Past Exhibition

Rachel Whiteread

Set in a gallery against a row of windows, a free-standing, white plaster cube, nearly reaching the ceiling, angles back and away from us slightly to our right. The cube is made of blocks that fit together so the seams are visible. The side to our left is smooth. A short, tongue-like projection at the bottom center of the face to our right is surrounded by an inverted, squared off U arching over it. Though not obvious in this photograph, the artist created this work by filling an empty room with plaster. The tongue-like shape is the inside of a fireplace, and is lightly blackened where it lined the interior. The inset paneling in the cube would have been the room's mantlepiece, and inset bands along the floor and top of the cube would have been the baseboards and crown molding. The cube sits on a polished stone floor, and the ceiling of the room in which it sits is made of hollow triangular coffers. Opposite us, trees and a building are seen through the wall of windows behind the cube.
Rachel Whiteread, Ghost, 1990, plaster on steel frame, Gift of The Glenstone Foundation, 2004.121.1

Details

  • Dates

    -
  • Locations

    East Building, Concourse Galleries
Set in a gallery against a row of windows, a free-standing, white plaster cube, nearly reaching the ceiling, angles back and away from us slightly to our right. The cube is made of blocks that fit together so the seams are visible. The side to our left is smooth. A short, tongue-like projection at the bottom center of the face to our right is surrounded by an inverted, squared off U arching over it. Though not obvious in this photograph, the artist created this work by filling an empty room with plaster. The tongue-like shape is the inside of a fireplace, and is lightly blackened where it lined the interior. The inset paneling in the cube would have been the room's mantlepiece, and inset bands along the floor and top of the cube would have been the baseboards and crown molding. The cube sits on a polished stone floor, and the ceiling of the room in which it sits is made of hollow triangular coffers. Opposite us, trees and a building are seen through the wall of windows behind the cube.
Rachel Whiteread, Ghost, 1990, plaster on steel frame, Gift of The Glenstone Foundation, 2004.121.1

As the first comprehensive survey of the work of British sculptor Rachel Whiteread (b. 1963), this exhibition brings together some 100 objects from the course of the artist’s 30 year career, including drawings, photographs, architecture-scaled sculptures, archival materials, documentary materials on public projects, and several new works on view for the first time. The exhibition also features the wide range of materials utilized by the artist from plaster to rubber, concrete, resin, and paper. Ranging in scale and effect from the monumental to the modest, Whiteread’s sculptures memorialize everyday objects, domestic interiors, and public spaces. Throughout her celebrated career, Whiteread has effectively recast the memories of these locations and objects to chart the seismic changes in how we live, from the late 20th century and into the 21st. Co-organized with Tate Britain, the exhibition is accompanied by a catalog with contributions by the exhibition’s curators, an interview with the artist, and additional scholarly essays.

The exhibition is curated by Molly Donovan, curator of art, 1975–present, National Gallery of Art, Washington, and Ann Gallagher, director of collections (British art), Tate Britain, London.

Other Venues:

  • Tate Britain, London, 09/12/2017–01/21/2018
  • 21er Haus-Museum of Contemporary Art, Vienna, 03/08/2018–07/29/2018
  • Saint Louis Art Museum, 03/17/2019–06/09/2019

Organization: The exhibition is organized by the National Gallery of Art, Washington, and Tate Britain.

Sponsors: The exhibition is made possible by Dr. Mihael and Mrs. Mahy Polymeropoulos.
It is also supported by Amanda and Glenn Fuhrman and The FLAG Art Foundation.
Additional funding is provided by The Exhibition Circle of the National Gallery of Art.

Attendance: 50,396

Catalog: Rachel Whiteread. By Ann Gallagher and Molly Donovan. Millbank, London: Tate Publishing, 2017.