Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • The image showcases two large rectangular shapes side by side, one in a muted light grayish beige and the other in a rich warm brown on a plain white background.

    Verona Variation # 3

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.15

    Not on view
  • Six vertical rectangles are aligned in a row against a pale background in this image. Each rectangle is filled with a gradient of colors. The colors transition smoothly from muted yellows and greens to deeper blues and reds.

    Verona Suite

    Anne Appleby, Dena Schuckit, Rachel Fuller, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.6

    Not on view
  • The image displays two elongated rectangular shapes placed side by side against a plain background. Each rectangle is filled with a gradient of color that transitions subtly from the edges towards the center. The left rectangle is a muted yellow-green hue, while the right one is a soft gray tone. The smooth blending of colors creates a sense of depth or a foggy view beyond the rectangles.

    Verona Variation # 15

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.13

    Not on view
  • The image displays geometric shapes and lines in warm yellow and orange tones, mainly rectangular and triangular. The arrangement resembles a stylized cityscape or modern architectural structure.

    Golden Rectangle

    Tom Marioni, Dena Schuckit, Rachel Fuller, Catherine Brooks, Crown Point Press

    2003

    Color aquatint with drypoint on somerset paper  Accession ID  2006.122.53

    Not on view
  • The image features two large rectangles side by side on a plain background. The left rectangle is brownish in color, while the right one is a cool gray shade. Both rectangles have soft edges that blend slightly into the surrounding area.

    Verona Variation # 14

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.12

    Not on view
  • The image shows multiple diagonal lines in shades of blue and brown intersecting on a light background. Words like "HIGHLAND," "HYDE," "VINE," and "GRANT" are placed vertically and diagonally along the lines.

    L.A.S.F. #2

    Ed Ruscha, Dena Schuckit, Case Hudson, Crown Point Press

    2003

    Color softground etching on somerset wove paper  Accession ID  2006.122.108

    Not on view
  • The image features two large rectangles side by side, framed by a wide margin of white space. The left rectangle is a muted soft beige color with hints of pink on the edges, while the right rectangle is a darker shade, similar to slate grey or deep blue.

    Verona Variation # 11

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.9

    Not on view
  • The image shows intersecting straight lines forming a grid pattern. The lines contain street names such as "POWELL," "O'FARRELL," "BEVERLY," and "LA BREA" in blue or red text. The arrangement resembles a simplified map grid. The lines create blocks of space similar to city blocks or intersections, suggesting a street plan. The style emphasizes the geometry and names without additional map details.

    L.A.S.F. #1

    Ed Ruscha, Dena Schuckit, Case Hudson, Crown Point Press

    2003

    Color softground etching on somerset wove paper  Accession ID  2006.122.107

    Not on view
  • The image contains a teal rectangle in the center of a white background.

    Gem [working proof 2]

    Anne Appleby, Dena Schuckit

    2003

    Aquatint in blue and grey on wove somerset paper [working proof 2]  Accession ID  2024.132.48

    Not on view
  • The image shows two large vertical rectangles standing side by side with soft, blurred edges. One rectangle is warm, rusty brown, while the other is muted, pale green. They are set against a plain white background.

    Verona Variation # 13

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.11

    Not on view
  • The image shows a large jug with a handle, a tall cylindrical object, and a chalice-shaped object. Several spherical objects are scattered on the surface. The color palette consists of various shades of gray. The jug is placed towards the left with a spherical object in front of it, the cylindrical object is to its right with a small sphere below it, and the chalice-like object is further right with another sphere nearby.

    Stradina

    William Bailey, Case Hudson, Dena Schuckit, Crown Point Press

    2002

    Etching and softground etching with aquatint on somerset paper  Accession ID  2006.122.24

    Not on view
  • The image displays an aerial view of agricultural fields dominating the landscape. The horizon is high on the image, showing rolling hills and distant farm buildings. Brushstrokes are deliberate and textural, creating movement and patterns across the fields. The color palette is warm and earthy, with yellows dominating the sky and various shades of brown, ochre, and deep indigo defining the fields. A large tree stands prominently in the foreground, surrounded by cultivated fields with orderly rows and patterns. The terrain gently undulates, creating a patchwork quilt of textures as the fields extend into the distance.

    River and Farms

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Rachel Fuller, Case Hudson

    2002

    Color direct gravure with drypoint on wove somerset paper  Accession ID  2006.122.151

    Not on view