Marie Watt, an artist and member of the Seneca Nation, takes us into the story of Turtle Island and its connection to her work, family, and Native American history. 

Not constrained by any one medium, style, or artistic tradition, Barbara Earl Thomas is eager to step into the unknown as she continues telling her story.

The multidisciplinary artist George Tsutakawa found inspiration in the Pacific Northwest’s natural environment and dedicated his life to art. His family follows in his footsteps.

Albert Bierstadt’s twin paintings of the disappearing American bison became part of the movement to save the animal from extinction.

Utah artists respond to the receding lake, mourning what is disappearing but also imagining a future in which it endures.

Artist Charles Ross spent half his life making “Star Axis,” a work of art that allows you to travel 13,000 years into the future and 13,000 years into the past. 

How the Diné artist's serene paintings "tell the story of knowing land over time."

As the presence of humans changes the Sonoran Desert, photographers capture the impact on the saguaro cactus.

How contemporary artists working in El Paso and Juárez counter mainstream narratives of the region.

How the photographer’s journey tracking down views from 19th century photographs altered the writer’s understanding of space and time.

Joe Minter has spent more than three decades creating an environmental artwork on his property. He hopes it can heal the world’s spiritual wounds through its messages of love and connection.

Coulter Fussell, a diner waitress turned artist, makes her kids’ Snapchat messages into art.

Rick Lowe, artist and community organizer, takes us to his home in the 3rd ward of Houston, Texas.

New Orleans artist Hannah Chalew explores how her own work and practice can contribute to a sustainable future.

Oklahoma potter Richard Zane Smith revives techniques, memories, and practices of Waⁿdat culture.

The Minnesota artist's humanist, ecological pottery contains operating instructions for our shared survival.

How Grant Wood, Georgia O’Keeffe, and Thomas Hart Benton depicted the humble structures—and how they mask the struggles of farmers today.

How artists based in Iowa, from the early 20th century to today, have crafted their own visions of the region.

In her tribute to the late George Morrison, Ojibwe artist Andrea Carlson asks, how can Indigenous artists be called back to the land?