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Open 10:00 a.m.–5:00 p.m.

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  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Tours and Guides
    • Explore the Campus

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Sculpture Garden Extended Hours

    Open late until 8:00 p.m. on select nights

    Through September 5

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events

    America’s 250th

    Celebrating American art and artists

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Fun and Games
    • Educational Resources
    • Research

    Open Call

    Artists Reimagining the Collection

    Meet the 50 makers selected from more than 1,600 submissions

Utility

  • Support
  • Shop
  • Become a Member

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Tours and Guides
    • Explore the Campus

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Sculpture Garden Extended Hours

    Open late until 8:00 p.m. on select nights

    Through September 5

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events

    America’s 250th

    Celebrating American art and artists

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Fun and Games
    • Educational Resources
    • Research

    Open Call

    Artists Reimagining the Collection

    Meet the 50 makers selected from more than 1,600 submissions

Utility

  • Support
  • Shop
  • Become a Member

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  • Open 10:00 a.m.–5:00 p.m.
  • See extended hours

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    1. Home
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    3. Luisa Roldán

    Luisa Roldán

    Spanish, 1650 - 1704

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    Artwork

    The sculpture depicts a woman in a flowing robe holding a child. The woman has short, dark hair, rosy cheeks, and wears a serene expression. Her eyes are looking downward. She is dressed in richly patterned and colorful garments with a palette of gold, red, and dark green hues. One of her hands is extended outward, while the other holds a child. The child, dressed in a brown garment, looks directly ahead with wide eyes and a calm demeanor. The child has curly brown hair and extends one arm outward. At the base of the sculpture, four cherubic faces emerge from the bottom of the woman's robes. Two of them look upward, towards the woman, while the other two look off to the sides.
    Luisa Roldán, Virgin and Child, c. 1680/1686, painted wood, Pepita Milmore Memorial Fund, Patrons' Permanent Fund and William and Buffy Cafritz Family Sculpture Fund, 2022.39.1

    Virgin and Child

    Virgin and Child

    Luisa Roldán · c. 1680/1686 · painted wood ·  Accession ID  2022.39.1

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    Shown from the knees up, a woman stands facing and looking at us with her head tilted a little to our left in this vertical portrait painting. She has pale skin, a heart-shaped face with rosy cheeks, and a rose-pink bow mouth. Thin, arched, sable-brown eyebrows frame her gray eyes. A wreath of pale pink flowers and curling white ostrich feathers crowns her long gray hair, which is piled high on her head. Loose curly tendrils brush both shoulders. Her glowing, silver satin gown is trimmed with delicate sheer lace around the wide, plunging neckline and sleeves, and has a pink sash around her narrow waist. Pearl bracelets adorn her wrists. She leans to her left, our right, to rest her left elbow against a waist-high, cinnamon-brown stone pedestal, which is decorated with a bronze-colored garland and bow on the side facing us. A ring of blue, yellow, red, and pink flowers, woven with strands of ivy, dangles in the hand resting on the pedestal. Her right hand hangs loosely by her side. Along the left edge of the dimly lit background, a tree with a thick trunk angles into the upper left corner. A smaller sapling grows just in front of it. On the right, bushes with olive and fern-green leaves dotted with lilac-purple flecks rise above the pedestal. Dark clouds fill most of the top third of the canvas but they part around her head to reveal the soft blue sky. The artist signed and dated the work in white in the lower right corner, “L. Vigée Le Brun 1782.”
    Article

    Article:  Your Tour of Women Artists at the National Gallery

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