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Overview
Why do people migrate to and within the United States?
How might works of art help us understand personal experiences of immigration and displacement?
The United States is frequently described as a “nation of immigrants.” Immigrants have played a pivotal role in the country’s history and understanding of itself. Today, more than 40 million immigrants live in the United States. In fact, more immigrants reside in the United States than in any other country, resulting in an abundant diversity of cultures and ethnicities.
Some of these people came to the United States voluntarily, seeking a better life for themselves and their families, as pictured in Bernarda Bryson’s 30,000,000 Immigrants print. Others were forced to migrate, including hundreds of thousands of Africans who were enslaved and transported to the country. Kara Walker’s no world explores this history. The vast majority of the country’s current citizens are descendants of these two groups of people, but they’re not the only ones who live in the United States. Millions of Native Americans also experienced involuntary migration and death as other immigrants arrived. Today, millions of their descendants reside in the US. Additionally, migration within the country has profoundly affected places, people, and communities over time.
The works of art in this module represent a wide range of views and perspectives on immigration. Some artists contemplated the experiences of their ancestors in their artwork. Other artists witnessed events or journeys connected to immigration and displacement. Many artists were immigrants themselves and chose to reflect upon and share their personal stories through the process of making their art. What can we learn from these works of art?
Selected Works
Activity: Unearthing Stories

Select a work of art from this module, such as Arshile Gorky’s The Artist and His Mother, Binh Danh’s Ghost of Tuol Sleng Genocide Museum #1, or John Singleton Copley’s The Copley Family. Using an adaptation of The Story Routine created by Ron Ritchhart of Harvard University’s Project Zero, identify the following:
What’s the main or central story of this work of art?
What’s the side story (or stories) of this work of art? You might consider what’s happening on the periphery and in the background, or how the artwork was made.
What’s the hidden story of this work of art? What’s obscured, neglected, or happening below the surface that isn’t easily seen?
Try discussing the work of art as a group to determine the main and side stories. Student wonderings can serve as guideposts for uncovering hidden stories through additional research. Where do journeying and migration fit into the stories you discover?
Activity: Charting Journeys
Invite small groups of students to select a work of art that features a transformational journey they’d like to investigate. The journey might be visible in the artwork, or it may be one that the artist undertook. Suggested works of art include Romare Bearden’s Tomorrow I May Be Far Away, Dorothea Lange’s Migrant agricultural worker’s family, Nipomo, California, Arshile Gorky’s The Artist and His Mother, Yasuo Kuniyoshi’s Cows in Pasture, and Kara Walker’s no world. Next, ask students to figure out or imagine the specifics of this journey:
- Identify the person undertaking the travels. If the journey depicted is a generalized one, ask students to identify an actual or historical person who would have experienced a similar migration.
- Where might the journey have begun? Did it conclude?
- Did anyone accompany them? Who did they encounter along the way?
- Why did they make this journey? Was it their choice to travel? What costs were associated with the journey?
- Describe the travel conditions. What form(s) of transportation did they use? How long did it take to get from one place to another? During what season did they travel?
- How does the way in which the artist depicted the journey reflect or add to the story of that journey? Think about colors, materials, and shapes.
- What challenges did they experience along the way? Were there any surprises or moments of delight? What emotions do you imagine they felt while traveling?
- How might you travel this route today?
- What is realistic or unrealistic about what is pictured? Why?
Students will likely need to learn about historical events or artist biographies to answer some of these questions. In cases where finding an answer proves difficult, ask students to put themselves in the shoes of the person traveling and use their imaginations. Encourage students to share the results of their research and thinking in creative ways, such as annotating a map, or creating a video or performance.
Activity: American Dream
Many immigrants come to the United States or move within the country seeking new opportunities and a better life—if not for themselves, then for their children. They may be driven in part by the “American Dream,” a concept or ethos which promises upward social mobility, increased wealth, and equality, as suggested in the US Declaration of Independence
What does the American Dream mean to you? Is the American Dream something you believe in or aspire to achieve personally? Do you think it’s equally available to everyone in the country, as well as prospective immigrants?
Consider the works of art in this module and select an object or figure in a work that you think best illustrates the idea of the American Dream. Can you identify an object or figure that challenges or complicates the concept?
Additional Resources
US Immigration Trends, Migration Policy Institute
Immigration Lesson Plans, Library of Congress
Second Opinion: Immigration Education Resources, Smithsonian Institution
Ten Myths about Immigration lesson unit, Teaching Tolerance
The Art of Romare Bearden Teaching Packet, National Gallery of Art
Civic Online Reasoning (Assessments for Evaluating Online Resources), Stanford History Education Group
Immigrant Stories, University of Minnesota
“City of Immigrants”: An Educational Game for Women’s History Month, National Endowment for the Humanities
On Discovering Pearl S. Buck for the Classroom, National Endowment for the Humanities
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