Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • This is a drawing of a cantilever bridge. The image shows a detailed illustration of a cantilever bridge, highlighting its structural design. The drawing emphasizes the geometric patterns formed by the network of trusses and beams. The bridge is depicted in black ink, with intricate details showcasing the engineering aspects like support pillars and connected spans. The words "Cantilever Bridge" are printed below the bridge. The artwork is centered on an off-white background, with the drawing framed by a thicker border.

    Cantilever Bridges [working proof 6]

    Chris Burden, Dena Schuckit

    2000

    Color photogravure with spit bite aquatint and aquatint on somerset paper (wp 6 – black photogravure of cantilever bridge b) [working proof 6]  Accession ID  2024.132.237

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view
  • ""

    A Walk in the Woods

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color soapground and sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.143

    Not on view
  • The image shows intersecting vertical and horizontal lines forming a grid-like pattern. The lines vary in spacing and thickness. Large teardrop-shaped forms are dispersed throughout the grid.

    Element A [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 3 parts: spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.a

    Not on view
  • ""

    I Love You Woman

    Janis Provisor, Case Hudson, Dena Schuckit, Rachel Fuller, Crown Point Press

    1999

    Color spitbite and sugarlift aquatint with aquatint and direct gravure on gampi chine collé on wove somerset paper  Accession ID  2006.122.92

    Not on view
  • The image shows a rectangular shape made up of dark crosshatch lines on a muted green background. Small colored markings in red and blue are scattered above and below the rectangle.

    Tiny Green

    Pat Steir, Crown Point Press, Dena Schuckit

    1999

    Color soapground aquatint with and drypoint on somerset textured white  Accession ID  2001.142.114.3

    Not on view
  • The artwork features intertwining, wavy black lines on a white background, creating a complex and abstract pattern. The lines resemble zebralike stripes or flowing ribbons, weaving and blending into each other across the canvas. Each wavy line interacts dynamically with the next, creating a sense of movement and fluidity throughout the image.

    Black Loops & Curves No. 1

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Daria Sywulak, Rachel Fuller

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.47

    Not on view
  • The image displays a dense network of overlapping, curved lines in a rectangular arrangement. The lines vary in color, including red, yellow, blue, and black, weaving through one another.

    Eight Small Etchings/Color No. 8

    Sol LeWitt, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Case Hudson

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.8

    Not on view
  • The image shows a dense and intricate network of swirling, multicolored lines contained within a square border, creating an abstract composition. The lines intertwine and overlap, forming a chaotic pattern. The vibrant colors include red, blue, and green, lending the artwork a dynamic and energetic feel.

    Eight Small Etchings/Color No. 4

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Daria Sywulak, Rachel Fuller

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.4

    Not on view
  • The image shows wavy, undulating lines forming an intricate pattern. The design conveys a sense of movement. The shapes look like winding paths or flowing water currents, resembling zebra stripes intertwined. The contrast between the black lines and the white background creates depth and texture.

    Black Loops & Curves No. 3

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller, Daria Sywulak

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.49

    Not on view
  • The image shows two vertical rectangles, one dark purple and the other deep red, positioned parallel to each other and slightly overlapping on a white background.

    Any 2 Points: No. 5

    Richard Tuttle, Crown Point Press, Rachel Fuller, Daria Sywulak, Brian Shure, Dena Schuckit

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.5

    Not on view
  • The image shows organic lines and brushstrokes intersecting to form a cross shape in the center. The artwork features overlapping lines and shapes, resembling a loosely woven fabric or a complex network. Horizontal and vertical lines create a swirling pattern against a gradient backdrop of muted beige to deep red.

    Mandarin Love Note

    Janis Provisor, Case Hudson, Dena Schuckit, Daria Sywulak, Rachel Fuller, Crown Point Press

    1999

    Color hardground etching, spitbite aquatint, drypoint and direct gravure with gampi chine collé on wove somerset paper  Accession ID  2006.122.93

    Not on view