Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • The image features rectangles filled with intricate squiggly lines, drips, and splatters on a beige and white background. The abstract composition forms a complex landscape with elements that may resemble pathways, vases, and figures. The black and gray lines create a pattern similar to street maps or schematics, with parts suggesting hints of city skylines or machinery. The overall presentation resembles an assembly of puzzle pieces.

    Textbook Comic Devices

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with drypoint on hosho paper chine collé  Accession ID  2006.122.31

    Not on view
  • The image shows intersecting lines and curves creating an abstract network. The lines are labeled "COLUMBUS," "SUNSET," "BROADWAY," and "HOLLOWAY." The lines, in green and black, evoke a street map. The lines weave together like urban planning or a transit map, suggesting directional flow and connection.

    Columbus, Sunset from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.2

    Not on view
  • The image shows two individuals facing each other in profile. Both have long, brown hair and wear brown clothing with visible collars. Above them is a complex geometric design with flowing lines connecting to a circular, star-like pattern of alternating orange and muted brown tones. Below, there are rectangular grid-like patterns beneath both figures. The background is a textured, neutral canvas.

    Metro from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint, etching, and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.4

    Not on view
  • The image shows a central, wavy, vertical shape surrounded by thin lines and scribbles intersecting across the composition. The artwork includes delicate lines resembling branches or veins, with curved and straight elements that may suggest tools or musical notes. In the background, light smudges and faint outlines enhance the textured appearance, evoking an organic landscape in its simplest forms.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.3

    Not on view
  • The image displays intersecting lines forming a grid pattern, resembling a city map. The lines vary in thickness and direction. Names like "LA BREA," "POWELL," "BEVERLY," and "OFARRELL" are next to the lines. The intersections suggest urban environments or neighborhoods. The lines create an abstract depiction of a city plan.

    La Brea, Powell from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.4

    Not on view
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    Copper Plate Nudes II (5)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint and foulbiting and drypoint on wove somerset paper  Accession ID  2006.122.70

    Not on view
  • The image shows a low angle view of a landscape with mountains in the blurred background. The horizon line is positioned low in the composition. Softly graduated blue sky fills the background. The painting features smooth brushstrokes in a minimalist style. The color palette is subtle, primarily blues and browns.

    Silhouette

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Color photogravure and aquatint on wove somerset paper  Accession ID  2006.122.99

    Not on view
  • The image contains intersecting horizontal and vertical lines, with the horizontal lines in blue and the vertical in red. The lines are labeled "MELROSE AVE." horizontally and "MARKET" vertically.

    Melrose, Market from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.1

    Not on view
  • The image features two vertical rectangular shapes placed side by side on a plain background. The larger rectangle on the right is filled with a solid green color, while the smaller rectangle to its left is a lighter shade of green.

    GREEN, No. 2 (Jump) from Purple

    Richard Tuttle, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.2

    Not on view
  • The image displays an arrangement of pale, translucent green geometric shapes on a white background. Forms include a large triangle and several smaller quadrilaterals in a dispersed formation.

    GREEN, No. 1 (Dreams) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.1

    Not on view
  • The image shows the outline of a person standing sideways, facing to the right. The figure is in a pink hue against a beige background. There are no facial features or detailed clothing visible. The background is plain with subtle texture. The artist's signature and date are at the bottom.

    Copper Plate Nudes II (2)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.67

    Not on view
  • The image shows an abstract shape in dark red color against a plain gray background. The shape has curves and angles that convey energy and motion.

    No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press, John DeMerritt, Crown Point Press

    2001

    Portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.1-9

    Not on view