Provenance

Frédéric-Alexis-Louis Pillet-Will, comte Pillet

1837 - 1911

Explore Selected Works

Towering, pale, celery-green trees frame a view of a lush park with about a dozen elegantly dressed, light-skinned men and women in this vertical landscape painting. The color palette is dominated by moss and lemon-lime green, golden yellow, and spruce blue. The men all wear jackets with long tails over knee-breeches, and their long hair is pulled back at the napes of their necks. The women wear long dresses with full skirts and hints of lace at the sleeves and bust, and their brown or white hair is pulled up. Nine of the men and women gather to our right on a stone terrace along the bottom edge of the painting. A man in butter yellow kneels in front of a woman wearing rose pink. Around this pair, people stand, kneel, sit, or recline wearing aquamarine blue, light turquoise, or ivory white. A man and woman sit on a bench to our left, a little removed from the larger group. This woman wears ruby red and the man leaning toward her wears topaz blue. Two people in the park beyond these groups are painted with only a few strokes of pale blue and white paint, and they look over a low hedge row lining the walking path. Beds of red flowers fill the lower corners of the composition in front of a statue of a woman to our left and a person, perhaps on a fountain, to our right. The grassy walking path and trees become more blue as they fade into the hazy distance between the tall tress to either side. The sky fades from pale blue along the horizon to a silvery blue, almost white, at the top.
Jean Honoré Fragonard, A Game of Hot Cockles, c. 1775/1780, oil on canvas, Samuel H. Kress Collection, 1946.7.6

A Game of Hot Cockles

Jean Honoré Fragonard · c. 1775/1780 · oil on canvas ·  Accession ID  1946.7.6

Two pale-skinned women sit together surrounded by five sheep and a dog in a lush forest in this vertical painting. The woman to our right sits slightly above the other, with her arm draped around the shoulders of her companion. The woman to our right wears a low-cut, rose-pink dress with a full skirt and voluminous, gossamer sleeves. Blond curls are pulled back behind a headband, which is adorned over one ear with three large, pink flowers and smaller yellow and blue flowers. She tips her head to our right as she gazes down to her left at her friend. She has blue eyes, flushed cheeks, a delicate nose, and her grapefruit-pink lips curl in a gentle smile. She crosses one knee over the other and leans toward the other woman. Tucked into her side, the second woman looks up at the first in profile facing our right. Her low-cut, lavender-purple dress has a gold shimmer that suggests silk. Her ash-brown curls are pulled back and decorated with small sea-blue flowers. One toe peeks out from her long skirt, and both women are barefoot. The woman in purple holds a white dove on her friend’s lap, and the woman in pink holds a small envelope closed with a shell-pink seal next to the bird. The dove’s wings are slightly outspread, and a blue ribbon is tied around its neck. Just behind the pair, a towering tree with a silvery-gray trunk grows up and off the top edge of the painting. It angles to our left, and green branches hang down into the picture. To our right of the tree, a rectangular sand-brown stone structure is topped with a male lion carved from the same stone, near the upper right corner. The ground beneath the women is covered with moss-green growth and the space around them filled with verdant bushes and plants. A single, cream-colored sheep stands to our right, facing the women, next to a basket of flowers near the lower right corner. Four more sheep stand and lie together beyond the women to our left, while a black-bodied hound with a white muzzle sits watching the women. A pile of broken branches, perhaps forming a fence, lies behind the sheep. Grassy hills and trees become hazy in the distance beyond, and the sky above is slate blue with a few white and pale pink clouds. The upper and lower right corners and the lower left corner are deep in shade. The artist signed and dated the painting as if he had inscribed the stone in the shadow just below the lion, “f. Boucher 1750.”
François Boucher, The Love Letter, 1750, oil on canvas, Timken Collection, 1960.6.3

The Love Letter

François Boucher · 1750 · oil on canvas ·  Accession ID  1960.6.3

In a lush, tree-lined park, filtered light falls across a group of about a dozen light-skinned people lounging and frolicking along the banks of a river in this vertical landscape painting. A man wearing a shell-pink jacket and pants and woman wearing a topaz-blue, full-skirted dress and rose-pink bonnet sit near each other in the lower left corner. Several younger boys pile up in a game where one person tries to ride on the back of another, to our right. They wear rolled-up pants, open-necked shirts, and some wear straw-colored hats. Tall aspens, with smooth greenish-white trunks and soft, golden leaves, are among the trees that line this placid river. A gnarled trunk twists against the cloudless blue sky above the revelers to our right. Other couples board a long, narrow boat at the riverbank in the distance.
Jean Honoré Fragonard, A Game of Horse and Rider, c. 1775/1780, oil on canvas, Samuel H. Kress Collection, 1946.7.5

A Game of Horse and Rider

Jean Honoré Fragonard · c. 1775/1780 · oil on canvas ·  Accession ID  1946.7.5