Overview: 415 black-and-white and color photographs were selected from museums and private collections worldwide. The images ranged in date from 1839 to 1989 and were by 221 photographers. The exhibition was organized in sections: The Pencil of Nature (1839-1879), The Curious Contagion of the Camera (1880-1918), Ephemeral Truths (1919-1945), and Beyond the Photographic Frame (1946-present). The exhibition focused on artistic achievements in photography throughout its history and celebrated the 150th anniversary of William Henry Fox Talbot's 1839 invention of the negative-positive process of photography, which he called "the art of fixing a shadow." On crowded weekdays and weekends, free exhibition passes were distributed as necessary on a first-come, first-served basis.

Organization: David Travis, head of the department of photography at the Art Institute of Chicago, and Sarah Greenough, research curator at the National Gallery, organized the exhibition. Travis and Greenough selected the works in conjunction with Joel Snyder, professor of humanities at the University of Chicago, and Colin Westerbeck, assistant curator of photography at the Art Institute of Chicago. Gaillard Ravenel and Mark Leithauser designed the exhibition, and Gordon Anson designed the lighting.

Sponsor: The Eastman Kodak Company's professional photography division supported the exhibition.

Related publicaion: The Art of Moving Shadows, by Annette Michelson, Douglas Gomery, and Patrick Loughney. Washington, DC: National Gallery of Art, 1989.

Film series: Photography and the Moving Image.

Other Venues:

• Art Institute of Chicago, 09/16/1989–11/26/1989
• Los Angeles County Museum of Art, 12/21/1989–02/25/1990