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Provenance

(Walter Schnackenberg, Munich), by April 1925.[1] (F. Kleinberger, Paris and New York), by 1927.[2] Private collection, New York.[3] (Count Alessandro Contini Bonacossi, Florence), by 1929;[4] sold 26 June 1935 to the Samuel H. Kress Foundation, New York;[5] gift 1939 to NGA.

Exhibition History

1927
Loan Exhibition of Primitives, Lotus Club, New York, 1927, no. 13, as by Utili.

Bibliography

1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 13(1931): 180, 183, fig. 119, as by Giovanni Battista Utili.
1938
Becherucci, Luisa and Roberto Longhi. "Supposto G. B. Utili (Biagio d'Antonio da Firenze?)." In Cesare Gnudi and Luisa Becherucci, eds. Mostra di Melozzo e del Quattrocento Romagnolo. Exh. cat., Palazzo dei Musei, Forlì, 1938: 87.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 202, no. 290, as by Giovanni Battista Utili.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 245, repro. 202, as by Giovanni Battista Utili.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 79, repro., as by Giovanni Battista Utili.
1963
Berenson, Bernard. Italian Pictures of the Renaissance: Florentine School. 2 vols. London, 1963: 1:212, as by Giovanni Battista Utili.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 15.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 132, fig. 362.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 8, repro.
1971
Zeri, Federico, with Elizabeth Gardner. Italian Paintings. A Catalogue of the Collection of the Metropolitan Museum of Art. Florentine School. New York, 1971: 146.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 28.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 30, repro.
1976
Fahy, Everett. Some Followers of Domenico Ghirlandajo. New York, 1976: 209.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:73; 2:pl. 47.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 48, repro.
1986
Corbara, Antonio. “Le due pietà di Biagio d’Antonio e le loro vicende critiche.” In Gli artisti, la città. Studi sull’arte faentina di Antonio Corboara. Bologna, 1986: 77. Originally published in Il Piccolo (Faenza), June-July 1968.
1994
Bartoli, Roberta. “Corbara e Biagio d’Antonio: conferme e novità.” In Convegno di Studio in onore dello Storico e Critico d’Arte dott. Antonio Corbara nel X anniversario della morte. Faenza, 1994: 104.
1996
Wilson, Carolyn C. Italian Paintings XIV-XVI Centuries in the Museum of Fine Arts, Houston. Houston, 1996: 148.
1999
Bartoli, Roberta. Biagio d’Antonio. Milan, 1999: 68-69, 91, 191, 201, 202-203, cat. 51.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 130-133, color repro.
2011
Boskovits, Miklós, ed. The Alana Collection, Newark, Delaware, USA. Vol. II: Italian Paintings and Sculptures from the Fourteenth to Sixteenth Century. Florence, 2011: 84, 88 n. 11, fig. 3.

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