Past Exhibitions

Learn about past exhibitions going back as far as 1941 when the National Gallery of Art first opened to the public.

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February 21 - May 31, 1999
John Singer Sargent
January 31 - May 31, 1999
From Botany to Bouquets
A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting. Shown against a dark brown background, the vase sits on a caramel-brown ledge. The flowers in the center of the arrangement draw the eye. On our right two tulips are streaked with cream white and dark pink. A flower above it, perhaps an anemone, has white ruffled petals with flame-red tips around a denim-blue center. A small snail in a rust-orange shell rests on a curling green leaf nearby. On our left is a partly opened tulip with scarlet-red streaks next to an ivory-white hydrangea with clusters of tiny petals. Trumpet-shaped, sea-blue morning glories and an amber-orange bloom surround the white hydrangea. The top third of the arrangement has a tall, white peony with feathery petals at the center. Queen Anne’s lace nestles alongside small blooms in muted purples and blues, sage-green peapods, and a carrot-orange flower that resembles a daisy. A slender stalk of wheat extends off the right side while another bends to meet the ledge. The lower third of the arrangement is filled with pink roses, more green pea pods, two closed, plum-purple flowers, and another feathery peony, this one crimson red, which droops to meet the ledge near the bottom right corner of the painting. A few blackberries lie on the ledge nearby. Leaves in various sizes and shades of green fill in among the blooms. More insects and creatures are scattered throughout the composition. For example, a caterpillar clings to the underside of the white peony at the top while a brown and black butterfly flies toward it. A bee sits on the white and red anemone, and a snail, salamander, and spider gather on the ledge to the left of the vase. Stems and the water line are visible within the glass vase, which swells from a narrow opening into a wide base. Panes of a window off to our left reflects in the belly of the vase. The artist signed the front face of the ledge near the lower left: “J.D. De Heem f.”
January 24 - May 9, 1999
American Impressionism and Realism: The Margaret and Raymond Horowitz Collection
November 15, 1998 - February 15, 1999
Edo: Art in Japan 1615-1868
November 15, 1998 - May 9, 1999
Figure Studies and Compositional Drawings from the Armand Hammer Collection
November 8, 1998 - January 31, 1999
Love and War
October 18, 1998 - January 3, 1999
Gifts to the Nation from Mr. and Mrs. John Hay Whitney
The painting depicts a coastal scene. A rocky shore in warm tones of orange and purple is closest to the viewer, with two boats and a simple structure visible near the center of the image. The horizon line is high in the composition, with a range of mountains faintly visible against the sky past the large body of water. The water is a light blue, stretching from the rocky shore to the distant mountains. The paint has been applied with small dot-like brushstrokes of reds, oranges, blues, and purples.

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