Crown Point Press

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  • The image consists of swirling, thick lines and bold shapes forming an abstract composition. There are chaotic lines in the upper left, a central vertical shape, and curving shapes in the lower left corner. Dark and light colors create contrast.

    Cairn 3

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color soapground and sugarlift aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.41

    Not on view
  • The image shows a seascape with a dramatic sky and water. The horizon divides the sky and sea. Heavy clouds are depicted with bold brushstrokes, contrasting with lighter areas suggesting breaks in the clouds. The predominantly monochrome palette of blacks and greys is broken by a patch of white reflecting off the water at the center. The play of light and shadow gives depth to the scene and captures its moody nature.

    Moonlit Sea

    April Gornik, Crown Point Press, Daria Sywulak, Dena Schuckit, Case Hudson

    1998

    Color direct gravure with spitbite aquatint on somerset satin white paper  Accession ID  2001.142.40

    Not on view
  • The image displays a cliff edge with a row of trees, shrubs, and structures along the top. The drawing uses cross-hatching to define the cliff's form. The color palette is monochromatic, with black ink on a white background. The lines add detail to the landscape and structures.

    Estate #1

    Wayne Thiebaud, Crown Point Press, Daria Sywulak, Case Hudson, Dena Schuckit

    1998

    Hardground etching in black on somerset textured white paper  Accession ID  2001.142.98

    Not on view
  • The image shows kitchenware items on a narrow shelf. Items include a pitcher, a pepper mill, a jar, and a pot with a lid. The color palette is grayscale, resembling a pencil sketch. The shelf is mounted on a wall with visible brackets.

    Montefalco

    William Bailey, Crown Point Press, Case Hudson, Dena Schuckit, Daria Sywulak

    1998

    Hardground etching on gampi chine collé on white somerset satin paper  Accession ID  2001.142.8

    Not on view
  • The image displays vertical lines in black, blue, red, and yellow hues. The lines converge at the top and bottom, creating an abstract pattern. Some lines bend subtly, while the colors add dynamism to the composition. The artwork's abstract nature invites viewers to see familiar forms in the simplicity of the lines.

    Finger Lines (Pink)

    Tom Marioni, Crown Point Press, Dena Schuckit

    1998

    Color softground etching with aquatint and embossing on wove paper  Accession ID  2011.119.48

    Not on view
  • The image displays an arrangement of vertical, multicolored lines closely grouped together in the center of the canvas, forming an abstract figure. The colorful streaks feature hues of blue, red, yellow, and black. The composition gives an impression of dynamic movement within a narrow, towering form.

    Finger Lines (Yellow)

    Tom Marioni, Crown Point Press, Dena Schuckit

    1998

    Color softground etching with aquatint and embossing on wove paper  Accession ID  2011.119.49

    Not on view
  • The image depicts a humanoid figure resembling an ape, possibly a gorilla. The figure faces forward, showing the upper torso and head area. The features such as eyes, nose, and mouth are abstractly drawn with heavy black lines. The hair and fur are represented with dark strokes. The background is muted and warm-toned. There are no visible clothing, jewelry, or objects in the image.

    Missing Link

    Nathan Oliveira, Crown Point Press, Dena Schuckit, Case Hudson

    1998

    Color drypoint and spitbite aquatint on somerset textured white paper  Accession ID  2001.142.90

    Not on view
  • The image features a low angle perspective looking up at a tall, cliff-like structure. The horizon is near the top of the artwork, meeting the top of the cliff. Sketchy lines suggest figures or trees at the top. The brushstrokes are linear with crosshatched, wavy lines giving texture. The color palette is warm and sepia-toned against a white background.

    Red Mountain

    Wayne Thiebaud, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit

    1998

    Hardground etching in red on somerset textured white paper  Accession ID  2001.142.103

    Not on view
  • ""

    Copper Plate Nude 3

    Nathan Oliveira, Crown Point Press, Case Hudson, Dena Schuckit

    1998

    Color spitbite aquatint and texture from the back of a discarded plate on somerset textured white paper  Accession ID  2001.142.85

    Not on view
  • The image shows vertical lines of various colors including red, blue, yellow, and black on a white background. The lines are arranged in an abstract pattern converging towards the center, resembling a bunch of grass or a spray of fireworks. The lines create a sense of movement as they extend upwards and outwards.

    Finger Lines (Grey)

    Tom Marioni, Crown Point Press, Dena Schuckit

    1998

    Color softground etching with aquatint and embossing on wove paper  Accession ID  2011.119.47

    Not on view
  • ""

    Umbria Verde

    William Bailey, Crown Point Press, Daria Sywulak, Case Hudson, Dena Schuckit

    1997

    Color aquatint with hardground etching on somerset satin white  Accession ID  2001.142.12

    Not on view
  • The image displays a landscape from an elevated perspective. The horizon is situated near the top of the composition, showing details of hills and cultivated fields. Parallel lines in darker tones give depth, leading towards a winding path or stream in the center. The artwork combines delicate linework and soft brushstrokes to create movement. The color palette includes green, yellow, blue, and orange tones, creating a harmonious effect.

    River Edge

    Wayne Thiebaud, Crown Point Press

    1997

    Color etching and aquatint on wove paper  Accession ID  2014.116.41

    Not on view