Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • There are three rectangles on a white background. The largest rectangle is pale yellow and square-shaped. Two translucent rectangles with a lighter shade of white are layered on top. The image conveys a minimalist and geometric composition.

    Any 2 Points: No. 2

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Brian Shure

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.2

    Not on view
  • ""

    Romance

    Janis Provisor, Crown Point Press, Rachel Fuller, Case Hudson, Daria Sywulak, Dena Schuckit

    1999

    Color spitbite and soapground aquatint on somerset soft white textured paper  Accession ID  2001.142.92

    Not on view
  • The image shows a complex network of wavy lines in different colors such as red, yellow, blue, and black. The composition appears like a tangled web of threads or ropes woven together. The lines create an interwoven pattern that may evoke thoughts of a lively carnival or a dense forest seen from a distance.

    Eight Small Etchings/Color No. 5

    Sol LeWitt, Crown Point Press, Daria Sywulak, Case Hudson, Dena Schuckit, Rachel Fuller

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.5

    Not on view
  • The image displays a square frame filled with a network of wavy lines in various colors—black, red, blue, and yellow. The lines intersect, forming a grid-like pattern that appears to be in motion.

    Eight Small Etchings/Color No. 6

    Sol LeWitt, Crown Point Press, Case Hudson, Rachel Fuller, Dena Schuckit, Daria Sywulak

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.6

    Not on view
  • The image displays a dense network of overlapping, curved lines in a rectangular arrangement. The lines vary in color, including red, yellow, blue, and black, weaving through one another.

    Eight Small Etchings/Color No. 8

    Sol LeWitt, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Case Hudson

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.8

    Not on view
  • The image shows a dense and intricate network of swirling, multicolored lines contained within a square border, creating an abstract composition. The lines intertwine and overlap, forming a chaotic pattern. The vibrant colors include red, blue, and green, lending the artwork a dynamic and energetic feel.

    Eight Small Etchings/Color No. 4

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Daria Sywulak, Rachel Fuller

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.4

    Not on view
  • The image displays a dense web of wavy, multi-colored lines within a square, forming an intricate and abstract pattern. The lines, in shades of red, yellow, blue, and black, interweave to create a chaotic and dynamic visual.

    Eight Small Etchings/Color No. 3

    Sol LeWitt, Crown Point Press, Rachel Fuller, Dena Schuckit, Daria Sywulak, Case Hudson

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.3

    Not on view
  • The image shows wavy, undulating lines forming an intricate pattern. The design conveys a sense of movement. The shapes look like winding paths or flowing water currents, resembling zebra stripes intertwined. The contrast between the black lines and the white background creates depth and texture.

    Black Loops & Curves No. 3

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller, Daria Sywulak

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.49

    Not on view
  • The image shows two vertical rectangles, one dark purple and the other deep red, positioned parallel to each other and slightly overlapping on a white background.

    Any 2 Points: No. 5

    Richard Tuttle, Crown Point Press, Rachel Fuller, Daria Sywulak, Brian Shure, Dena Schuckit

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.5

    Not on view
  • The image shows organic lines and brushstrokes intersecting to form a cross shape in the center. The artwork features overlapping lines and shapes, resembling a loosely woven fabric or a complex network. Horizontal and vertical lines create a swirling pattern against a gradient backdrop of muted beige to deep red.

    Mandarin Love Note

    Janis Provisor, Case Hudson, Dena Schuckit, Daria Sywulak, Rachel Fuller, Crown Point Press

    1999

    Color hardground etching, spitbite aquatint, drypoint and direct gravure with gampi chine collé on wove somerset paper  Accession ID  2006.122.93

    Not on view
  • The image features a bold red square against a white background, creating a contrast of shapes and color. This abstract composition emphasizes simplicity and form. The red square may evoke familiar objects such as a window or stop sign, inviting the viewer to make connections with everyday elements. The minimal design highlights the starkness and clarity typical of abstract art.

    Any 2 Points: No. 1

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Brian Shure, Daria Sywulak

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.1

    Not on view
  • The image shows an abstract composition of wavy, organic lines in deep brown on a darker brown background. The lines create a flowing pattern.

    Loops & Curves Gray/Red

    Sol LeWitt, Crown Point Press, Daria Sywulak, Dena Schuckit, Case Hudson, Rachel Fuller

    1999

    Color sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2011.119.43

    Not on view