Washington Diary

October 11-19, 2003

Andy Goldsworthy

Associated Names
Andy Goldsworthy

Artist, British, born 1956

This is a photograph of a small hillside covered with green foliage and a bright red patch beneath a tree trunk. The scene captures a small natural environment with a focus on the contrast between the lush green and the striking red. The photograph is mounted on a piece of paper with a handwritten text below it. The text appears to be an entry dated October 11, 2003.
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Artwork overview

  • Medium

    silver dye bleach print, graphite

  • Credit Line

    The Nancy Lee and Perry Bass Fund

  • Dimensions

    sheet: 56.7 x 38.1 cm (22 5/16 x 15 in.)

  • Accession Number

    2004.74.2.1

Associated Artworks

See all 8 artworks

Washington Diary

Andy Goldsworthy

2003

This is a photograph of a textured stone surface with accompanying handwritten text. The photograph captures a close-up of a textured, moss-covered stone or rock with varying shades of green, brown, and patches of light filtering through foliage above, creating shadowed patterns on the surface. The text surrounding the image appears to be a reflective journal entry dated October 12, 2003, and mentions observations related to the quarry in which the stone is located, the interplay of light and shadow, and the writer's thoughts and contemplations of the natural scene. The document combines elements of visual art with personal written expression, providing insight into both the aesthetic and emotional experiences associated with the captured image.

Washington Diary

Andy Goldsworthy

2003

This is a photograph of a dark-toned object with a vivid red tip against a natural background. The main element of the image is a large, stone or stone-like object partially covered by foliage and natural debris on a forest floor. The tip of the object is painted bright red, catching the light in contrast to the shadowy setting. In the foreground, out-of-focus leaves partially obscure the stone, suggesting it is nestled in a lush green environment. Sepia-toned text beneath the photograph details the observer's perception, experience, or narrative involving the scene captured, suggesting a thoughtful engagement with the subject matter.

Washington Diary

Andy Goldsworthy

2003


Artwork history & notes

Provenance

The artist; NGA purchase, 2004.

Associated Names

Inscriptions

OCTOBER 11, 2003

I ARRIVED LATE LAST NIGHT AND WENT TO THE ISLAND THIS MORNING. IT IS MUCH SMALLER THAN I EXPECTED BUT WHAT AN INTERESTING PLACE. THE PROMINENCE OF THE BUILDINGS THAT CAME OUT OF IT, THE CAPITOL AND THE WHITE HOUSE AMONGST THEM ARE IN SUCH CONTRAST TO THIS MODEST, INTIMATE, HIDDEN PLACE.

I AM HERE BECAUSE THE NATIONAL GALLERY IN WASHINGTON DC HAS ASKED ME TO MAKE A PROPOSAL FOR THEIR COLLECTION. I SUGGESTED THAT AS A STARTING POINT THAT I WORK IN THE QUARRIES FROM WHICH SOME OF THE BUILDINGS OF WASHINGTON WERE TAKEN. I HOPED THAT BY GOING TO THE CITY'S PHYSICAL SOURCE THAT I MIGHT GAIN INSIGHT TO ITS ORIGIN, CONNECTION AND RELATIONSHIP TO THE LAND.

THE EXTRACTION OF STONE HAS LEFT THE ISLAND MORE INTERESTING THAN IF IT HAD NOT BEEN TOUCHED. NOT ONLY HAS BEEN ENRICHED BY THE WORKING AND HISTORY OF THE PLACE IT IS ALSO A MORE DIVERSE ENVIRONMENT.

THE QUARRYING HAS LEFT HOLES IN THE ISLAND. I AM REMINDED OF INFORMATION MY SON RECENTLY FOUND ON THE INTERNET ABOUT A PLACE CALLED GOLDSWORTHY IN AUSTRALIA;

"ONCE A MINING TOWN WITH A POPULATION OF ABOUT 500, GOLDSWORTHY NO LONGER EXISTS. ALL THAT REMAINS TO MARK THE TOWN IS A ROW OF TREES BY THE ROAD.

BEFORE MINING TOOK PLACE, MOUNT GOLDSWORTHY WAS 132 METRES HIGH, NOW IT IS JUST A BIG HOLE IN THE GROUND."

LEAVING A HOLE IS NOT LIKE LEVELLING A HILL. I PREFER A QUARRY THAT LEAVES AS MUCH, IF NOT MORE, SURFACE AREA THAN BEFORE IT BEGAN.

I STRUGGLED TO FIND SOMETHING TO MAKE. THE LEAVES HAVE HARDLY BEGUN TO CHANGE COLOUR AND I ONLY FOUND A FEW RED LEAVES TO WORK WITH. I STUCK THESE WITH WATER TO THE TIP OF A TAPERED ROCK IN ONE OF THE OVERGROWN QUARRIES THAT POCKET THE ISLAND - DRAWING THE STONE TO A RED POINT. THE COMBINATION OF RED AND A POINT HAS A VIOLENCE ABOUT IT. A PASSER BY SAID IT LOOKED LIKE BLOOD.

ALTHOUGH THE DISUSED QUARRIES ARE NOW SETTLED THERE WAS A TIME WHEN THE EFFORTS OF EXTRACTING THE STONE WOULD HAVE GIVEN THE PLACE, AT TIMES, VIOLENT ENERGY.

THE RED LEAVES ON THE STONE CHANGED WITH THE LIGHT - BECOMING MORE VIVID AS THE SUN SHONE DIFFUSELY THROUGH THE HAZY SKY. AN ELUSIVE RED. IT WILL BE MORE EVIDENT IN A WEEK OR SO WHEN THE OPENING OF THE CANOPY WILL ALLOW MORE LIGHT TO REACH THE WOOD FLOOR - AT PRESENT THE LIGHT IS DRY AND DULL. IT NEEDS TO RAIN!

Wikidata ID

Q64074325

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