Madonna and Child with Two Angels, Saint Rose, and Saint Catherine of Alexandria

late 1480s/early 1490s

Pietro Perugino

Artist, Umbrian, c. 1450 - 1523

Workshop of Pietro Perugino

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Artwork overview

More About this Artwork


Artwork history & notes

Provenance

Leon Potocki [1799-1864].[1] Sir George Donaldon [1845-1925], London; sold 1907 to William A. Clark [1839-1925], New York;[2] bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art.
[1] On the reverse of the painting is a paper label depicting a crown, plumes, a coat of arms, and the name "Leon Potocki."
[2] Dana H. Carroll, Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue, Part I, Unpublished manuscript, n.d. (1925): 128, no. 60. Carroll writes that the painting belonged to "Prince Sotocke," likely an incorrect rendering of Leon Potocki's name.

Associated Names

Exhibition History

2023

  • Il meglio maestro d’Italia: Perugino e il suo tempo, Galleria Nazionale dell’Umbria, Perugia, 2023, no. V.6, repro.

Bibliography

1925

  • Carroll, Dana H. Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue. Part I. Unpublished manuscript, n.d. (1925): 128, no. 60.

1932

  • Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, 1932: 81, as by Bernardino di Mariotto.

1936

  • Berenson, Bernard. Pitture italiane del Rinascimento. Milan, 1936: 70, as by Bernardino di Mariotto.

1969

  • Camesasca, Ettore. L’opera completa del Perugino. Milan, 1969: 93, under cat. 28.

1972

  • Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 161, 643.

1984

  • Scarpellini, Pietro. Perugino. Milan, 1984: 81.

1997

  • Antenucci Becherer, Joseph. "Perugino in America: Masterpieces, Myths, and Mistaken Identities." In Joseph Antenucci Becherer, ed. Pietro Perugino: Master of the Italian Renaissance. Exh. cat., The Grand Rapids Art Museum, Grand Rapids, 1997: 115.

2023

  • Martelli, Cecilia. “Dopo il successo della Sistina: le opere di Perugino degli anni ottanta.” In Marco Pierini and Veruska Picchiarelli, eds. Il meglio maestro d’Italia. Perugino e il suo tempo. Exh. cat., Galleria Nazionale dell’Umbria, Perugia, 2023: 261, as possibly by Antonio da Viterbo, called Pastura.

  • Shaneyfelt, Sheri Francis. Painting in Renaissance Perugia: Perugino, Raphael, and their Circles. Cambridge, 2023: 34-36, fig. 1.16, as Attributed to Andrea d’Assisi, called Ingegno.

Wikidata ID

Q46624477


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