Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • This is a painting of a silhouette performing a balancing pose with a hoop. The artwork features a dark silhouette of a figure stretching into a balancing pose, holding a hoop with both hands. The background is filled with intricate designs and sketches in soft, warm tones, featuring abstract shapes and figures that create a dynamic sense of movement. The contrast between the stark silhouette and the lighter, complex background enhances the visual interest and focus on the central pose with the hoop. The style is reminiscent of Kara Walker.

    Traffic Jam from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.6

    Not on view
  • The image consists of a large, light-colored rectangle with a yellow half-circle positioned at the bottom edge. The artwork has a simple and geometric feel, with the half-circle resembling the sun and the overall composition resembling a minimalist landscape. The empty space surrounding the shapes enhances the abstract quality of the image.

    GREEN, No. 7 (Absence) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Case Hudson, Dena Schuckit

    2001

    Aquatint in yellow from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.7

    Not on view
  • The image shows irregular black thin lines on a textured beige background. Two orange circles are on the left side. The lines create an abstract composition with the circles adding contrast.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.1

    Not on view
  • The image shows abstract shapes and lines, including concentric circles radiating from a central point and intersecting with stepped, jagged lines. The design resembles a sun with rays and gears. Below, a smaller shape resembling a winged figure appears in flight.

    Flight from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.9

    Not on view
  • The image shows lines and shapes forming letters spelling out names of cities on a beige canvas. The names include "LOS ANGELES" and "SAN FRANCISCO," blending into the background. The composition contrasts slightly darker letters with the canvas texture to suggest abstraction and evoke the skyline silhouettes of these cities.

    Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, John DeMerritt, Crown Point Press

    2001

    Portfolio of seven color softground etchings  Accession ID  2006.122.110.1-7

    Not on view
  • The image shows an arrangement of parallel and intersecting lines forming a grid pattern in different colors. Labels such as "WILSHIRE," "LA BREA," "BEVERLY," and "OFARRELL" are incorporated within the grid. The intersection of colored and black lines creates a design resembling a city map.

    Wilshire, Grant from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.6

    Not on view
  • The image features rectangles filled with intricate squiggly lines, drips, and splatters on a beige and white background. The abstract composition forms a complex landscape with elements that may resemble pathways, vases, and figures. The black and gray lines create a pattern similar to street maps or schematics, with parts suggesting hints of city skylines or machinery. The overall presentation resembles an assembly of puzzle pieces.

    Textbook Comic Devices

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with drypoint on hosho paper chine collé  Accession ID  2006.122.31

    Not on view
  • The image shows intersecting lines and curves creating an abstract network. The lines are labeled "COLUMBUS," "SUNSET," "BROADWAY," and "HOLLOWAY." The lines, in green and black, evoke a street map. The lines weave together like urban planning or a transit map, suggesting directional flow and connection.

    Columbus, Sunset from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.2

    Not on view
  • The image depicts a silhouette of a person's full body in a standing position. The silhouette shows one arm raised and bent over the head, while the other arm hangs by the side. The figure has a slightly turned posture, emphasizing the curve of the torso and hips. Specific facial features are not visible, and the hair appears short. The figure is depicted in a monochromatic brown wash without clothing details. The background is a light beige color.

    Copper Plate Nudes II (8)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint on wove somerset paper  Accession ID  2006.122.73

    Not on view
  • The image shows two individuals facing each other in profile. Both have long, brown hair and wear brown clothing with visible collars. Above them is a complex geometric design with flowing lines connecting to a circular, star-like pattern of alternating orange and muted brown tones. Below, there are rectangular grid-like patterns beneath both figures. The background is a textured, neutral canvas.

    Metro from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint, etching, and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.4

    Not on view
  • The image shows various lines and shapes intersecting on the canvas. The composition includes warm, earthy tones with black and orange accents. The abstract scene features curved and angular lines creating movement. Wavy orange lines are located at the bottom right, while beige and black lines are on the left. The arrangement encourages exploration of familiar forms in an abstract space.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.6

    Not on view
  • The image features two vertical rectangular shapes placed side by side on a plain background. The larger rectangle on the right is filled with a solid green color, while the smaller rectangle to its left is a lighter shade of green.

    GREEN, No. 2 (Jump) from Purple

    Richard Tuttle, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.2

    Not on view