set eyes, suggesting older age. Both portraits are enclosed within oval frames against a background of horizontal lines for texture.
Johannes van Doetechum the Elder, Lucas van Doetechum, Claes Jansz Visscher, "Houte Klaes" and "Kommer-stoofs", c. 1564/1565, etching, Andrew W. Mellon Fund, 1975.112.19

"Houte Klaes" and "Kommer-stoofs"

Johannes van Doetechum the Elder, Lucas van Doetechum, Claes Jansz Visscher · c. 1564/1565 · etching ·  Accession ID  1975.112.19

The image shows the ancient Colosseum from a diagonal angle, highlighting its massive ruins. The focus is on the structure, which is partially broken with vegetation growing from its cracks. The background features detailed clouds with cross-hatching and linework, adding depth to the sky above. Small figures can be seen near the base of the Colosseum, providing scale. The color palette is monochromatic with varied intensity of black lines on a light background.
Hieronymus Cock, View of the Colosseum, probably 1550, etching on laid paper, Ailsa Mellon Bruce Fund, 1994.80.3

View of the Colosseum

Hieronymus Cock · probably 1550 · etching on laid paper ·  Accession ID  1994.80.3