Talks & Conversations

Storytime: Don’t Let the Pigeon Drive the Bus!

¡No dejes que la paloma conduzca el autobús!

Visitors enjoy Storytime in the National Gallery's East Building. 

Canceled

Let’s play together while reading aloud the children’s book Don’t Let the Pigeon Drive the Bus! / ¡No dejes que la paloma conduzca el autobús! by Mo Willems in English and Spanish. We welcome all ages, especially our youngest visitors and nursing parents.

We will gather our play group at the entrance of our East Building and we will get settled in the Atrium with a special book and other creative ways to play. We will read the story twice. Storytime is free of charge and there is no registration.

You’re welcome to park strollers at coat check. Children must be accompanied by an adult.

Have a group to bring? Questions? Contact [email protected].

Storytime takes place the first Friday and Saturday of the month with a new book to enjoy.

Juguemos juntos mientras leemos un libro en voz alta en inglés y en español. Invitamos a personas de todas las edades, especialmente a nuestros visitantes más jóvenes, así como a padres y madres lactantes.

Nos reuniremos con el grupo en la entrada del Edificio Este y nos acomodaremos en el atrio con un libro especial y otras actividades creativas. La hora de cuentos es una actividad gratuita. No hay que inscribirse.

Se pueden aparcar los cochecitos en el guardarropa en la entrada del edificio. Los niños deben estar acompañados de un adulto.

¿Quiere traer a un grupo? ¿Preguntas? Escriba a [email protected].

La hora de cuentos tiene lugar el primer viernes y sábado de cada mes (con algunas excepciones), cada vez con un libro nuevo.

 

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Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting. The glowing cliffs dominate the upper right quadrant of the painting. They lighten from burnt orange along the jagged tops to flame orange down the steep sides, and are and warm, parchment white near the earth. One tall, narrow promontory to our right looms over a range of lower, rounded cliffs. As the cliffs move into the distance, they are shrouded with a lavender-purple haze. The land closest to us dips into a shallow valley at the bottom center of the composition, leading away from us. The dirt-packed earth is dotted with pine-green, scrubby bushes and vegetation and a grove of low, gnarled trees a short distance to our right. One chestnut-brown horse walks along the path at the bottom center of the composition, lagging behind a cluster of at least two dozen horses and riders winding into the distance. The horses range from ivory white to tawny brown and charcoal gray. The riders are loosely painted so some details are indistinct, but they all seem to have brown skin and dark hair. They wear feathered headdresses and garments in teal blue, fawn brown, or golden yellow. They ride over a low hill toward a crystal-blue river, and then back along a flat expanse toward a row of minuscule, triangular tepees lining the horizon in the deep distance. The horizon comes halfway up the composition, and the tepees are backed by a row of rose-pink, flat-topped cliffs. A pale yellow disk hangs low in the sky, over the distant cliffs. The sky above deepens from soft, lilac purple along the horizon to ice and sapphire blue along the top. A few wispy clouds are burnished orange in the sunlight. The artist signed and dated the painting in the lower right corner, “TYMoran 1881,” with the T, Y, and M overlapping to make a monogram.

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