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lower right: Henri-Matisse


Sold by the artist 27 or 30 April 1912 to (Galerie Bernheim-Jeune, Paris); sold 15 June 1912 to Curt Glaser [1879-1943], Berlin.[1] by sale or exchange to Oskar [1875-1947] and Greta Moll, Berlin, by 1913/1914.[2] (Galerie Thannhauser, Berlin), by 1932.[3] (Valentine Gallery, New York).[4] (Erhard Weyhe Gallery, New York), by the early 1940s;[5] sold after 1945 to Mr. and Mrs. Alfred H. Barr, Jr., New York;[6] on consignment with (Eugene Victor Thaw and Co., New York) and (Xavier Fourcade, Inc., New York); sold 1978 to NGA.

Exhibition History
Kollektionen: Henri Matisse, Franz Heckendorf, E.L. Kirchner, Georg Leschnitzer, Kunst-Salon Fritz Gurlitt, Berlin, 1913, no. 60, as Die Palme.
Possibly Exposition Henri-Matisse tableaux du Maroc et sculpture, Bernheim-Jeune & Cie., Paris, 1913, not in cat.
Six Centuries of Landscape, Montreal Museum of Fine Arts; National Gallerie, Berlin, 1952, no. 64, repro.
Rétrospective Henri Matisse, Musée National d'Art Moderne, Paris, 1956, no. 32, repro.
The Dial and the Dial Collection, Worcester Art Museum, 1959, no. 60
Henri Matisse, Exposition du Centenaire, Grand Palais, Paris, 1970, no. 114, repro.
Henri Matisse, Kunsthaus Zurich; Städtische Kunsthalle Düsseldorf, 1982-1983, no. 35.
Henri Matisse, Moderna Museet, Stockholm; Louisiana Museum of Modern Art, Humlebaek, Denmark, 1984-1985, no. 20, repro.
The Orientalists: Delacroix to Matisse, The Allure of North Africa and the Near East, Royal Academy of Arts, London; National Gallery of Art, Washington, D.C., 1984, no. 99c (London catalogue), no. 77c (Washington catalogue), repro.
Matisse in Morocco: The Paintings and Drawings, 1912-1913, National Gallery of Art, Washington, D.C.; Museum of Modern Art, New York; State Pushkin Museum of Fine Arts, Moscow; State Hermitage Museum, Leningrad, 1990-1991, no. 7, repro.
Henri Matisse 1904-1917, Musée national d'art moderne, Centre Georges Pompidou, Paris, 1993, no. 98, repro., as La palme.
Matisse-Bonnard, une amitié, Musée Matisse, Nice, 1996, no catalogue.
Henri Matisse: 'La révélation m'est venue de l'Orient', Musei Capitolini, Rome, 1997-1998, no. 28, repro.
Le Maroc de Matisse, Institut du Monde Arabe, Paris, 1999-2000, no. 6, repro., as La Palme (Matin de mars près de Tamger).
Matisse: In Search of True Painting, Musée national d'art moderne, Centre Georges Pompidou, Paris; Statens Museum for Kunst, Copenhagen; The Metropolitan Museum of Art, New York, 2012-2013.
Morrice and Lyman in the Company of Matisse, Museé des beaux-arts du Québec; McMichael Canadian Art Collection, Kleinburg, 2014-2015, no. 20, repro. (shown only in Quebec).
Matisse. Arabesque, Scuderie del Quirinale, Rome, 2015, no. 6, repro.
Painting the Modern Garden: Monet to Matisse, Cleveland Museum of Art; Royal Academy of Arts, London, 2015-2016, no. 109, repro.
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 594, no. 923, color repro.
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 265, repro.
Strick, Jeremy. Twentieth Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building. Washington, D.C., 1989: 26, repro. 27.
Dauberville, Guy-Patrice and Michel. Henri Matisse Chez Bernheim-Jeune. 2 vols. Paris, 1995: I:no. 122.
Matisse: La révélation m'est venue de l'Orient, Exh. cat., Musei capitolini, Rome, 1997: 142, no. 28, repro.
Henri Matisse: Processus/Variation. Exh. cat. National Museum of Western Art, Tokyo. Tokyo, 2004: 47, fig. 22.
Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works. Exh. cat. National Gallery of Art, Washington, D.C., 2009: 6-7, repro.
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