Medieval and Renaissance Sculptures and Decorative Arts

On View: West Building, Ground Floor

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455 artworks on view.

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This circular earthenware plate is painted with a landscape scene showing a man on horseback in the center flanked by a group of about a dozen men to the left and ten boys and men to the right. The white horse faces our right as it rears up on its back legs and looks down at a dark chasm in the earth beneath its front legs. The man astride the horse has pale skin and light brown hair, and he holds a sword as he looks back to the crowd to our left. Everyone in the crowd also has pale skin. Most of the people wear vibrant, royal and sky blue and pumpkin orange, with a few touches of butter yellow, turquoise, and purple. Both groups are situated in front of sandstone-colored columns and pediments, which flank the scene. A cluster of buildings rises along a ridge in the middle distance to the left of center, and more structures are built along a riverbank to our right. The river weaves away from us to blue mountains in the deep distance.

Charger with Marcus Curtius plunging into the chasm

Painter of the Milan Marsyas

c. 1525/1530

Tin-glazed earthenware (maiolica)  Accession ID  2014.136.324

On View: West Building Ground Floor, Gallery G19
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The sculpture features a relief portrait of a woman in traditional attire, shown in profile facing right, with intricate details highlighting her facial features and clothing. The woman's hair is covered, possibly with a headpiece or veil extending down her back. The circular medallion-like sculpture is made of warm-toned bronze with a slightly worn texture. The border is inscribed with text, and the overall design reflects the style of its era. The piece is small and meant for display as a collectible item.

Elisabetta Gonzaga, died 1526, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse]

Adriano Fiorentino

c. 1495/1499

Bronze  Accession ID  1957.14.700.a

On View: West Building Ground Floor, Gallery G16
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Giovanna Albizzi, Wife of Lorenzo Tornabuoni [obverse]

Niccolò Fiorentino

1486

Bronze  Accession ID  1957.14.882.a

On View: West Building Ground Floor, Gallery G16
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Isabella d'Este, 1474-1539, Wife of Francesco II Gonzaga of Mantua 1490 [obverse]

Giancristoforo Romano

1498

Bronze  Accession ID  1957.14.669.a

On View: West Building Ground Floor, Gallery G16
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The sculpture is a circular medallion featuring a profile relief of a woman from the waist up, facing left. The woman has a detailed hairstyle, possibly with a cap or headdress, and wears clothing that appears to be draped across her shoulders. Around the edge of the medallion, there is an inscribed text that reads, "LAVINIA FONTANA ZAPPIA PICTRIX 1611." The medallion is bronze and has a slightly uneven patina.

Lavinia Fontana, 1552-1614, Bolognese Painter [obverse]

Felice Antonio Casone

1611

Bronze  Accession ID  1957.14.1071.a

On View: West Building Ground Floor, Gallery G16
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This is a photograph of a circular object with detailed engravings. A central scene contains figures in various poses, including a seated figure playing a lyre, surrounded by others in a gathering. The scene includes a tree and an animal resembling a stag. Above the figures, two smaller figures are amongst branches. The engraving shows flowing garments and textured landscapes.

Orpheus Playing to the Animals

Master of the Orpheus Legend

fourth quarter 15th century

Bronze//dark brown patina  Accession ID  1957.14.234

On View: West Building Ground Floor, Gallery G16
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The image shows a round metal medallion featuring a relief scene with human figures, draped in flowing garments, interacting with a large reclining bull-like animal. Two winged figures are depicted above the main scene, possibly in flight. The background includes a structure with arches. The medallion is likely made of bronze and displays intricate craftsmanship with various textures and fine details. It is a small, flat disk with a smooth edge and a hole at the top for hanging or mounting.

The Adoration of the Shepherds

Valerio Belli

Bronze//medium brown patina  Accession ID  1957.14.483

On View: West Building Ground Floor, Gallery G16
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The sculpture is a circular relief depicting a scene with multiple figures engaged in various movements. Some figures embrace or grapple, while others raise arms and hold objects like a banner. The figures have intricately carved facial features and garments. The sculpture is bronze in color, suggesting it is made from bronze or has a bronze finish. The surface shines, highlighting the raised details. The circular form resembles a medallion or large coin and contains inscriptions along the bottom edge.

The Betrayal of Christ

Valerio Belli

1525 or after

Bronze//very dark patina  Accession ID  1957.14.488

On View: West Building Ground Floor, Gallery G16
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The sculpture is a round medal featuring a raised relief of a fortified castle with towers. The castle has tall, crenellated towers and walls. The material appears to be metallic bronze, giving it a warm, brown color with lighter highlights. There is an inscription along the outer edge of the disc. The item is shown against a black background.

The Castle of Rimini [reverse]

Matteo de' Pasti

c. 1454/1460

Bronze  Accession ID  1957.14.654.b

On View: West Building Ground Floor, Gallery G16
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The sculpture features a circular plaque depicting a dynamic scene with multiple figures in motion. At the center of the composition appears a male figure, surrounded by three other figures. To the left, one figure holds an object resembling a mask or face, while to the right, another figure carries what looks like a rounded vessel. In the background, a tree with intricately detailed branches extends upwards. The material of the sculpture is bronze, giving it a predominantly dark brown coloration with areas of lighter golden highlights. The figures are rendered in relief, creating a three-dimensional appearance.

The Death of Orpheus

Moderno

late 15th - early 16th century

Bronze//medium brown patina  Accession ID  1957.14.334

On View: West Building Ground Floor, Gallery G16
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The sculpture depicts a group of people arranged in a semicircle around a central figure who is seated. The central figure is partially unclothed, with a draped garment covering his lower half. The other figures stand closely together, each adorned in flowing garments. The sculpture is crafted from a material that resembles bronze. The relief work and texture of the robes and bodies suggest depth and movement, making the figures appear lifelike and dynamic. The artwork is framed within an oval border. A line of text is inscribed along the bottom of the scene.

The Entombment

Valerio Belli

1525 or after

Bronze//dark brown patina  Accession ID  1957.14.493

On View: West Building Ground Floor, Gallery G16
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The sculpture depicts a figure with wings engaged in an aerial struggle or movement. The figure has long hair and is partially draped. The wings are expansive and detailed. The sculpture has a dark, metallic appearance, likely made from bronze or a similar metal, with areas of lighter highlights. The background suggests swirling clouds. This is an oval, bas-relief sculpture.

The Rape of Ganymede

Giovanni Bernardi

1532 or after

Bronze//dark brown patina (rubbed on exposed surfaces)  Accession ID  1957.14.516

On View: West Building Ground Floor, Gallery G16
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