The Street—Design for a Poster

1900/1901, printed 1903

Alfred Stieglitz

Artist, American, 1864 - 1946

Media Options

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Artwork overview

  • Medium

    photogravure

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    image: 17.6 × 13.2 cm (6 15/16 × 5 3/16 in.)

  • Accession

    1949.3.1270.34

  • Copyright

    Image courtesy of the Philadelphia Museum of Art

  • Key Set Number

    266

Associated Artworks

See all 4 artworks

Camera Work: Vol.1: Numbers 1-4

Alfred Stieglitz

1903

Icy Night (featured in ad for Goerz lenses)

Alfred Stieglitz

1898

The Flatiron

Alfred Stieglitz

1903

Alfred Stieglitz

Curious for more Alfred Stieglitz scholarship?

Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.


Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Exhibition History

1992

  • Stieglitz in the Darkroom, National Gallery of Art, Washington, DC, October 4, 1992–February 14, 1993

Bibliography

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 266.

Wikidata ID

Q64037862

Scholarly Remarks and Key Set Data

Remarks

The date is based on stylistic similarities to Spring Showers—The Street Cleaner (Key Set number 269) and Spring Showers—The Coach (Camera Notes 5:3 [January 1902], pl. A).

This photograph was made at Fifth Avenue and 30th Street with a Bausch & Lomb Extra Rapid Universal lens, and won a grand prize of $300 in the 1903 “Bausch & Lomb Quarter-Century Competition” (see Camera Work 5 [January 1904], 53; and The American Amateur Photographer 16 [February 1904], 92).

Lifetime Exhibitions

A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:


1903, Hamburg (no. 424, as The Street, photogravure)
1903, San Francisco (no. 34a, as The Street—Winter)
1904, Washington (no. 129, as The Street—Winter)
1904, Pittsburgh (no. 220, as The Street—Winter)
1904, Vienna (no. 3, as Die Strasse)
1904, Paris (no. 667, as La rue—Hiver, platinum)
1904, Dresden (no. 173, as Winter—The Street)
1904, The Hague (no. 115, as Street—Winter)
1904, London (no. 161, as Winter—The Street)
1905, Vienna, Camera Klub (no. 41, as The Street—Winter, 1902)
1905, Berlin (no. 48, as The Street)
1905, Richmond (no. 839, as The Street—Winter)
1905, Worcester (no. 389, as Winter—The Street)
1909, New York (no. 183, as The Street—Winter, 1898)
1909, Dresden (no. 172, as The Street, Winter)
1910, Buffalo (no. 427, as The Street, Fifth Avenue, 1896, photogravure)
1913, New York (no. 9, as The Street, Fifth Avenue, 1896)
1921, New York (no. 13, as The Street, Winter, New York, 1898)
1932 New York (no. 43, as Fifth Ave.—30th St., 1899)
1937, New York (no. 335, as The Street—Fifth Avenue, 1903)
1944, Philadelphia (no. 13, as The Street—Fifth Ave., 1896)

Lifetime Publications

A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:

John Corbin, “The Twentieth Century City,” Scribner’s Magazine 33:3 (March 1903): 265 (ill., The Astoria in the Background—A Winter Day)

Camera Work 3 (July 1903): pl. 3 (ill., The Street—Design for a Poster)

The Bausch & Lomb Lens Souvenir (Rochester, 1903)

Joseph Keiley, “American Pictorial Photographers. Alfred Stieglitz,” Photography 17:797 (20 February 1904): 149 (ill., Winter—The Street)

Sidney Allen [Sadakichi Hartmann], “The Exhibition of the Photo-Secession,” The Photographic Times 36:3 (March 1904): 103 (ill., The Avenue)

Photographische Rundschau und Photographisches Centralblatt 18 (August 1904): between 190 and 191 (ill., The Street)

The Work of Alfred Stieglitz [published by Camera Notes] (New York, 1904): unnumbered (ill., The Street—Design for a Poster, photogravure)

Die Photographische Kunst im Jahre 1904: Ein Jahrbuch für Künstlerische Photographie: unpaginated (ill., The Street)

Sidney Allen [Sadakichi Hartmann], “What Photographers May Learn from the Old and New Masters,” The Photographic Times 42 (September 1910): 340 (ill., The Avenue)

J. Nilsen Laurvik, “Alfred Stieglitz, Pictorial Photographer,” The International Studio 44 (August 1911): unpaginated (ill., Fifth Avenue in Winter)

Note

Image courtesy of the Philadelphia Museum of Art


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