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lower center on chest: NOTVS INFRATRES / ANIMI PATERNI (Horace, Carmina, II, 2, 6)


Palazzo Capponi, Florence, until 1871. Oskar Hainauer [1840-1894], Berlin; his wife, Julie Hainauer [1850-1926, Berlin; acquired 1906 with the entire Hainauer collection by (Duveen Brothers, Inc., London, New York, and Paris); sold 1941 to the Samuel H. Kress Foundation, New York;[1] gift 1943 to NGA.[2]

Exhibition History
Ausstellung von Gemälden älterer Meister im Berliner Privatbesitz, veranstaltet zu Ehren der silbernen Hochzeit I.I. KK. u. KK. Hoheiten des Kronprinzen und der Frau Kronprinzessin, Königlichen Akademie der Künste, Berlin, 1883, no. 15, as Florentine 16th Century.
Dohme, Richard. "Die Ausstellung von Gemälden älterer Meister im Berliner Privatbesitz. Die Französische Schule des XVIII. Jahrhunderts. II. Die Schule Watteau's." Jahrbuch der Königlich Preussischen Kunstsammlungen 4 (1883): 119-151, esp 137.
Bode, Wilhelm von, ed. Die Sammlung Oscar Hainauer / The Collection of Oscar Hainauer. [bound as one volume, English and German pages interleaved in one page sequence] Berlin, 1897 and London, 1906: 60-61, no. 3 as Florentine, end of 16th century.
Swarzenski, Georg. "Some Aspects of Italian Quattrocento Sculpture in the National Gallery." Gazette des Beaux-Arts 6th series, 24 (November 1943): 302, 303 fig. 17.
Duveen Brothers, Inc. Duveen Sculpture in Public Collections of America: A Catalog Raisonné with illustrations of Italian Renaissance Sculptures by the Great Masters which have passed through the House of Duveen. New York, 1944: figs. 208-209, as by Leone Leoni.
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 199, repro., as by Leone Leoni.
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 431, repro., as by Leone Leoni.
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 160, as by Leone Leoni.
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 142, repro., as by Leone Leoni.
Middeldorf, Ulrich. "On Some Portrait Busts Attributed to Leone Leoni." The Burlington Magazine 117 (February 1975): 84, as Florentine c. 1600.
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 70-71, fig. 121, as attributed to Gherardo Silvani, 1579-1675.
Pratesi, Giovanni, ed. Repertorio della scultura fiorentina del Seicento e Settecento. 3 vols. Turin, 1993: 1:72.
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 36, repro.
Norman Herz, Katherine A. Holbrow, and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.
Martin, Thomas. "Giovanni Caccini’s bust of Baccio Valori." The Burlington Magazine 144 (December 2002): 724-734, esp 432 n. 59.
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