Daniel Freeman

Freeman, Dan
Freeman, Daniel Barton

American, born 1868

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  • The image displays a large, vertical, oval shape bordered by thick black lines. The abstract design has uneven, textured surfaces and is set against a lighter background.

    Figure 0 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.7

    Not on view
  • The image shows a number "5" formed by thick lines in a rectangular frame. The artwork has a gradient of warm colors transitioning from deep red at the top, through bright yellow in the middle, to rich green at the bottom.

    Figure 5 [artist's proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [artist's proof]  Accession ID  1976.56.83

    Not on view
  • The image showcases a collection of overlapping linear and circular shapes in green. The abstract artwork features various intersecting lines and circular forms, resembling seals or stamps seen on official documents. The composition presents a dense arrangement of lines and shapes that could be perceived as a map or technical diagram, resembling a complex city grid.

    Marsh

    Robert Rauschenberg, Daniel Freeman, Timothy Isham, Gemini G.E.L.

    1969

    Lithograph in green with embossing on arches cover wove paper  Accession ID  1991.74.256

    Not on view
  • The image shows a bold, sweeping line that curves and loops to form the shape of a large number "2" within an abstract composition. The number is framed in a gradient of vibrant colors transitioning from blue and purple at the top to a rich red hue at the bottom. The background and the number meld together with a textured appearance.

    Figure 2 [working proof]

    Jasper Johns, James Webb, John Dill, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with paint on arjomari wove paper [working proof]  Accession ID  2005.153.15.a

    Not on view
  • The image depicts a number "1" painted with a gradient of colors transitioning from deep purple to bright yellow. Surrounding the number are splashes and smudges that imply movement, resembling fluid spreading. The color gradient evokes themes of sunsets and rainbows. The texture of the image gives it an artistic quality similar to modern art.

    Figure 1 [color trial proof]

    Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [color trial proof]  Accession ID  2005.153.13

    Not on view
  • ""

    Arena I

    Robert Rauschenberg, Daniel Freeman, Andrew Vlady, Gemini G.E.L.

    1969

    Lithograph in gray on arches cover wove paper  Accession ID  1985.47.154

    Not on view
  • The image shows swirling and broad brushstrokes primarily in white on a vibrant background. The colors transition from orange on the left, to yellow in the center, and to green on the right.

    Figure 5 [working proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with gouache on laid paper [working proof]  Accession ID  2005.153.28

    Not on view
  • The image shows sharp, horizontal and vertical lines creating a large abstract shape similar to the letter "T." Inside this shape, clusters of text give the impression of a newspaper page, with some sections appearing torn to create a fragmented look resembling a collage.

    Figure 1 [trial proof]

    Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.12

    Not on view
  • The image shows overlapping lines and shapes with an outline resembling an astronaut in a spacesuit. Circular elements, arrows, and text labels overlay the figure, suggesting a technical blueprint. The background has an orange and blue textured backdrop resembling distant landscapes and silhouettes, hinting at a horizon or otherworldly setting.

    Trust Zone

    Robert Rauschenberg, Daniel Freeman, Richard Wilke, Gemini G.E.L.

    1969

    Color lithograph on special rives wove paper  Accession ID  1991.74.241

    Not on view
  • The image shows a bold, thick-lined shape resembling the number "5" in black on a white background. The design has rough, expressive edges and uneven application of the black ink, giving it a dynamic and spontaneous appearance. The form evokes a numeral found in typography but is transformed into abstract art due to its oversized and painterly execution.

    Figure 5 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.33

    Not on view
  • The image shows an abstract composition with a large oval shape in the center and overlapping lines around it. Bands of vibrant colors transition from red, orange, yellow, and green to blue at the bottom.

    Figure 0 [experimental proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [experimental proof]  Accession ID  2005.153.10

    Not on view
  • The image shows a pattern of yellow dots arranged in even rows and columns across a white background, creating an abstract composition. The dots collectively form shapes that resemble objects like houses with pointed roofs and round figural elements that could be interpreted as trees or vegetation. The overall effect is a combination of structured repetition with a playful nod to familiar landscape elements through the abstract dot formation.

    Haystack #1

    Roy Lichtenstein, Stuart Henderson, Daniel Freeman, Richard Wilke, Adolph Rischner, Gemini G.E.L.

    1969

    Lithograph and screenprint in yellow and white on rives bfk wove paper  Accession ID  1985.47.113

    Not on view