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La Portantina di Mattia Jona

Mattia Jona, Master Drawings and Prints

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The image features a woman seated with one leg crossed over the other, her left elbow resting on her knee and her hand supporting her head. Her face is partially obscured by her hand, but her long brown hair is visible. She wears a long dress with multiple layers and a cream-colored outer layer with a patterned border. She also wears a white blouse with loose sleeves, white shoes, and the background is a textured surface in various shades of brown.
Eleuterio Pagliano, A Seated Peasant Girl in Contemplation, 1871, watercolor with white heightening over traces of black chalk, on wove paper laid down on old mount, Ailsa Mellon Bruce Fund, 2017.75.1

A Seated Peasant Girl in Contemplation

Eleuterio Pagliano · 1871 · watercolor with white heightening over traces of black chalk, on wove paper laid down on old mount ·  Accession ID  2017.75.1

The image shows a landscape with a low horizon, a sky dominated by swirling patterns forming a dense cloud, a tall rock formation to the right, a figure in the foreground, and a bare tree on the left. The palette is mainly grayscale with various tones and cross-hatched etchings, creating a moody atmosphere with contrasts between light and shadow.
Carlo Paolo Agazzi, Landscape [Paesaggio], before 1915, etching, The Ahmanson Foundation, 2013.31.14

Landscape [Paesaggio]

Carlo Paolo Agazzi · before 1915 · etching ·  Accession ID  2013.31.14

The image is an etching of a rural scene with a path or road stretching into the distance. The composition includes a solitary figure walking away from the viewer on the path. The dense foliage of trees arches over the scene, obscuring the high horizon. The intricate etching style uses fine lines to depict textures and depth, showcasing detailed foliage and textured ground. The color palette is monochromatic, emphasizing the craftsmanship. The trees and path create depth, guiding the viewer's eye through the scene.
Giberto Borromeo, Forest on Lago Maggiore [Foresta sul Lago Maggiore], 1870, etching on cream wove paper, The Ahmanson Foundation, 2013.31.5

Forest on Lago Maggiore [Foresta sul Lago Maggiore]

Giberto Borromeo · 1870 · etching on cream wove paper ·  Accession ID  2013.31.5

The image showcases a profile portrait of a man with his head and a portion of his neck depicted. He is facing the left side of the image, presented on a round medallion-like plaque. The man has a prominent nose, a defined jawline, and curly hair with sideburns. His facial features are sharply defined in a neoclassical style. The medallion is inscribed with the words "ALESSANDRO MANZONI." The background surrounding the medallion is plain and light beige, emphasizing the detailed engraving within. No additional objects or jewelry are visible in the image.
Giuseppe Cornienti, Alessandro Manzoni, 1858, aquatint and roulette, Ailsa Mellon Bruce Fund, 2013.73.2

Alessandro Manzoni

Giuseppe Cornienti · 1858 · aquatint and roulette ·  Accession ID  2013.73.2

This is a drawing of a scene inside a dimly lit room. There are three people standing on the left side of the room, two of them looking at a document held by another character. A fourth person is seated on a bed to the right, holding an object. A clerical figure is seated next to them. The room has wooden paneling with a simple table and a plate on the floor.
Giovanni De Pian, The "Sotto Piombi," Where Death Sentences Were Read, 1797, etching and aquatint on laid paper, Ailsa Mellon Bruce Fund, 2019.137.7

The "Sotto Piombi," Where Death Sentences Were Read

Giovanni De Pian · 1797 · etching and aquatint on laid paper ·  Accession ID  2019.137.7

This is a drawing of four abstract figures with one holding an umbrella. The composition features four stylized figures facing away, one prominently holding an umbrella. The figures are depicted in an intricate manner, with detailed patterns and textures on their clothing. The artwork primarily uses monochromatic tones. The scene conveys a sense of movement. The overall tone of the drawing is contemplative and mysterious.
Massimo Campigli, L'incontro II (The Meeting II), 1932, softground etching in black on wove paper, Ailsa Mellon Bruce Fund, 2017.147.1

L'incontro II (The Meeting II)

Massimo Campigli · 1932 · softground etching in black on wove paper ·  Accession ID  2017.147.1

The image depicts a person walking in a forest setting. The individual is seen from the back, mid-step, holding onto branches for support. Their clothing is a long, striped garment covering them from neck to ankles. The landscape is dense with foliage, suggesting a forested area. The background shows more vegetation and distant landscape contours. The image is in a monochromatic style emphasizing line work.
Giovanni Fattori, Gathering Leaves (Raccoglitrice di foglie), c. 1887, etching on brown paper (artist's proof), Ailsa Mellon Bruce Fund, 2013.73.1

Gathering Leaves (Raccoglitrice di foglie)

Giovanni Fattori · c. 1887 · etching on brown paper (artist's proof) ·  Accession ID  2013.73.1

The image depicts a tranquil body of water with hills meeting the sky at the horizon, as seen from a slightly elevated perspective. On the left of the horizon, there is a cluster of buildings or a castle. The brushstrokes are fine and meticulous, suggesting an etching technique. A tall tree with textured bark and sparse leaves is seen on the right. The color palette is monochromatic with shades of black and white. In the distance, a few small boats can be seen on the water.
Giberto Borromeo, Isola Bella, 1870, etching on wove paper, The Ahmanson Foundation, 2013.31.7

Isola Bella

Giberto Borromeo · 1870 · etching on wove paper ·  Accession ID  2013.31.7

This is a drawing showing a group of robed figures seated behind a large table in a formal setting. The table is illuminated by lamps, with two flames on it. The background has drapery, a doorway to the left, and a framed artwork above. The central focus is on a standing figure presenting documents to the seated figures. The setting suggests a judicial or inquisitorial environment. An inscription at the bottom provides historical context.
Giovanni De Pian, Court of the Former State Inquisitors, 1797, etching and aquatint on laid paper, Ailsa Mellon Bruce Fund, 2019.137.8

Court of the Former State Inquisitors

Giovanni De Pian · 1797 · etching and aquatint on laid paper ·  Accession ID  2019.137.8

The image shows the textured walls and wooden floor of a structure. The view is directed towards an archway leading to a darker interior space. There is no visible horizon. The walls appear to have detailed and intricate brushstrokes or line work, resembling rough-hewn surfaces. The color palette is muted, consisting of browns, grays, and beige tones, focusing on light and shadow within the architectural space.
Vittorio Grassi, Interior Scene, 1930, etching with aquaitint, printed in pale olive and black, on laid paper, Ailsa Mellon Bruce Fund, 2013.118.4

Interior Scene

Vittorio Grassi · 1930 · etching with aquaitint, printed in pale olive and black, on laid paper ·  Accession ID  2013.118.4