James Webb

American, active late 20th century

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  • This is a painting of a stylized animal head with horns against a vibrant backdrop. The work features a minimalistic depiction of a bull's head using bold black lines and large areas of flat color. The background is dominantly yellow. In the upper-right corner, there are abstract elements in polka dot patterns and solid green areas. The use of simple shapes and bright colors encapsulates a pop art style.

    Bull Head I

    Roy Lichtenstein, James Webb, Ron McPherson, Robbin Geiger, Gemini G.E.L.

    1973

    Color lithograph and line-cut on arjomari wove paper  Accession ID  1983.71.21

    Not on view
  • The image shows overlapping and intersecting lines and shapes, mostly vertical and diagonal. There is text with distorted letters reading "SUPOSTER" and "RETS OPUS" among others, in bold and varying fonts. The text and scribbles resemble familiar objects like signage or an old chalkboard with graffiti-style markings, presented in a reversed and upside-down manner.

    Suposter

    Bruce Nauman, Serge Lozingot, James Webb, Gemini G.E.L.

    1972, published 1973

    Color lithograph and screenprint on arjomari wove paper  Accession ID  1985.47.134

    Not on view
  • The image contains sweeping, broad arcs, softer shapes, and intersecting diagonal lines. There are two bottle-like forms on the left, a large semicircular arc in the middle, and an angled ruler-like object. A small rectangular piece of paper with faint text reading "GOOD TIME QUALITY" is visible beneath.

    Good Time Charley [working proof]

    Jasper Johns, James Webb, Ron Olds, Ron Adams, Gemini G.E.L.

    1972

    Color lithograph with ink on angoumois à la main handmade paper [working proof]  Accession ID  2006.136.46

    Not on view
  • Concentric triangles of increasing size form a ripple effect pattern. The design resembles a pyramid or a metronome. The central triangle contains negative space. The artwork uses geometric lines on a plain background.

    Leo Castelli

    Frank Stella, James Webb, Ron Adams, Gemini G.E.L.

    1972

    Lithograph in purple on copperplate deluxe wove paper  Accession ID  1985.47.227

    Not on view
  • The image displays a composition of sweeping, curved lines and angular forms in an abstract arrangement. A semi-circular shape dominates the right side, paired with a straight element. Vertical elongated shapes are visible on the left. Abstract textures and irregular lines fill the background.

    Good Time Charley

    Jasper Johns, James Webb, Ron Olds, Ron Adams, Gemini G.E.L.

    1972

    Color lithograph on angoumois à la main handmade paper  Accession ID  1990.27.24

    Not on view
  • The image displays a composition divided into two main sections. The upper portion shows abstract scribbled lines creating a textured pattern. Below, a large rectangular area is filled with dark ink washes, suggesting a cloudy sky or undulating waves. A smaller intersecting rectangle adds complexity to the piece. The artwork presents an abstract combination of shapes evoking elements of natural landscapes in a minimalist style.

    Zone [trial proof 4]

    Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L.

    1972

    Color lithograph on italia wove paper [trial proof]  Accession ID  2008.27.53

    Not on view
  • The image consists of two large semicircular shapes flanking a vertical, wood-textured design element in the center. The semicircles could be seen as resembling fans or abstract eyes, while the vertical line could be interpreted as a tree trunk or a piece of machinery.

    Device

    Jasper Johns, Richard Ewen, James Webb, George Page, Ron Olds, Gemini G.E.L.

    1972

    Color lithograph on angoumois à la main handmade paper  Accession ID  1976.56.99

    Not on view
  • The image displays geometric shapes and abstract lines. There is a semi-circular fan-like arrangement in the top left, an abstract freeform shape in the center, and a wire hanger shape flowing towards the bottom right. The color palette includes layered rectangles, creating a patchwork effect.

    Evian [trial proof]

    Jasper Johns, Ron Olds, James Webb, Ron Adams, Richard Ewen, Chuck DeLong, Gemini G.E.L.

    1972

    Color lithograph on angoumois à la main handmade paper [trial proof]  Accession ID  2008.27.18

    Not on view
  • The image shows a monochromatic sketch of a toilet with the seat raised, positioned upright at the center of the composition. The color palette consists of shades of gray and black, providing a contrast between the main object and its background. The toilet is centrally placed on the page, with some scribbled lines surrounding it.

    Soft Toilet #1

    Claes Oldenburg, James Webb, Gemini G.E.L.

    1972

    Lithograph in gray and black on angoumois à la main handmade paper  Accession ID  1991.74.175

    Not on view
  • The image displays a vertical and horizontal arrangement of shapes with abstract interplay of lines and textures. Above, there is a dense pattern of wavy and curved lines in a dark shade, resembling densely layered foliage at night. Below, there is a soft wash of color intersected by a vertical and horizontal structure resembling a minimalist representation of a window or doorway. The composition suggests a blend of geometric and organic elements, with subtle shapes such as rectangles and brushstrokes hinting at architectural forms or household objects. The word "Zone" is printed in the bottom left corner as a bold, graphic label.

    Zone [trial proof 2]

    Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L.

    1972

    Color lithograph on copperplate wove paper [trial proof]  Accession ID  2008.27.51

    Not on view
  • ""

    Spoleto Circle

    Richard Serra, Serge Lozingot, James Webb, Gemini G.E.L.

    1972

    Lithograph on italia wove paper  Accession ID  1985.47.190

    Not on view
  • The image shows a series of parallel, diagonal lines forming a geometric shape resembling a rhombus, with a smaller rhombus in the center. The lines are evenly spaced and grow progressively larger from the center outward. The composition creates the impression of depth and structure, similar to a tilted frame or window. The design evokes the sense of an optical illusion, akin to a spiraling staircase or a receding tunnel.

    Carl Andre

    Frank Stella, Ron Olds, James Webb, Gemini G.E.L.

    1972

    Lithograph in purple on copperplate deluxe wove paper  Accession ID  1985.47.225

    Not on view