Crown Point Press

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  • The image shows an etching of a nude man sitting on a stool. He is seated with one leg bent up and the other hanging down, with his arms resting on his thighs. The man has a contemplative expression, a mustache, and dark, combed-back hair. The focus is on the man, with a plain background emphasizing the subject.

    Chest Patterns II

    Beth Van Hoesen, Kathan Brown, Crown Point Press

    1965

    Hardground etching and drypoint in black on folded japanese shogun heavy wove paper  Accession ID  2015.115.54.17

    Not on view
  • The image is an illustration of a seated figure. The person is sitting on a chair, leaning slightly backwards, with one leg raised and bent over their arm and head. Their facial features are sharp, with distinct expression and wearing glasses. They have short, dark hair. The person is not wearing any clothing, and their position partially conceals the lower abdomen. The chair is simple in design, possibly made of wood. The background is plain, solely focusing on the figure and the chair.

    Foreshortened

    Beth Van Hoesen, Kathan Brown, Crown Point Press

    1965

    Hardground etching in black on folded japanese shogun heavy wove paper  Accession ID  2015.115.54.24

    Not on view
  • The image shows two nude men sitting side by side on a bench. The man on the left has short, wavy hair and is looking slightly downward. The man on the right wears glasses and is looking to the side. The background and bench have a textured pattern.

    Two Figures

    Beth Van Hoesen, Kathan Brown, Crown Point Press

    1965

    Hardground etching and aquatint in black on folded japanese shogun heavy wove paper  Accession ID  2015.115.54.13

    Not on view
  • The image shows a man in a bathtub, seated with one knee raised. He is holding a shaving razor and appears to be grooming. The man is partially nude, wearing dark shorts. The bathtub is shallow, with the man's upper body above the waterline. The background is plain tiled walls. The illustration style is simple with minimalistic lines and muted tones.

    Bath

    Beth Van Hoesen, Kathan Brown, Crown Point Press

    1965

    Hardground etching and aquatint in black on folded japanese shogun heavy wove paper  Accession ID  2015.115.54.16

    Not on view
  • ""

    Dark Gumball Machine

    Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    1964/2017

    Hardground and softground etching in black on somerset wove paper  Accession ID  2019.115.297

    Not on view
  • ""

    Gumball Machine

    Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    1964/2017

    Color hardground and softground etching on somerset wove paper  Accession ID  2019.115.303

    Not on view
  • Various long, sausage-like objects and clusters of round objects are hanging from the top of the image. Below them is a table or counter lined with rectangular containers or cutting boards, some with round shapes or tools placed on them. The color palette is monochromatic, with black on a light background, creating high contrast. The hanging objects are aligned in the upper half, while the table with its items is positioned horizontally across the lower half of the image.

    Delicatessen

    Wayne Thiebaud, Kathan Brown, Crown Point Press

    1964

    Sugarlift aquatint in black on wove paper  Accession ID  2015.19.3162

    Not on view
  • The image depicts a line drawing of a person in a side profile from the waist up. The person is seated or reclining with one arm bent to rest a hand on their face, and the other arm draped across their body. The facial features are lightly sketched, and the hair is illustrated with minimal lines. The figure's clothing is implied but not detailed, emphasizing the curves of the body. A pair of eyeglasses is depicted floating in the air beside the person. The background consists of light, sparse lines creating a plain, abstract environment.

    #1 [proof]

    Richard Diebenkorn, Kathan Brown, Crown Point Press

    1964

    Drypoint in black on rives bfk wove paper [proof]  Accession ID  1996.77.1

    Not on view
  • This print shows a series of cakes displayed on individual stands in three offset rows. The cakes all have different shapes and decorations, including motifs like hearts, swirls, and flowers. Some of the cakes are one layer, while others appear to be multiple layers. One cake near the center appears to be cut in half. The cakes are elevated from the grid-patterned surface in the background, and the stands cast round shadows.

    Cake Window

    Wayne Thiebaud, Kathan Brown, Crown Point Press

    1964 (published 1965)

    Etching in black on wove paper  Accession ID  2015.19.3155

    Not on view
  • The largest objects in the image are a pair of scissors inside a cup and an oval-shaped plate at the bottom center. The color palette consists of varying shades of black, white, and gray. The scissors are positioned horizontally across the cup slightly above the center. A pencil is placed to the left of the scissors, and a small, circular object sits just above the plate. At the top, there is a small, round object partially concealed in shadow.

    #41 [proof]

    Richard Diebenkorn, Kathan Brown, Crown Point Press

    1963

    Etching and drypoint in black on rives bfk wove paper [proof]  Accession ID  1996.77.2

    Not on view
  • ""

    #39

    Richard Diebenkorn, Kathan Brown, Crown Point Press

    1963

    Drypoint in black on rives bfk wove paper  Accession ID  2015.19.3500

    Not on view
  • The image shows a large silhouette of a jug in pale beige, overlapped by a smaller silhouette of a candleholder with a tall candle in a slightly darker beige. The color palette consists of various shades of beige against a light background. The jug's handle extends to the right, while the candleholder and candle are centered within the jug's silhouette, rising vertically from the base to the middle of the jug.

    Series C, #1

    José Maria Sicilia, Lawrence J. Hamlin, Paul Mullowney, Crown Point Press

    1990

    Color aquatint on fuji hosho wove paper  Accession ID  2006.122.111

    Not on view