Past Exhibition

From Botany to Bouquets

A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting. Shown against a dark brown background, the vase sits on a caramel-brown ledge. The flowers in the center of the arrangement draw the eye. On our right two tulips are streaked with cream white and dark pink. A flower above it, perhaps an anemone, has white ruffled petals with flame-red tips around a denim-blue center. A small snail in a rust-orange shell rests on a curling green leaf nearby. On our left is a partly opened tulip with scarlet-red streaks next to an ivory-white hydrangea with clusters of tiny petals. Trumpet-shaped, sea-blue morning glories and an amber-orange bloom surround the white hydrangea. The top third of the arrangement has a tall, white peony with feathery petals at the center. Queen Anne’s lace nestles alongside small blooms in muted purples and blues, sage-green peapods, and a carrot-orange flower that resembles a daisy. A slender stalk of wheat extends off the right side while another bends to meet the ledge. The lower third of the arrangement is filled with pink roses, more green pea pods, two closed, plum-purple flowers, and another feathery peony, this one crimson red, which droops to meet the ledge near the bottom right corner of the painting. A few blackberries lie on the ledge nearby. Leaves in various sizes and shades of green fill in among the blooms. More insects and creatures are scattered throughout the composition. For example, a caterpillar clings to the underside of the white peony at the top while a brown and black butterfly flies toward it. A bee sits on the white and red anemone, and a snail, salamander, and spider gather on the ledge to the left of the vase. Stems and the water line are visible within the glass vase, which swells from a narrow opening into a wide base. Panes of a window off to our left reflects in the belly of the vase. The artist signed the front face of the ledge near the lower left: “J.D. De Heem f.”
Jan Davidsz de Heem, Vase of Flowers, c. 1660, oil on canvas, Andrew W. Mellon Fund, 1961.6.1

Details

  • Dates

    -

  • Locations

    West Building, Main Floor, Dutch and Flemish Cabinet Galleries
A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting. Shown against a dark brown background, the vase sits on a caramel-brown ledge. The flowers in the center of the arrangement draw the eye. On our right two tulips are streaked with cream white and dark pink. A flower above it, perhaps an anemone, has white ruffled petals with flame-red tips around a denim-blue center. A small snail in a rust-orange shell rests on a curling green leaf nearby. On our left is a partly opened tulip with scarlet-red streaks next to an ivory-white hydrangea with clusters of tiny petals. Trumpet-shaped, sea-blue morning glories and an amber-orange bloom surround the white hydrangea. The top third of the arrangement has a tall, white peony with feathery petals at the center. Queen Anne’s lace nestles alongside small blooms in muted purples and blues, sage-green peapods, and a carrot-orange flower that resembles a daisy. A slender stalk of wheat extends off the right side while another bends to meet the ledge. The lower third of the arrangement is filled with pink roses, more green pea pods, two closed, plum-purple flowers, and another feathery peony, this one crimson red, which droops to meet the ledge near the bottom right corner of the painting. A few blackberries lie on the ledge nearby. Leaves in various sizes and shades of green fill in among the blooms. More insects and creatures are scattered throughout the composition. For example, a caterpillar clings to the underside of the white peony at the top while a brown and black butterfly flies toward it. A bee sits on the white and red anemone, and a snail, salamander, and spider gather on the ledge to the left of the vase. Stems and the water line are visible within the glass vase, which swells from a narrow opening into a wide base. Panes of a window off to our left reflects in the belly of the vase. The artist signed the front face of the ledge near the lower left: “J.D. De Heem f.”
Jan Davidsz de Heem, Vase of Flowers, c. 1660, oil on canvas, Andrew W. Mellon Fund, 1961.6.1

Overview: This exhibition of 26 Dutch and Flemish still-life flower paintings and related books, manuscripts, and drawings included works by Ambrosius Bosschaert the Elder, Jan Brueghel the Elder, Jan Davidsz. de Heem, and Jan van Huysum. The exhibition was the second in a series of three focusing on the Gallery's collection of Dutch and Flemish art to be presented in the cabinet galleries.

Organization: The exhibition was organized by the National Gallery of Art. Arthur K. Wheelock Jr., curator of northern baroque paintings at the National Gallery of Art, was the curator.

Sponsor: Shell Oil Company Foundation made the exhibition possible.

Attendance: 135,620

Catalog: From Botany to Bouquets, by Arthur K. Wheelock Jr. Washington, DC: National Gallery of Art, 1999.

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