Washington Diary

October 11-19, 2003

Andy Goldsworthy

Associated Names
Andy Goldsworthy

Artist, British, born 1956

This is a photograph showing a shaded area with a wooden fence and foliage. The fence casts shadows on the grass. There is a mix of greenery surrounding the fence with sunlight coming through the tree canopy. Below the photograph is handwritten text.
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Artwork overview

  • Medium

    silver dye bleach print, graphite

  • Credit Line

    The Nancy Lee and Perry Bass Fund

  • Dimensions

    sheet: 56.7 x 38.1 cm (22 5/16 x 15 in.)

  • Accession Number

    2004.74.2.6

Associated Artworks

See all 8 artworks
This is a photograph of a small hillside covered with green foliage and a bright red patch beneath a tree trunk. The scene captures a small natural environment with a focus on the contrast between the lush green and the striking red. The photograph is mounted on a piece of paper with a handwritten text below it. The text appears to be an entry dated October 11, 2003.

Washington Diary

Andy Goldsworthy

2003

Washington Diary

Andy Goldsworthy

2003

This is a photograph of a textured stone surface with accompanying handwritten text. The photograph captures a close-up of a textured, moss-covered stone or rock with varying shades of green, brown, and patches of light filtering through foliage above, creating shadowed patterns on the surface. The text surrounding the image appears to be a reflective journal entry dated October 12, 2003, and mentions observations related to the quarry in which the stone is located, the interplay of light and shadow, and the writer's thoughts and contemplations of the natural scene. The document combines elements of visual art with personal written expression, providing insight into both the aesthetic and emotional experiences associated with the captured image.

Washington Diary

Andy Goldsworthy

2003


Artwork history & notes

Provenance

The artist; NGA purchase, 2004.

Associated Names

Inscriptions

OCT 16, 2003

WORKED ON THE POINTED ROCK UPON WHICH I LAID RED LEAVES THE FIRST DAY THAT I ARRIVED. OVER THE PAST FEW DAYS I HAVE NOTICED HOW AND WHEN THE SUN PASSES ACROSS THE ROCK. TODAY I MADE VERTICAL CLAY RIDGES IN ITS TIP TO CUT THE LIGHT INTO LINES OF SHADOW.

THE LIGHT CHANGES THAT OCCURRED TO THE STONE WERE SUDDEN AND SHORT LIVED - UNLIKE THE QUARRY FACE THAT I WORKED WITH YESTERDAY, ACROSS WHICH THE SUN GRADUALLY MOVED. THERE WAS A FIFTEEN MINUTE PERIOD BETWEEN 1:10 AND 1:25 PM WHEN A SUBSTANTIAL PART OF THE STONE AND THE ENTIRE TIP WAS ILLUMINATED WITHOUT ANY FLICKERING OR LEAF SHADOW. THIS WAS THE WORK AT ITS MOST COMPLETE. THERE WERE ALSO MOVEMENTS LEADING UP TO THAT TIME THAT WERE EQUALLY, IF NOT MORE INTERESTING. NO FRAGMENTS OF THE CLAY LINES WERE CAUGHT BY SHAFTS OF LIGHT FILTERING THROUGH THE TREES.

THESE WORKS HAVE BEEN THE MOST SUCCESSFUL I HAVE EVER MADE IN DEALING WITH A LIGHT THAT I FIND MOST DIFFICULT TO WORK WITH - SUNLIGHT THROUGH TREES. THE WOOD FLOOR BECOMES A CAMOUFLAGE PATTERN OF PATCHES WHICH BREAKS UP FORM AND BURNS OUT COLOURS.

THE WORK THAT I HAVE MADE HERE HAS, I FEEL, UNDERSTOOD THE CHANGING LIGHT THAT PASSES THROUGH THIS PLACE. THEY HAVE SUCCEEDED BECAUSE THEY HAVE WORKED WITH A SPECIFIC TIME, PLACE AND MATERIAL - A MEETING OF LIGHT AND FORM WHICH I HAVE NEVER ACHIEVED IN SIMILAR CONDITIONS BEFORE. I HAVE BEEN ALLOWED INTO A NEW WAY OF LOOKING.

I PROBABLY COULD NOT HAVE MADE THESE WORKS LAST WEEK OR NEXT WHEN THE SUN MIGHT CAST A DIFFERENT SHADOW. TIMING RUNS THROUGH THEM IN EVERY SENSE OF THE WORD.

THE CLAY CAME FROM THE QUARRY - I HAD NOT SEEN IT UNTIL NOW. THE RAIN HAD RECONSTITUTED THE DRY HARD EARTH - MAKING IT BOTH VISIBLE AND WORKABLE. IT WAS A PALE TAN COLOUR. WITHOUT THE SUN THE WORK APPEARED FLAT. THE LINES REMINDED ME OF THE CARVED FLUTING ON COLUMNS. A TREE GREW JUST BEHIND THE STONE WHICH ADDED TO THE SENSE OF A COLUMN BUT ALSO MADE THE CLAY LINES APPEAR AS BARK AND THE STONE AS WOOD.

Wikidata ID

Q64074334

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