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Prints by Mark Catesby
Closed April 28, 1968
This is a drawing of a squirrel next to a branch with flowers. The image shows a side profile of a squirrel with a large, bushy tail, standing on a patch of ground. The squirrel is shaded realistically, with detailed fur. Next to the squirrel, there is a tall plant with oval leaves and multiple orange flowers. Near the squirrel, on the right side of the image, there are two bulbs with roots exposed. The composition focuses on natural and botanical elements, showcasing the interaction between the squirrel and its environment.
Fifteenth-Century Engravings of Northern Europe from the Collection of the National Gallery of Art
Closed January 7, 1968
This is a print of a creature with attributes of a bird and mammal. The creature has the head of a bird with a sharp beak, feathered wings, and a mammal’s body with a tail that curls upwards. Its front legs look like those of a bird, while its back legs look like those of a horse or donkey. The creature’s beak is open, and its long tongue is sticking out. The print highlights the creature’s feathers, fur, and muscles. The letters "I.M.C" appear below the creature.
Etchings by Rembrandt in the Collection of the National Gallery of Art
Closed August 17, 1966
This detailed etching depicts two individuals and a donkey. One figure, a woman, is seated on the donkey while holding an infant. The second figure, an older man, is walking with a staff. The landscape is filled with intricate foliage and trees, with a winding path.
Prints after Pieter Bruegel, the Elder, from the Rosenwald Collection
Closed March 8, 1966
The image is an intricately detailed print depicting a vast landscape viewed from an elevated perspective. The horizon is placed high in the image, allowing for an expansive view of the terrain below. To the far distance, the landscape rises into cliffs and outcroppings, with some small buildings and structures perched upon them. The point of view encompasses a large area, revealing a winding path that ascends towards a rocky formation. The print is created using fine, detailed line work typical of etching, with hatching and cross-hatching employed to render the textures of the rocky surfaces and the foliage. The color palette is monochromatic, relying on the contrast between black ink and the light tan color of the paper to portray depth and texture. Close to us, on the right, a group of travelers with packs interact with one another, while a cluster of trees adds a delicate balance to the scene. Beyond, a valley with a narrow river meanders through the landscape, drawing the eye toward the dramatic rock formations and distant buildings. In the sky, a few birds are seen flying amidst clouds.
Landscape Prints by Rembrandt and other Dutch Artists
Closed May 19, 1965
The image shows a rustic landscape with a thatched-roof cottage surrounded by foliage and trees. The intricate details of the vegetation are depicted with fine, crosshatched lines. A small path or stream is nearby, leading to distant structures and trees in the background. The scene is rendered in a monochromatic sepia tone, giving it an aged quality.
Fifteenth- and Sixteenth-Century German Prints from the National Gallery of Art
Closed February 11, 1965
The image shows a city with multiple towers and buildings, as seen from a raised perspective. In the foreground, a figure is sitting and reading, with a staff by their side. The city sprawls in intricate detail in the background, with towers and rooftops suggesting an old medieval town. The etching technique creates detailed lines, textures, and shadows. The monochromatic palette accentuates the details and gives the image a historical appearance.
Wax Sculptures by Degas
Closed January 10, 1973
Prints by Whistler from the National Gallery of Art Collection
Closed July 23, 1964
The image depicts a busy waterfront with sailboats docked, numerous masts rise into the sky, and a crowd moves along a stairway and promenade by a building. The scene is depicted using etching lines to create texture and depth. The color palette is monochromatic with sepia tones. In the distance, additional masts and figures can be seen across the water, with a faint skyline in the background.
Exhibition of Watercolors by Perkins Harnly from the Index of American Design
Closed November 3, 1964
The artwork depicts a detailed and organized basement scene filled with various household items. In the center, a large wooden washtub with a wringer is surrounded by chairs and a laundry basket. To the left, there is a black cast iron stove with a copper pot on top. Shelves with bottles and jars are visible through a door. On the right, a staircase leads upwards, and a workbench is lined with tools and storage containers. The color palette includes browns, grays, and muted greens. The ceiling beams and tiled floor add to the basement's structured appearance.
Blake's Engravings of Dante's Inferno and The Book of Job from the W.G. Russell Allen Collection
Closed January 10, 1965
This is a drawing of serpents intertwining with figures. The central figure stands with a muscular form and a fierce expression. Its head is crowned with an ornate headdress. Surrounding this figure are two nude figures with expressions of distress or astonishment, recoiling slightly, with hands raised. On the left side, there are two robed figures observing the scene. The background features abstract and geometric shapes. Several serpentine creatures with scales and faces can be seen. The composition is detailed with intricate linework, demonstrating tension and movement within the scene.
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