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Antico

Diva Giulia [obverse], c. 1490

West Building, Ground Floor - Gallery 16

Medium

bronze

Dimensions

overall (diameter): 3.49 cm (1 3/8 in.)
gross weight: 29.44 gr (0.029 kg)
axis: 6:00

Credit Line

Samuel H. Kress Collection

Accession Number

1957.14.666.a

Artists / Makers

Antico (artist) Mantuan, c. 1460 - 1528

Image Use

This image is in the public domain.
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Inscription

around circumference: DIVAI IVLIA PRIMVM FELIX

Provenance

(Aimé Charles) Horace His de la Salle [1795-1878], Paris; (his estate sale, Sotheby's, London, 22-25 November 1880, 2nd day, no. 174); Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.

[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Dreyfus, Gustave
Duveen Brothers, Inc.
His de la Salle, (Aimé Charles) Horace
Kress Foundation, Samuel H.
Sotheby's

Exhibition History

1994: The Currency of Fame: Portrait Medals of the Renaissance, National Gallery of Art, Washington, D.C.; The Frick Collection, New York; National Gallery of Scotland, Edinburgh, 1994-1995, no. 17, repro.

2011: Antico: The Golden Age of Renaissance Bronzes, National Gallery of Art, Washington, D.C.; The Frick Collection, New York, 2011-2012, pl. 5.

Bibliography

1883: Armand, Alfred. Les médailleurs italiens des quinzième et seizième siècles. 2nd ed. 3 vols. Paris, 1883-1887: 1:81, no. 2.

1910: Hermann, H. J. "Pier Jacopo Alari - Bonacolsi," Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses (Jahrbuch der kunsthistorischen Sammlungen in Wien) 28 (1910): 201, 225.

1930: Hill, George Francis. A Corpus of Italian Medals of the Renaissance before Cellini. 2 vols. London, 1930: no. 214f.

1931: Hill, George Francis. The Gustave Dreyfus Collection: Renaissance Medals. Oxford, 1931: no. 73.

1951: National Gallery of Art. Renaissance Bronzes: Statuettes, Reliefs and Plaquettes, Medals and Coins from the Kress Collection. Introduction by Perry B. Cott. Washington, 1951: 165.

1967: Hill, George Francis, and Graham Pollard. Renaissance Medals from the Samuel H. Kress Collection at the National Gallery of Art. London, 1967: no. 73.

1986: Allison, Ann Hersey. "Antico's medals for the Gonzaga," The Medal 9 (1986): 9-13 12.

1987: Lewis, Douglas. "The Medallic Oeuvre of 'Moderno': His Development at Mantua in the Circle of 'Antico.'" Studies in the History of Art 21 (1987):77-97, repro.

2007: Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 114, repro.