Teodoro Filippo di Liagno

di Ligano, called Napoletano, Teodoro Filippo
Filippo d'Angeli
Napoletano, Filippo

Italian, 1589 - 1629

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The image depicts a man with dark hair, a mustache, and a ruffled collar. He is facing forward with his head slightly turned, set against a dark background.
Carlo Lasinio, Teodoro Filippo di Liagno, Labrelis, Filippo d'Angeli, 1789, color mezzotint, Rosenwald Collection, 1964.8.1171

Filippo d'Angeli

Carlo Lasinio, Teodoro Filippo di Liagno, Labrelis · 1789 · color mezzotint ·  Accession ID  1964.8.1171

The image shows a landscape featuring a towering cliff on the left side. The horizon is not visible, with the rock formation dominating the scene. At the top of the cliff, there is a small structure. The artwork is done in sepia tones, giving it an old, textured look. The color palette is predominantly brown. A small encampment with people, a tent, and a boat are visible at the base of the cliff. The cliff's surface is depicted with rugged, layered lines, adding depth to the image.
Teodoro Filippo di Liagno, Landscape with a Large Rock, c. 1621/1629, pen and brown ink with brown wash and black chalk, Ailsa Mellon Bruce Fund, 1971.60.2

Landscape with a Large Rock

Teodoro Filippo di Liagno · c. 1621/1629 · pen and brown ink with brown wash and black chalk ·  Accession ID  1971.60.2

The image shows a large wooden ship under construction. The skeleton of the ship is being built on a structure of supporting posts. Detailed line work illustrates the ship's ribs and framework, and various figures are depicted around the ship, some working and others observing the progress. The drawing uses a monochromatic color scheme with shades of brown and sepia.
Teodoro Filippo di Liagno, Galley under Construction, c. 1625/1626, pen and brown ink with brown wash over black chalk, Julius S. Held Collection, 1985.1.26

Galley under Construction

Teodoro Filippo di Liagno · c. 1625/1626 · pen and brown ink with brown wash over black chalk ·  Accession ID  1985.1.26

The image shows a detailed drawing of a fish skeleton in a monochromatic color palette. The fish skeleton extends from the head to the tail, positioned diagonally across the image. Below the fish, there is text in Latin, and the artist's inscription "Pesce Cappone" is near the lower right of the fish's head.
Teodoro Filippo di Liagno, Skeleton of a Gurnard, 1620-1621, etching on laid paper, Gift of Funds from Virginia Mars, 2023.5.4

Skeleton of a Gurnard

Teodoro Filippo di Liagno · 1620-1621 · etching on laid paper ·  Accession ID  2023.5.4

This print shows a skeleton standing in a dynamic pose, its head turned towards the left. The skeleton holds a bow in its right hand and reaches for an arrow from a quiver on its back with its left hand. Its skull has hollow eye sockets and a slightly open jaw, and on top of its head are loose, flowing lines that may represent remaining strands of hair. The background is plain, with lines at the bottom suggesting the ground or surface. There is a banner or scroll near the upper left corner with inscribed text.
Teodoro Filippo di Liagno, Skeleton of a Man with Bow and Arrow, 1620-1621, etching on laid paper, Gift of Funds from Virginia Mars, 2023.5.15

Skeleton of a Man with Bow and Arrow

Teodoro Filippo di Liagno · 1620-1621 · etching on laid paper ·  Accession ID  2023.5.15

This is an illustration of a bird skeleton on a tree branch. The drawing shows the detailed skeletal structure of a small bird, with emphasis on the ribs, wings, and leg bones. The bird is situated on a branch with few leaves in a natural setting. The background is a plain canvas with a Latin inscription at the top. The illustration showcases the fragile and complex skeletal system of the bird, highlighting the delicate bones and their arrangement for perching.
Teodoro Filippo di Liagno, Skeleton of a Starling, 1620-1621, etching on laid paper, Gift of Funds from Virginia Mars, 2023.5.9

Skeleton of a Starling

Teodoro Filippo di Liagno · 1620-1621 · etching on laid paper ·  Accession ID  2023.5.9

This is a drawing of a skeleton of a wild boar. The illustration showcases the skeletal structure of a boar in a side view, focusing on the bones including the ribcage, spine, and legs. The skull is featured, showing the tusks. The background is plain and there is Latin text at the top.
Teodoro Filippo di Liagno, Skeleton of a Boar, 1620-1621, etching on laid paper, Gift of Funds from Virginia Mars, 2023.5.13

Skeleton of a Boar

Teodoro Filippo di Liagno · 1620-1621 · etching on laid paper ·  Accession ID  2023.5.13

This is a drawing of an animal skeleton. The drawing shows the skeletal structure of an animal. The skeleton features a curved spine, detailed ribcage, limb bones, and a skull with prominent eye sockets and a jaw. The illustration is placed on a textured or creviced surface. Above the skeleton is an inscription in Latin script.
Teodoro Filippo di Liagno, Skeleton of a Quadruped, 1620-1621, etching on laid paper, Gift of Funds from Virginia Mars, 2023.5.10

Skeleton of a Quadruped

Teodoro Filippo di Liagno · 1620-1621 · etching on laid paper ·  Accession ID  2023.5.10

This is a drawing of a skeleton of a rabbit. The drawing depicts the skeletal structure of a rabbit in a detailed side view. The skeleton is shown in a standing posture, with elongated limbs and a curved spine, illustrating the distinctive skeletal features of a rabbit. The ribs, vertebrae, and skull are finely delineated. To the right of the skeleton, there are illustrations of small flowers and leaves. There is also a Latin inscription above the skeleton. The line work is precise and clean.
Teodoro Filippo di Liagno, Skeleton of a Rabbit, 1620-1621, etching on laid paper, Gift of Funds from Virginia Mars, 2023.5.5

Skeleton of a Rabbit

Teodoro Filippo di Liagno · 1620-1621 · etching on laid paper ·  Accession ID  2023.5.5

This is a drawing of a skeletal structure resembling that of a creature. The drawing depicts an animal skeleton presented in a stylized, anatomical view, with detailed emphasis on the form and shape of the bones. The creature is shown with its spine slightly curved, limbs bent, and its bones intricately detailed. Above the skeletal form is a textual element that contains Latin script. The drawing has a gothic or medieval aesthetic, with bold, fine lines denoting bone structure.
Teodoro Filippo di Liagno, Skeleton of a Frog, 1620-1621, etching on laid paper, Gift of Funds from Virginia Mars, 2023.5.7

Skeleton of a Frog

Teodoro Filippo di Liagno · 1620-1621 · etching on laid paper ·  Accession ID  2023.5.7

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