James Webb

American, active late 20th century

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  • The image features a large, bold, oval shape with a vertical orientation, surrounded by various black and gray tones. This abstract artwork prominently displays a form resembling the letter 'U' or the number '0'. Various smudges and splatters within the piece contribute to its textured appearance. The overall composition is filled with a chaotic interplay of light and dark areas.

    Figure 0 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1970

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2004.167.70

    Not on view
  • The image shows an abstract composition with a large, central oval shape bordered by irregular, organic forms and patches of varying dark and light shades. The central shape appears hollow and is surrounded by patterns that resemble shadows or reflections. The artwork uses contrasting shades and undefined lines to create a visually engaging piece with familiar forms.

    Figure 0 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1970

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2004.167.67

    Not on view
  • The image shows a variety of curved and angular shapes, with a dominant inverted triangular form at the center. The abstract artwork includes bold lines and geometric patterns with a mix of dark gray, brown, vibrant blue, sunny yellow, and coral colors. The shapes and color blocks give the impression of familiar objects like a colorful kite or a folded paper structure. The interplay of hues and forms creates a visually striking pattern with a sense of layered design.

    River of Ponds I

    Frank Stella, James Webb, Timothy Huchthausen, Gemini G.E.L.

    1970

    Color lithograph on special arjomari wove paper  Accession ID  1979.75.6

    Not on view
  • The image shows a large oval shape made of expressive brushstrokes and dark washes. The oval is layered with shades of black and gray, creating texture and depth. It is enclosed within a rectangular boundary, resembling a weathered plaque or ancient stone tablet. The composition evokes the rugged surface of objects like a stone pathway or vintage printing block.

    Figure 0 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1970

    Lithograph in black and gray on arjomari wove paper [trial proof]  Accession ID  2004.167.69

    Not on view
  • ""

    Litho/Litho

    Roy Lichtenstein, James Webb, Andrew Vlady, Gemini G.E.L.

    1970

    Color lithograph on special arjomari wove paper  Accession ID  1985.47.120

    Not on view
  • The image displays bold, sweeping lines and erratic scribbled shapes forming a large oval-like structure in the center. Dark irregular forms float within and around the central shape, resembling fragmented letters or musical notes. Surrounding strokes and splatters suggest a chaotic city skyline or cluttered desk with various tools.

    Figure 0 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1970

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2004.167.68

    Not on view
  • The image shows bold, sweeping black lines and zigzag patterns on a cream-colored background, creating an abstract form that may remind viewers of natural elements. The lines with occasional jagged edges could resemble a stylized letter "E" or the outline of a shell.

    Figure 6 [trial proof]

    Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.37

    Not on view
  • The image displays a bold black shape on a cream background with a curvilinear form resembling the number "9" or the letter "g" with irregular markings and small splatters on the edges, creating an inkblot effect. The shape has a circular bottom and a looping tail, giving it an abstract appearance. The design may evoke calligraphy or typography with exaggerated letter forms.

    Figure 9 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.26

    Not on view
  • The image shows a number "1" created with bold lines and a gradient. The colors transition from deep purple at the top to bright red and then to vibrant yellow at the bottom.

    Figure 1 [color trial proof]

    Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [color trial proof]  Accession ID  2005.153.14

    Not on view
  • The image consists of an oval shape in the center surrounded by a rectangular background. The oval contains a gradient of colors blending from warm reds to deep blues. The rectangular background is grey and contrasts the colors inside the oval.

    Figure 0 [experimental proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [experimental proof]  Accession ID  2005.153.8

    Not on view
  • The image shows a dense patchwork of intersecting lines creating a rectangular shape. The interior is filled with dark lines intersecting in various directions. The abstract composition resembles a tangled forest or woven fabric, with irregular line thickness and direction adding texture and complexity. Small patches of lighter tones are scattered within the web. Thin, sweeping lines extend beyond the dark rectangle, reaching towards the edges of the canvas.

    Figure 6 [proof]

    Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in black and tan with paint and pen and blue ink on arjomari wove paper [proof]  Accession ID  2005.153.15.b

    Not on view
  • The image shows a bold, sweeping line that curves and loops to form the shape of a large number "2" within an abstract composition. The number is framed in a gradient of vibrant colors transitioning from blue and purple at the top to a rich red hue at the bottom. The background and the number meld together with a textured appearance.

    Figure 2 [working proof]

    Jasper Johns, James Webb, John Dill, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with paint on arjomari wove paper [working proof]  Accession ID  2005.153.15.a

    Not on view