Medieval and Renaissance Sculptures and Decorative Arts

On View: West Building, Ground Floor

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455 artworks on view.

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The sculpture is a roundel depicting three muscular male figures engaged in action within a dynamic environment. Two figures in the foreground have curly hair and beards, wielding a tool or weapon, while the third figure sits to the right. The figures appear to be in confrontation or collaboration, suggesting movement and activity. The sculpture is made of a dark metallic material, likely bronze, exhibiting a brownish color with subtle patina highlights. The artwork is intricately carved, capturing the human form and implied motion with lifelike precision.

Combat of Ichthyocentaurs

Venetian 16th Century

early 16th century

Bronze//black lacquer over light brown bronze  Accession ID  1957.14.384

On View: West Building Ground Floor, Gallery G16
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The sculpture is an oval relief depicting three figures. In the center, a small, nude, winged figure stands atop a pedestal or altar, holding circular objects in both hands. Flanking the central figure are two larger, draped figures on each side, possibly interacting with the central figure. The sculpture is made of a silver-toned metal with a darkened surface, creating a contrast. It is framed by a raised border and has a small hole at the top.

Cupid Crowning Two Lovers

Valerio Belli

Lead  Accession ID  1957.14.508

On View: West Building Ground Floor, Gallery G16
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The sculpture is a portrait medallion depicting a woman with long flowing hair, draped in a garment that exposes her shoulders and part of her chest. Her face is turned slightly to the side with a contemplative expression. The medallion is circular and features the inscription "DIVA FAVSTINA" around the edges. The sculpture appears to be made of a bronze material, giving it a dark golden color with a weathered, antique finish. The overall appearance is that of a classical bust, with the woman emerging in relief from the flat circular medallion, showing attention to detail in her facial features and hair. The piece has a three-dimensional quality, highlighting the engraving and casting skill used to create the lifelike representation.

Diva Faustina [obverse]

Moderno

c. 1490

Bronze  Accession ID  1942.9.175.a

On View: West Building Ground Floor, Gallery G16
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The image is a circular medallion featuring a male portrait in profile view. The man depicted has curly hair, a prominent nose and chin, and is shown without clothing. The medallion appears to be made of bronze and has engraved text around its circumference. The sculpture is in a relief-style execution, with detailed craftsmanship visible in the hair and facial features.

Donato Bramante, c. 1444-1514, Architect [obverse]

Caradosso Foppa

c. 1506

Bronze  Accession ID  1957.14.786.a

On View: West Building Ground Floor, Gallery G16
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This is a photograph of a round, embossed metal object. The embossed design features a prominent depiction of an eagle with outspread wings at the center top. Below the eagle, there are two snake-like creatures winding across the surface. At the lower part, there is a profile of a helmeted face. Surrounding these elements are designs of vegetation, including trees and foliage. The surface is enriched with intricate detailing showcasing skilled craftsmanship in metalwork.

Falcon and Strozzi Shield in a Meadow [reverse]

Anonymous Artist

1489

Bronze  Accession ID  1957.14.880.b

On View: West Building Ground Floor, Gallery G16
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The sculpture depicts a young male in profile with curly hair and a subtle expression, facing left. It is in the form of a medallion or relief, made from a bronze-colored material. The sculpture has a dark, antique finish, highlighting the contours and features of the face. The circular relief is bordered with small bead-like patterns and includes an inscription around the perimeter. The medallion is relatively flat, with details of the face and clothing raised to various degrees, providing depth and shadows.

Giovanni Paolo Lomazzo, 1538-1600, Milanese Painter and Theorist [obverse]

Annibale Fontana

1560s

Bronze  Accession ID  1957.14.1036.a

On View: West Building Ground Floor, Gallery G16
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The sculpture is a bell with intricate relief carvings depicting various figures and a background of vine and leaf motifs. It is made of bronze, with a rounded shape and a handle at the top. The relief illustrates a dynamic scene with multiple human figures engaged in interactions. The sculpture has a dark brown metallic color and areas of light and shadow emphasize the details in the relief. The work is detailed and visually appealing with a classic design.

Hand Bell with Drunken Silenus, Satyrs, Cavorting Putti, and Musical Instruments

Paduan 15th Century, Paduan 16th Century

late 15th - early 16th century

Bronze  Accession ID  1957.14.116

On View: West Building Ground Floor, Gallery G16
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The sculpture is a circular relief medallion featuring three figures. One figure is seated on the left, while the other two are standing, with one holding a staff. The standing figures wear flowing garments. A smaller figure is also visible at the bottom right. The medallion is dark brown with a glossy finish, likely made of bronze. It is intricately detailed with naturalistic features and has a raised border. At the top, there is a hole for hanging, and the word "INSTAR" is inscribed at the bottom. The sculpture is against a black background.

Hercules between Minerva and Venus

Valerio Belli

Bronze//dark brown patina  Accession ID  1957.14.502

On View: West Building Ground Floor, Gallery G16
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Jacoba Correggia [obverse]

Anonymous Artist

c. 1500

Gilded bronze//five times pierced  Accession ID  1957.14.673.a

On View: West Building Ground Floor, Gallery G16
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This is a photograph of a bronze coin. The coin features an embossed profile of a figure wearing detailed ornate robes and a headgear reminiscent of a papal tiara. The figure faces to the right with a solemn expression. The attire is intricately detailed with engravings that could be floral or symbolic. Surrounding the profile are inscriptions in a circular alignment, possibly in Latin. The edge of the coin has tiny beads or indentations. The color tone is a warm, aged bronze, highlighting the relief of the coin.

Julius II (Giuliano della Rovere, 1443-1513), Pope 1503 [obverse]

Caradosso Foppa

1506

Bronze  Accession ID  1957.14.787.a

On View: West Building Ground Floor, Gallery G16
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This round plate features a central mustard-yellow design with a shield containing six circular shapes, five that are orange and one that is black with small yellow symbols inside it. The rim of the plate is decorated with floral and scroll patterns in the same yellow color, with thin blue outlines and small patches of white in between the large shapes. A motif of crossed keys below a crown is above the shield. The plate is set against a plain blue background.

Large dish with plant-pattern border; in the center, the arms of a Medici pope

Deruta 16th Century

1513 or later - probably not after 1534

Tin-glazed earthenware (maiolica)  Accession ID  1942.9.319

On View: West Building Ground Floor, Gallery G16
The sculpture is a circular medallion depicting a scene with four human figures and a dog. The central figure is a nude male, seated and facing slightly to the left, surrounded by three standing female figures, each wearing draped garments. One of the women is supporting the male figure, while another appears to be attending to him, and the third woman stands next to them. At the feet of the central male figure sits a small, reclining dog. The sculpture is intricately carved and features details that suggest fabric texture and human anatomy. The material of the sculpture is a brown-toned metal, possibly bronze, with a patina that gives it an aged appearance. The details are highlighted by the contrast between the raised figures and darker recessed areas, creating depth and visual interest. At the top of the medallion, there is a small circular hole, possibly for hanging. The scene is framed by a series of concentric circular ridges, adding to the overall composition of the piece.

Meleager and Atalante

Master of the Orpheus Legend

fourth quarter 15th century

Bronze//dark brown patina  Accession ID  1957.14.230

On View: West Building Ground Floor, Gallery G16
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