Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • The image shows two large rectangular shapes positioned adjacent to each other vertically. The left rectangle is a muted grayish-beige, while the right rectangle is a darker earthy green color.

    Jasmine

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.3

    Not on view
  • The image depicts an abstract composition with geometric shapes placed at the top and bottom of the canvas. Shapes at the top include layered forms in various colors and a diagonal black line. Near the bottom, there is a pyramid-like arrangement of small gray squares. The composition features ample white space surrounding the shapes, highlighting its abstract quality.

    No. 3 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.3

    Not on view
  • This is a drawing of "The Master Builder" with children playing on a piece of play equipment. The children are engaged in playful construction or use of a structure that resembles a playground or toy fort, depicted against a black background. The words "THE MASTER BUILDER" are prominently featured at the top of the composition in a dotted, stencil-like typeface. The image uses a simple, monochrome color scheme with small details added to give texture and interest within the confines of a bordered panel.

    The Master Builder [working proof 2]

    Chris Burden, Dena Schuckit

    2000

    Photogravure and aquatint on wove paper [working proof 2]  Accession ID  2024.132.246

    Not on view
  • ""

    X-1

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.105

    Not on view
  • The image shows intersecting diagonal lines forming a grid pattern with soft, blurred edges. The lines create an abstract composition resembling a web or net filled with circular nodes. The circles vary in size and are reminiscent of bubbles or pebbles on sand. The overall effect is an ethereal and delicate network, suggesting a subtle connection or pathway woven across the frame.

    Day Light I [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.a

    Not on view
  • The image shows irregular vertical and wavy lines forming an abstract pattern resembling wood grain. The colors used are brown, rusty, and lighter shades, creating a textured appearance similar to tree bark or a weathered wooden surface.

    Night Light I [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.b

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view
  • ""

    A Walk in the Woods

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color soapground and sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.143

    Not on view
  • This is a drawing of a cantilever bridge. It shows the symmetrical design with two towers at either end connected by trusses and beams. The black and white composition highlights the patterns and shapes within the bridge's construction. The text "Cantilever Bridge" is written at the top left corner. The drawing has a technical and precise quality.

    Cantilever Bridges [working proof 5]

    Chris Burden, Dena Schuckit

    2000

    Color photogravure with spit bite aquatint and aquatint on somerset paper (wp 5 – black photogravure of cantilever bridge a) [working proof 5]  Accession ID  2024.132.236

    Not on view
  • The image displays an arrangement of black circles in various sizes scattered in a grid-like pattern on a white background. The circles vary in size and intensity, creating an abstract composition. Some circles seem to fade at the edges while others maintain a consistent intensity.

    Element C [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 3 parts: spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.c

    Not on view
  • This is a drawing of a cantilever bridge. The image shows a detailed illustration of a cantilever bridge, highlighting its structural design. The drawing emphasizes the geometric patterns formed by the network of trusses and beams. The bridge is depicted in black ink, with intricate details showcasing the engineering aspects like support pillars and connected spans. The words "Cantilever Bridge" are printed below the bridge. The artwork is centered on an off-white background, with the drawing framed by a thicker border.

    Cantilever Bridges [working proof 6]

    Chris Burden, Dena Schuckit

    2000

    Color photogravure with spit bite aquatint and aquatint on somerset paper (wp 6 – black photogravure of cantilever bridge b) [working proof 6]  Accession ID  2024.132.237

    Not on view
  • The image shows intersecting vertical and horizontal lines forming a grid-like pattern. The lines vary in spacing and thickness. Large teardrop-shaped forms are dispersed throughout the grid.

    Element A [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 3 parts: spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.a

    Not on view