Plate 48: Guinea Pig and Hedgehogs with Melon and Cobnuts, c. 1575/1580

Inscription

upper center in black ink: Multa sagax vulpes, unum tamen hirtus Echinus / Novit, qua mundi parte flet aura vaga. (“The wise fox has discerned many things, the rough hedgehog just one: on which side of the world the vagrant wind blows.”) (trans. Bass 2019, 207); upper center in (gold?): EX SCABRO IN LEVE[M] NV[M]QVA[M] VERTETVR ECHINUS. (“The rough hedgehog will never be made smooth.” Erasmus, _Adages_, 2.9.59) (trans. Bass 2019, 207); right center in black ink: XXXXVIII.; on plaque tied to tree branch on right in red ink: VIS NVLLA SED ERROR (“No strength is anything but an error.”) (trans. Bass 2019, 207); on branch under hedgehog in (gold?): MEA ME IN VIRTUTE INVOLVO (“I wrap myself in my virtue.” Horace, _Odes/Carmina_, 3.29.54-55) (trans. Bass 2019, 265); animals in image numbered .1. and .2., in red ink; lower center in red ink: ARS VARIA VVLPI, AST VNA ECHINO MAXIMA. (“The fox knows many things, but the hedgehog one big thing.” Erasmus, _Adages_, 1.5.18) (trans. Bass 2019, 207)
Facing page: upper center in green/blue ink: Insidias cum forte strui presentit Echinus / Mox sua se spinis clausus in arma globat: / Involuit virtute sua se quisq[ue], tueri / Qui contra sortis se mala mille studet. A: Steckelius: Can[ebat]. (Stockelius?) (“When the hedgehog perceives snares devised by the mighty, / He soon curls himself up, closed within the defenses of his spines. / Whoever wraps himself in his own virtue / Applies himself to guarding against a thousand evils of fortune.”) (trans. Bass 2019, 208); middle center in black ink: Corporibus rigidis mira est prudentia parvis, / Vndiq[ue] diripiunt fructus hyemique reponunt. / Pomorum super hi cumulos se saepe volutant, / Inde domum redeunt onerati tergora pomis.; lower center in brown ink: Spargite humum foliis, inducite fontibus umbras / Pastores: mandat fieri sibi talia, Christus.

Provenance

Emperor Rudolph of Austria; Lessing J. Rosenwald, Alverthorpe, PA; gift to NGA, 1987.

Exhibition History

1982

Drawings from the Holy Roman Empire, = 1540 - 1680, The Art Museum, Princeton University, National Gallery of Art, Museum of Art, Carnegie Insitute, Pittsburgh (exh. cat. by Thomas DaCosta Kaufmann, no. 56.

1982

Drawings from the Holy Roman Empire, 1540 - 1680, The Art Museum, Princeton University, National Gallery of Art, Museum of Art, Carnegie Insitute, Pittsburgh (exh. cat. by Thomas DaCosta Kaufmann, no. 56.

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