The Passion

first quarter 16th century

Master S

Associated Names
Master S

Artist, Netherlandish, active 1516 - c. 1545

This is a photograph of a red textured surface. The image shows a close-up view of a material that has a consistent, even crimson color with a subtle grid-like pattern. This pattern is reminiscent of a leather-like texture, characterized by its small, interconnected lines and natural-looking grooves that give it a realistic, tactile appearance. The surface appears to be smooth and slightly glossy, reflecting the light subtly to highlight the pattern throughout. The edges of the surface are slightly rounded.

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Artwork overview

  • Medium

    bound volume with 18 engravings

  • Credit Line

    Rosenwald Collection

  • Dimensions

    book: 15.0 × 11.5 × 1.0 cm (5 7/8 × 4 1/2 × 3/8 in.)

  • Accession Number

    1943.3.7972.1-18

  • Catalogue Raisonné

    Hollstein, undescribed

Associated Artworks

See all 18 artworks
This is a drawing of an ornate gathering scene. The detailed etching features a group of figures seated around a central figure, surrounded by elaborate architectural elements such as intricately carved columns and archways. The figures are depicted with halos and arranged closely together, engaged in an event. The scene is framed by an ornate border with decorative patterns and putti at the top. The style is reminiscent of Renaissance-era engravings with detailed linework and shading.

The Last Supper

Master S

1500

This is a drawing with multiple figures in an intense scene. There is a central architectural structure with columns and textiles. The scene shows a figure kneeling with a halo, surrounded by other figures engaged in dynamic actions. Above, there is an alcove with two putti. The drawing is detailed with rich texture created by lines and cross-hatching, providing depth to the figures and architecture. The border is decorated with vines or floral motifs.

The Flagellation

Master S

1500

This is a drawing of a group of armed figures within a decorative frame. The detailed scene depicts individuals clustered tightly together. Some are holding weapons or shields. The central figure is depicted with a halo. The action is surrounded by an intricately designed border with ornate motifs and cherubic figures in the top corners. The style of the drawing is reminiscent of medieval or early Renaissance woodcuts, with fine lines and shading creating depth and texture.

The Betrayal of Christ

Master S

1500

Artwork history & notes

Provenance

Edward Arnold, Surrey, England; (his sale, Sotheby's, London, 6-8 May 1929?); (Charles Sessler, Philadelphia); purchased Lessing J. Rosenwald, Jenkintown, PA; gift to NGA, 1943.

Associated Names

Bibliography

1996

  • The New Hollstein German Engravings, Etchings and Woodcuts, 1400-1700. (Virgil Solis, Dieter Beaujean, author). Rotterdam: Sound & Vision Interactive, 1996-, no. undescribed.

Inscriptions

on verso of free end paper, in graphite by later hands:870. / 870 / style 9 / Virgil Solis / 18 plates / DM/-/- / $360= / 11835 / MALL[?]

Markings

inside front cover of volume: [armorial bookplate of Edward Arnold with Andrew W. Arnold (The Grove, Dorking, Surrey)]; on interior side of back cover, stamped in gold: [oval motif of the binder Zaehnsdorf]

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