Temptation of St. Antony I - XIV

1989

Tim Rollins + K.O.S.

Associated Names
Tim Rollins + K.O.S.

Artist, American, born 1955

Crown Point Press

Publisher

The image displays a large black square with a smaller white rectangle at its center. Inside the white rectangle is a line of text, creating a contrast.
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Artwork overview

  • Medium

    portfolio of 14 aquatints on xerograph printed chine collé

  • Credit Line

    Gift of Kathan Brown

  • Dimensions

    Overall: 59.1 x 40.3 cm (23 1/4 x 15 7/8 in.)
    overall: 59.1 x 81.9 cm (23 1/4 x 32 1/4 in.)

  • Accession Number

    1997.8.168.1-14

Associated Artworks

See all 14 artworks
This is a drawing of a page from a book with an ink-like stain. A blot overlays the text on a page marked with the Roman numeral VI. The ink stain expands from a point, disrupting the text beneath it. The page features typed text from a story or literature piece, with sections marked for different speakers, such as "ANTONY" and "THE DEVIL."

Plate I from The Temptation of Saint Antony I-XIV

Tim Rollins + K.O.S., Brian Shure, Crown Point Press

1989

This is an image of a page featuring text with dark, shadowy markings overlaying it. The central rectangular area contains printed text organized in a traditional layout. Over the text, there are soft, dark, vertical brush-like strokes creating a shadowy effect. The markings vary in density, denser at the top and lighter towards the bottom. The background is plain and off-white, contrasting with the darker central element. The shadowy effect adds an abstract and mysterious quality to the image. The outer part of the page appears clean, emphasizing the focus on the central text block.

Plate II from The Temptation of Saint Antony I-XIV

Tim Rollins + K.O.S., Brian Shure, Crown Point Press

1989

This is an image of a black ink stain over a piece of printed text. The composition includes a piece of paper with text, marked "VI," featuring paragraphs with headings "ANON" and "THE DEVIL." An ink stain covers part of the text, resembling abstract flames. The text is centered on a larger white canvas with deckled edges, suggesting an intentional artistic presentation influenced by book or manuscript art. The contrast between the black ink and white paper creates a sense of mystery or editorial commentary on the text.

Plate III from The Temptation of Saint Antony I-XIV

Tim Rollins + K.O.S., Brian Shure, Crown Point Press

1989

Artwork history & notes

Provenance

Acquired by NGA in 1997 directly from Kathan Brown.

Associated Names

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