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Provenance

Oscar Hainauer [d. 1894], Berlin; his wife, Julie Hainauer, Berlin; acquired 1906 by (Duveen Brothers, Inc., London and New York); inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania, after purchase 10 December 1919 by funds of Joseph E. Widener;[1] gift 1942 to NGA.

Bibliography
1942
Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 8.
1948
Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 118, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 154, as by Fiamberti.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 137, repro., as by Fiamberti.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 148, repro.
1999
Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.
2007
Pisani, Linda. "San Giovannino Battista nei busti del Rinascimento Florentino." In Jeanette Kohl and Rebecca Müller, eds. Kopf/Bild: Die Büste in Mittelalter und Frïher Neuzeit. (I Mandorli 6) Munich and Berlin, 2007: 232, no. 24, as by Gregorio di Lorenzo.
2012
Caglioti, Francesco. “Due false attribuzioni a Giovanni Bastianini falsario, ovvero due busti di Gregorio di Lorenzo, ex 'Maestro delle Madonne di marmo.'" In "Conosco un ottimo storico dell’arte...” Per E. Castelnuovo. Scritti di allievi e amici pisani. M. M. Donato e M. Ferretti, Pisa 2012: repro. 210.