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The soaring, gilded vault of a central aisle of the inside of a church fills this horizontal painting. The ceiling of the nave curves up and away from us like a tunnel. It is lined with coffers, which have inset panels, decorated with gold. The light-filled nave angles down from the top center of the composition toward the lower left as it moves away from us. The white stone pillars supporting the barrel vault are intricately carved and decorated with pudgy, winged cherubs holding portraits of men, and aisles run parallel to the central nave to our left and right. In the side aisles, pink marble columns flank altars in chapels. At the far end of the church, the nave is interrupted where it opens into the light-filled crossing, before continuing beyond. Marking the space where the long hall of the church is intersected by a shorter arm to create a cross shape is a structure made of four twisting columns supporting a pointed canopy, all cast in bronze. Tiny men and women pray or gather in pairs and small groups along the nave. Some wear tattered clothing and others are elegantly dressed.

Talks & Conversations:  Finding Awe: Giovanni Paolo Panini’s Rome

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Registration Required

Talks & Conversations:  Mitch Epstein, In Conversation with History: Photographing American Culture and the American Landscape

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Registration Required

Concerts & Performances:  Orquesta Manplesa

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The soaring, gilded vault of a central aisle of the inside of a church fills this horizontal painting. The ceiling of the nave curves up and away from us like a tunnel. It is lined with coffers, which have inset panels, decorated with gold. The light-filled nave angles down from the top center of the composition toward the lower left as it moves away from us. The white stone pillars supporting the barrel vault are intricately carved and decorated with pudgy, winged cherubs holding portraits of men, and aisles run parallel to the central nave to our left and right. In the side aisles, pink marble columns flank altars in chapels. At the far end of the church, the nave is interrupted where it opens into the light-filled crossing, before continuing beyond. Marking the space where the long hall of the church is intersected by a shorter arm to create a cross shape is a structure made of four twisting columns supporting a pointed canopy, all cast in bronze. Tiny men and women pray or gather in pairs and small groups along the nave. Some wear tattered clothing and others are elegantly dressed.

Talks & Conversations:  Finding Awe: Giovanni Paolo Panini’s Rome

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Registration Required

Films:  Robert Wilson and the Civil Wars 

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Films:  Every Contact Leaves a Trace with Grazing on Images 

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Exhibition:  In the Tower: Chakaia Booker

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Exhibition:  Back and Forth

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Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting. The billowing sail extends off the top left corner of the canvas and is echoed in the background to our right by the tall sails of another ship in the distance. The horizon line comes about a third of the way up the composition, and puffy gray and white clouds sweep across the turquoise sky. The sun lights the scene from our right so the boys’ ruddy faces are in shadow under their hats. The young man and boys all face our left so they lean against and into the boat as it cants up to our right. The boy nearest the sail to our left reclines across the bow. Next to him to our right, a younger boy perches on the edge of the boat and holds on with both hands. The oldest, in a red shirt, sits on the floor of the boat as he maneuvers the sail with a rope. Closer to us and to our right, a younger boy sits with his bare feet pressed together in front of his bent knees on the back edge of the boat, gazing into the distance over his right shoulder as he handles the tiller. The artist signed and dated the painting in dark letters in the lower right corner: “HOMER 1876.”

Exhibition:  Celebrating American Art

Ongoing from March 1, 2026

Exhibition:  Thomas Cole

Ongoing

Exhibition:  Mark Rothko

Ongoing

Guided Tours

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Guided Tours:  The Collection, Up Close

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Guided Tours:  Impressionism and 19th-Century France  

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A woman showing a man and a woman a painting at the National Gallery of Art.

Guided Tours:  American Art

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Two visitors with their back to us look at an abstract geometric painting hanging on a white wall. The woman has long dark hair, and is gesturing her hand towards the painting. The man has a grey baseball cap, and short hair.

Guided Tours:  Understanding Modern and Contemporary Art

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canceled

Guided Tours:  Sculpture Garden Tours 

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Guided Tours:  The Collection, Up Close

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