Provenance

Mr. Raymond W. Merritt

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This is a photograph of a decorated archway with fabric and embellishments. The image captures a close-up of an ornate fabric draped over an architectural arch. The fabric is white and adorned with intricate designs crafted from small beads or sequins. Images of animals and birds are depicted, such as a bird with outstretched wings, a duck-like figure, and what appears to be a horse or donkey. Sequined flowers are also featured. Long strands of fabric hang down from the edges. The fabric and embellishments are highlighted by natural light, casting shadows. The background shows a dark entryway, possibly the interior of a building.
Manuel Álvarez Bravo, Votos (Votive Offering), 1969, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1978), 2016.22.46

Votos (Votive Offering)

Manuel Álvarez Bravo · 1969, printed 1977 · gelatin silver print ·  Accession ID  2016.22.46

The image depicts two people walking on top of an elevated, rocky embankment stretching horizontally. A clear horizon line divides the textured embankment and the sky above. In the distance, there are hills or mountains under an overcast sky, creating a moody atmosphere. The color palette is monochromatic, with black, white, and shades of gray emphasizing the contrast in the landscape. The image conveys a sense of solitude and openness with the two figures against the vast sky.
Manuel Álvarez Bravo, Ya Mero (Almost), 1968, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1979), 2016.22.55

Ya Mero (Almost)

Manuel Álvarez Bravo · 1968, printed 1977 · gelatin silver print ·  Accession ID  2016.22.55

The image shows the upper half of a person's body lying horizontally on an angled surface. The person is shirtless with eyes closed and head turned to the side. The person's dark, wavy hair is slightly tousled, reaching just past the ears. The surface beneath them appears to be slatted or paneled with visible lines. Vertical lines or cracks are visible on the panels. In the background, there is a textured, slightly weathered wall with three prong-like structures at the top. The lighting is soft without harsh shadows or highlights.
Manuel Álvarez Bravo, Gorrión, Claro (Skylight), 1938-1940, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1979), 2016.22.56

Gorrión, Claro (Skylight)

Manuel Álvarez Bravo · 1938-1940, printed 1977 · gelatin silver print ·  Accession ID  2016.22.56

The image shows a black and white dog lying on the ground beneath a wooden structure. The dog is in front of a wooden frame leaning against a stone wall. Strong sunlight casts shadows across the scene, emphasizing the textures of the beams, wall, and the dog's fur.
Manuel Álvarez Bravo, Los Perros Durmiendo Ladran (Sleeping Dogs Bark), 1966, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1978), 2016.22.52

Los Perros Durmiendo Ladran (Sleeping Dogs Bark)

Manuel Álvarez Bravo · 1966, printed 1977 · gelatin silver print ·  Accession ID  2016.22.52

This is a photograph of a building facade with signage and a partially visible advertisement. The image shows a weathered building facade with two windows, above which hangs a sign that reads "INSTALACIONES ELECTRICAS HUBARD Y BOURLON S. DE M. A." Beneath the windows is a large poster or advertisement displaying the lower half of a pair of stylized legs, one in pants with white shoes and the other in a skirt with white shoes, as if hanging in mid-air. The background includes a textured wall and two hanging light fixtures, partially visible. The words "LO INIMITABLE" are printed at the bottom of the advertisement. The image is in black and white tones.
Manuel Álvarez Bravo, Dos Pares de Piernas (Two Pairs of Legs), 1928-1929, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1978), 2016.22.53

Dos Pares de Piernas (Two Pairs of Legs)

Manuel Álvarez Bravo · 1928-1929, printed 1977 · gelatin silver print ·  Accession ID  2016.22.53

The image depicts a large, textured tree trunk with branches and foliage casting detailed shadows. The tree is on the left side of the image, against a light surface, possibly a wall. The horizon is a straight line where the wall meets the sky, a third up from the bottom. The sky has soft, billowy clouds. The scene is in black and white, emphasizing the contrast between light and shadow.
Manuel Álvarez Bravo, Luz Restirada (Lengthened Light), 1944, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1978), 2016.22.47

Luz Restirada (Lengthened Light)

Manuel Álvarez Bravo · 1944, printed 1977 · gelatin silver print ·  Accession ID  2016.22.47

The image shows an elevated view of an agricultural area with rows of plants. The landscape features plant beds and paths, creating patterns on undulating terrain. The black and white color scheme highlights textures and arrangements of the plants, accentuating light and shadow play. In the distance, wild vegetation and trees interrupt the orderly rows, indicating a transition from cultivated land to natural landscape.
Manuel Álvarez Bravo, Paisaje de Siembras (Growing Landscape), 1972-1974, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1978), 2016.22.45

Paisaje de Siembras (Growing Landscape)

Manuel Álvarez Bravo · 1972-1974, printed 1977 · gelatin silver print ·  Accession ID  2016.22.45

The image shows a shadow on a corrugated metal surface. The shadow has organic, rounded shapes, possibly resembling foliage or architectural elements. The contrast between the dark shadows and the textured background is accentuated by the monochromatic tones. The composition appears visually dynamic despite its simplicity.
Manuel Álvarez Bravo, Dos Mujeres y la Gran Cortina con Sombras (Two Women, a Large Blind, and Shadows), 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1978), 2016.22.48

Dos Mujeres y la Gran Cortina con Sombras (Two Women, a Large Blind, and Shadows)

Manuel Álvarez Bravo · 1977 · gelatin silver print ·  Accession ID  2016.22.48

The image shows a woman seated on a wooden floor, with her body captured from the knees up. She is sitting with one leg bent and the other positioned under her, and she is adjusting her long, dark hair that falls over her shoulder and down her chest. The woman’s face is softly illuminated as she looks towards her hand. Her hair is long and voluminous, highlighted by light. She is wearing a light-colored, patterned garment that covers her legs and shoulders. Her left hand is raised to her head, and her right hand is in front of her, partially hidden by her hair. A ring is visible on her left hand, catching the light. The background is dark, with a beam of light falling across the wooden floorboards.
Manuel Álvarez Bravo, Retrato de lo Eterno (Woman Combing Her Hair), 1932-1933, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1979), 2016.22.58

Retrato de lo Eterno (Woman Combing Her Hair)

Manuel Álvarez Bravo · 1932-1933, printed 1977 · gelatin silver print ·  Accession ID  2016.22.58

The image contains two people sitting closely together. The person in the foreground is a young boy with short, dark hair, looking to his left. His facial features are clear, with round cheeks, and he appears to be sitting on the ground with his right arm resting on his knee. He is wearing a light-colored short-sleeve shirt and pants. Another person is partially visible behind him with short hair and a darker complexion. They are also in a seated position, with one hand raised to their face. In the background, there is a light-colored, textured backdrop that appears to be a fabric, allowing light to pass through and casting shadows. The composition offers a contrast between the light backdrop and the shadowed figures in the foreground.
Manuel Álvarez Bravo, Acto Primero (First Act), 1975, printed 1977, gelatin silver print, Corcoran Collection (Gift of Raymond W. Merritt, 1978), 2016.22.49

Acto Primero (First Act)

Manuel Álvarez Bravo · 1975, printed 1977 · gelatin silver print ·  Accession ID  2016.22.49