Past Exhibitions

Learn about past exhibitions going back as far as 1941 when the National Gallery of Art first opened to the public.

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September 28, 1983 - April 1, 1984
Art of Aztec Mexico
July 3 - October 30, 1983
Arp: The Dada Reliefs
June 17 - September 28, 1983
Five Surrealists from the Menil Collection
June 5 - October 9, 1983
Night Prints
June 5 - August 14, 1983
Lucas van Leyden and His Contemporaries
May 26 - November 27, 1983
The John Hay Whitney Collection
Trees and mountains nearly fill this composition and are painted with long, mostly parallel brushstrokes in this horizontal landscape. The trees are painted with long dashes of royal and aquamarine blue, pine and mint green to suggest leaves on coral-red trunks. The grass below is lemon-lime yellow, and a walking path is picked out with lavender-purple strokes. The mountains beyond the trees are painted with flat areas of coral, apricot orange, and cobalt blue. The sky above is pale turquoise with a few swirling, cream-colored clouds.
February 13 - May 1, 1983
Paintings in Naples from Caravaggio to Giordano
A nearly nude, pale-skinned woman rides an oversized seashell being pulled by stylized dolphins in this horizontal painting. Four muscular, tanned men with dark, unruly curly hair surround the shell and play music. The woman sits on a seat made by twisting red coral with her body angled to our right. She turns her face up and to our left, to the sky. She has dark eyes and brows, a heart-shaped face, a cleft in her chin, and her pink lips are parted. Her auburn-brown hair appears gathered at the base of her neck and long tresses lift in the breeze over her right shoulder, to our left. A teardrop-shaped pearl hangs from the ear we can see. A celestial-blue cloth and a translucent white veil wraps over one shoulder and flutters behind her. The cloth then drapes across her back and over her thighs, exposing her soft tummy and rounded hips. The fish-like dolphins pulling the shell have rounded heads and black, glassy eyes. Short fins run the length of their curved backs over dark, olive-green skin. The woman guides them using red, twisted cords looped through their mouths. A pair of musicians are to each side of the shell. To our left and in the lower corner, one man holds a flute to his lips. The outer corners of his eyebrows arch up under a lined forehead. A ring of broad leaves wraps around his waist. Another man behind him blows with cheeks puffed into a shell as he looks at us. In the pair to our right, on the far side of the shell, one man holds a stick, perhaps guiding the vessel, while another, at the front of the grouping, blows into a shell. The man at front wears rings of leaves around his head and waist. The scene is lit starkly from our left, illuminating the woman and casting the rest into shadow. The water around the group is dark, pine green. Rocky mountains dotted with trees and buildings rise in the distance. Ash-gray clouds create diagonal bands moving up and to our right against a muted blue sky.

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