Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • The image shows a variety of overlapping, textured lines and blotchy shapes on a dark background. The abstract artwork has a textured appearance, resembling clouds or a stormy sky. The patterns and formations could be compared to rough stone or animal fur seen up close, suggesting a natural ruggedness.

    Element B [center panel]

    Laurie Reid, Crown Point Press, Dena Schuckit, Rachel Fuller

    2000

    Center panel of 3 parts: color spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.b

    Not on view
  • The image shows an arrangement of shapes and lines on a mostly blank canvas. In the upper center, there is an abstract composition with a lavender semicircle adjacent to a grey square, linked by a lighter grey horizontal line. Towards the bottom of the canvas, there is a small abstract pyramid shape comprised of stacked rectangular blocks.

    No. 4 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Paul Mullowney, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.4

    Not on view
  • The image features simple geometric shapes such as rectangles, lines, and triangles arranged on a white background. In the top section, a pink vertical rectangle intersects with a yellow horizontal rectangle. Below this, towards the bottom of the image, there is a triangular arrangement of gray blocks. The minimalistic design focuses on color and form.

    No. 5 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.5

    Not on view
  • ""

    Memory

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color spitbite and soapground aquatint on wove somerset paper  Accession ID  2006.122.122

    Not on view
  • The image shows two large rectangular shapes positioned adjacent to each other vertically. The left rectangle is a muted grayish-beige, while the right rectangle is a darker earthy green color.

    Jasmine

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.3

    Not on view
  • The image depicts an abstract composition with geometric shapes placed at the top and bottom of the canvas. Shapes at the top include layered forms in various colors and a diagonal black line. Near the bottom, there is a pyramid-like arrangement of small gray squares. The composition features ample white space surrounding the shapes, highlighting its abstract quality.

    No. 3 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.3

    Not on view
  • This is a drawing of a stylized Japanese bridge. The image features an elegantly arched bridge with intricate patterns and designs along its structure. The bridge is presented with an emphasis on geometric shapes and symmetrical forms, including repetitive diamond and circular motifs that decorate its length. Beneath the bridge is an area of heavy shading. The simplicity of the black-and-white color scheme allows the detailed linework and decorative elements to stand out. The words "Japanese Bridge" appear beside the structure, labeling the artwork.

    Arch Bridges [working proof 1]

    Chris Burden, Dena Schuckit

    2000

    Photogravure on wove paper [working proof 1]  Accession ID  2024.132.242

    Not on view
  • ""

    X-1

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.105

    Not on view
  • The image shows intersecting diagonal lines forming a grid pattern with soft, blurred edges. The lines create an abstract composition resembling a web or net filled with circular nodes. The circles vary in size and are reminiscent of bubbles or pebbles on sand. The overall effect is an ethereal and delicate network, suggesting a subtle connection or pathway woven across the frame.

    Day Light I [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.a

    Not on view
  • The image shows irregular vertical and wavy lines forming an abstract pattern resembling wood grain. The colors used are brown, rusty, and lighter shades, creating a textured appearance similar to tree bark or a weathered wooden surface.

    Night Light I [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.b

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view
  • ""

    A Walk in the Woods

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color soapground and sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.143

    Not on view