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In the Library: Frederick Douglass Family Materials from the Walter O. Evans Collection
Closed June 14, 2019

The National Gallery of Art Library mounts this special-focus exhibition in conjunction with a lecture by Professor Bernier on Friday, April 26, 2019. Selections from the Walter O. Evans Collection include a majority of the family scrapbooks, photographic portraits of several members of the Douglass family, pamphlet editions and manuscript copies of several of Douglass’s speeches, letters to and from Douglass concerning various family members, and other related ephemera.

The American Pre-Raphaelites: Radical Realists
Closed July 21, 2019

In celebration of the 200th anniversary of the birth of John Ruskin (1819–1900), the most influential art critic of the Victorian era, the Gallery presents more than 90 paintings, watercolors, and drawings created by American artists who were profoundly influenced by Ruskin’s call for a revolutionary change in the practice of art. The exhibition includes a number of recently discovered works never before exhibited publicly.

Tintoretto: Artist of Renaissance Venice
Closed July 7, 2019

In celebration of the 500th anniversary of the birth of Jacopo Tintoretto, the National Gallery of Art, Washington and the Fondazione Musei Civici di Venezia with the special cooperation of the Gallerie dell’Accademia, will organize a major exhibition on the Venetian master.

Venetian Prints in the Time of Tintoretto
Closed June 9, 2019

Completing the panorama of Venetian art in the time of Tintoretto is an exhibition that will present some 40 prints from the second half of the 16th century, ranging from the exquisite etchings of Parmigianino and his immediate followers in the Veneto, to the spectacular woodcuts of Giuseppe Scolari, most from the Gallery’s own collection.

Drawing in Tintoretto’s Venice
Closed June 9, 2019

The first exhibition to focus specifically on Tintoretto’s work as a draftsman, Drawing in Tintoretto’s Venice provides new ideas about his evolution as a draftsman, about the dating and function of the so-called “sculpture drawings,” and about Tintoretto’s place in the Venetian tradition.

In the Library: The Evans-Tibbs Archive of African American Art
Closed April 12, 2019

In the Library: The Evans-Tibbs Archive of African American Art showcases the life and work of Thurlow Evans Tibbs, Jr., an accomplished art appraiser, broker, collector, and dealer, as well as the founder and director of his eponymous art gallery in Washington, DC.

In the Tower: Anne Truitt
Closed July 8, 2018

This exhibition, a survey of Truitt’s minimalist sculpture, painting, and works on paper from 1961 to 2002, traces the career of an artist who developed her work quietly and independently in the former carriage and row houses of Washington, DC.

The Renaissance in the North: New Prints and Perspectives
Closed November 27, 2022

Discover rare prints by Albrecht Dürer, Hendrick Goltzius, and other influential artists alongside engravings, etchings, and woodcuts by other highly talented but less familiar figures, such as Erhard Schön and Jan Sadeler I.

This is a print of a battle scene in a forest, with men engaged in combat amidst a backdrop of dense trees. The men are a mix of armed and unarmed, some holding long swords, sticks, axes, or pitchforks. Some are lying on the ground. Some of the men are nude apart from small garments around their groins, while other men are wearing full outfits with tunics, jackets, and wide-brimmed hats. The background includes tall trees with heavy branches in front of a sky filled with thin, horizontal lines. In the bottom left and right corners of the paper, below the print, are small rectangles with text in them.
Gordon Parks: The New Tide, 1940-1950
Closed February 18, 2019

For the first time, the formative decade of Gordon Parks's 60-year career is the focus of an exhibition, which brings together 150 photographs and ephemera.

A young Black man stands in profile looking out a tall window to our right in this vertical black and white photograph. The image is cropped so his head, shoulder, and upper arm fill the left half of the composition. He has short hair and wears a shirt or jacket that diffuses the light to suggest that it could be flannel or another soft fabric. With a cigarette dangling loosely from his lips, he stares through the shattered upper pane of the window and he holds his right hand across his chest. The strong light source from the right accentuates his nose, cheeks, hair, and shoulder, and the space behind him is lost in shadow. A blurred, three-story building across the street has a dark façade with white stone lintels above the windows and a mansard roof with curved dormers.