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cancelled

National Gallery Nights in the East Building

Hands-On Activities:  National Gallery Nights: Art Under the Stars

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cancelled

Shown from the knees up, a woman with brown, wrinkled skin, wearing a white blouse, apron, and black skirt is shown in front of a pale gray background in this vertical portrait painting. Straight-backed, she faces and looks at us with her hands resting in her lap. Her wavy, iron-gray hair is parted in the center and pulled back from her face. Her eyebrows are slightly raised, and her face is deeply lined down her cheeks and around her mouth. She wears a heart-shaped brooch with a red stone at its center at her neck and a gold band on her left ring finger. The light coming from our left casts a shadow against the wall to our right. The artist signed and dated the painting in the lower right corner: “A.J. MOTLEY. JR. 1922.”

Talks & Conversations:  Finding Awe: Archibald John Motley Jr.’s Portrait of My Grandmother 

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cancelled

Shown from the knees up, a woman with brown, wrinkled skin, wearing a white blouse, apron, and black skirt is shown in front of a pale gray background in this vertical portrait painting. Straight-backed, she faces and looks at us with her hands resting in her lap. Her wavy, iron-gray hair is parted in the center and pulled back from her face. Her eyebrows are slightly raised, and her face is deeply lined down her cheeks and around her mouth. She wears a heart-shaped brooch with a red stone at its center at her neck and a gold band on her left ring finger. The light coming from our left casts a shadow against the wall to our right. The artist signed and dated the painting in the lower right corner: “A.J. MOTLEY. JR. 1922.”

Talks & Conversations:  Finding Awe: Archibald John Motley Jr.’s Portrait of My Grandmother 

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cancelled

Films:  Compensation 

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cancelled

Shown from the knees up, a woman with brown, wrinkled skin, wearing a white blouse, apron, and black skirt is shown in front of a pale gray background in this vertical portrait painting. Straight-backed, she faces and looks at us with her hands resting in her lap. Her wavy, iron-gray hair is parted in the center and pulled back from her face. Her eyebrows are slightly raised, and her face is deeply lined down her cheeks and around her mouth. She wears a heart-shaped brooch with a red stone at its center at her neck and a gold band on her left ring finger. The light coming from our left casts a shadow against the wall to our right. The artist signed and dated the painting in the lower right corner: “A.J. MOTLEY. JR. 1922.”

Talks & Conversations:  Finding Awe: Archibald John Motley Jr.’s Portrait of My Grandmother 

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cancelled

Talks & Conversations:  A Snapshot of Photography and the Black Arts Movement, 1955-1985

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Exhibitions

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Exhibition:  In the Tower: Chakaia Booker: Treading New Ground

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Exhibition:  Back and Forth: Rozeal., Titian, Cezanne

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Two men on logs surrounded by the rapids of the Hudson River with green trees on both sides and a blue sky with white puffy clouds.

Exhibition:  American Landscapes in Watercolor from the Corcoran Collection

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Exhibition:  Photography and the Black Arts Movement, 1955–1985

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Exhibition:  The Stars We Do Not See: Australian Indigenous Art

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Guided Tours

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cancelled

Guided Tours:  Exhibition Tour—Civil Rights in Photography and the Black Arts Movement

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cancelled

A man and a child looking at a sculpture in the National Gallery of Art.

Guided Tours:  French Sculpture

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A man and a child looking at a sculpture in the National Gallery of Art.

Guided Tours:  French Sculpture

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Guided Tours:  Exhibition Tour—The Stars We Do Not See: Australian Indigenous Art 

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A man and a child looking at a sculpture in the National Gallery of Art.

Guided Tours:  French Sculpture

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A man and a child looking at a sculpture in the National Gallery of Art.

Guided Tours:  French Sculpture

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