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No More Play
Closed February 18, 2019

This installation takes its title from Alberto Giacometti’s surrealist work, a sculpture-as-board-game made in the early 1930s. It is joined by two other objects that each allude to games and suggest hypothetical spaces for action to occur. Yet in all three works, the possibility for play is precluded.

Narrow boards of a wood gymnasium floor were taken apart and reassembled as vertical planks that make up this wide, rectangular panel, which hangs on a wall. Several boards have long strips of black tape and one, near the top right corner, has a band of red tape. Most of the markings are short checks of black, white, red, and green tape. The wood stain is dark in some areas, gray with damage in others, or flaking in places. The two longest horizontal black stripes are near the top left corner and across the right half, about a third of the way down from the top edge of the piece. The room where this hangs has wider planked wood floors and a white wall.
Édouard Vuillard
Closed April 20, 2003

This exhibition presented 233 objects spanning the career of Parisian artist Édouard Vuillard (1868–1940). Included were paintings, folding screens, theater programs, prints, drawings, photographs, and ceramics. A series of decorative panels, The Public Gardens, 1894, were shown together for the first time since 1906. Some of the works in the exhibition had never before been on public display.

A screen made up of five tall, rectangular panels, set side by side and each surrounded by a gold frame, is painted as a single scene showing a tree-lined sidewalk curving around a park in a city. The scene is loosely painted with short, rounded brushstrokes. The top two-thirds to three-quarters of most of the panels are filled with the lime and olive-green leaves of the trees that line the sidewalk and park. In the leftmost panel, the sidewalk and road lead back to a row of caramel-brown building façades. The sidewalk is pale taupe, and the street is painted with dashes of the same taupe against terracotta brown, suggesting cobblestones. Spindly trees are spaced in a row along the sidewalk in round holes covered with smoke-gray metal grates. A black fence, painted with thin, sometimes broken black lines encloses the park beyond, which has a path around plantings and the vivid green lawn. Touches of pink on a sage-green tree to our left in the park suggest flowers. A gray statue on a high plinth is partially lost in the break between the two rightmost panels. Men, women, and children, painted with a few strokes of black, gray, or marine or periwinkle blue, walk along the sidewalk and the garden path, or sit at the base of the fence or on benches spaced along the sidewalk. The women seem to wear long dresses and the men dark clothing and hats. Two carriages are pulled up on the street near a lamp post alongside the sidewalk near the lower left. In the leftmost panel, horse-drawn carriages move along the road leading back to the buildings, and more people seem to be gathered on the sidewalk near the left edge of the panel in the distance. The artist signed the work with brown paint in the lower right corner: “E. Vuillard.” The panels of the screen have been set up so the panels rest on a platform or on the floor in a shallow zig-zag pattern, in a room with an off white wall and bisque-brown molding along the floor.
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