Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • The image is an engraving of a proposed iron bridge in Mexico from 1860. The viewpoint is slightly elevated, showing the bridge structure and surrounding landscape. The horizon line is high, with parts of distant land visible above the bridge. The engraving style features detailed lines, focusing on the lattice work of the bridge. The color scheme is black and white. In the foreground, there are trees and rocks, with the bridge extending across a gorge or valley, connecting elevated rocky areas. In the background, there are hills and rocky formations.

    Arch Bridges [working proof 3]

    Chris Burden, Dena Schuckit

    2000

    Photogravure on wove paper [working proof 3]  Accession ID  2024.132.244

    Not on view
  • This is a drawing of a stylized Japanese bridge. The image features an elegantly arched bridge with intricate patterns and designs along its structure. The bridge is presented with an emphasis on geometric shapes and symmetrical forms, including repetitive diamond and circular motifs that decorate its length. Beneath the bridge is an area of heavy shading. The simplicity of the black-and-white color scheme allows the detailed linework and decorative elements to stand out. The words "Japanese Bridge" appear beside the structure, labeling the artwork.

    Arch Bridges [working proof 1]

    Chris Burden, Dena Schuckit

    2000

    Photogravure on wove paper [working proof 1]  Accession ID  2024.132.242

    Not on view
  • Three vertical rectangular shapes are placed side by side, creating a triptych effect. Each rectangle features a gradient of muted colors: beige, dark green, and a blend of soft purple and reddish tones. The rectangles resemble painted windowpanes, providing a view as if through translucent panels.

    Winter Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.22

    Not on view
  • The image displays three vertically oriented rectangular shapes side by side, each filled with a gradient of a different color. The rectangles are in muted golden-brown, rich reddish-brown, and vibrant green hues.

    Spring Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.4

    Not on view
  • ""

    Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Portfolio of eight color aquatints and etchings (one with drypoint) on wove somerset paper  Accession ID  2006.122.156.1-8

    Not on view
  • The image displays a series of interconnected lines and shapes in a V formation across the canvas. The abstract arrangement consists of tangled loops resembling a string of drooping beads or melting icicles, with darker spots interspersed throughout. The undulating forms create symmetry akin to a decorative garland suspended in midair.

    First Verse

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Spitbite aquatint printed in graphite on wove lana gravure paper  Accession ID  2006.122.104

    Not on view
  • The image shows three vertical rectangles in different solid colors. The left rectangle is a muted greenish-gray, the central one is a subdued mauve, and the right one is a vibrant yellow.

    Autumn Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.1

    Not on view
  • The image features simple geometric shapes such as rectangles, lines, and triangles arranged on a white background. In the top section, a pink vertical rectangle intersects with a yellow horizontal rectangle. Below this, towards the bottom of the image, there is a triangular arrangement of gray blocks. The minimalistic design focuses on color and form.

    No. 5 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.5

    Not on view
  • ""

    X-1

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.105

    Not on view
  • The image shows intersecting diagonal lines forming a grid pattern with soft, blurred edges. The lines create an abstract composition resembling a web or net filled with circular nodes. The circles vary in size and are reminiscent of bubbles or pebbles on sand. The overall effect is an ethereal and delicate network, suggesting a subtle connection or pathway woven across the frame.

    Day Light I [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.a

    Not on view
  • The image shows irregular vertical and wavy lines forming an abstract pattern resembling wood grain. The colors used are brown, rusty, and lighter shades, creating a textured appearance similar to tree bark or a weathered wooden surface.

    Night Light I [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.b

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view