Overview: 131 paintings were on loan from public and private collections. The show traced the development from roughly 1780 to 1840 of the first European school of open-air landscape painting, which was centered around Rome. The exhibition included a group of 20 Italian sketches and small finished view paintings by Camille Corot.

A special program was held in the East Building auditorium on May 26 about open-air painting and how the region around Rome became the cradle of this new approach. In the Light of Italy coincided with a bicentennial Corot exhibition organized by the Musée du Louvre, the Metropolitan Museum of Art, and the National Gallery of Canada.

Organization: The exhibition was organized by the National Gallery of Art and by the Brooklyn Museum in association with the Saint Louis Art Museum. Curators of the exhibition were Philip Conisbee, curator of French paintings at the National Gallery; Sarah Faunce, chairman of European paintings and sculpture at the Brooklyn Museum; and Jeremy Strick, curator of modern art at the Saint Louis Art Museum and former associate curator of 20th-century art at the National Gallery. Guest curator was Peter Galassi, chief curator of the department of photography at the Museum of Modern Art, New York.

Sponsor: The exhibition in Washington and Brooklyn was made possible by a grant from The Florence Gould Foundation. It was supported by an indemnity from the Federal Council on the Arts and the Humanities.

Other Venues:

• Brooklyn Museum of Art, 10/11/1996–01/12/1997
• Saint Louis Art Museum, 02/21/1997–05/18/1997