Jill Lerner

American, active late 20th century

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  • This is a drawing of an anatomical diagram focusing on the eye. The image displays a simplified, schematic representation of a cross-section of an eye. At the center, the label "THE VITREOUS BODY" is visible. The drawing features lines and shading to depict various parts of the eye structure, such as the lens and retina. The style is clinical and educational, likely intended for use in a scientific or medical context to illustrate the internal components of the eye.

    The Vitreous Body

    Kiki Smith, Graphicstudio, Eric Vontillius, Jill Lerner

    2000

    Bound volume of eighteen heliorelief woodcuts on chochin japanese paper  Accession ID  2007.105.15

    Not on view
  • The image displays abstract shapes and lines on a gradient background transitioning from light to deep blue. The form resembles a flowing brushstroke that can be perceived as a silhouette of a bird in flight. Words and phrases are positioned throughout the image in various orientations and overlapping patterns. The text creates a complex play of language on the canvas.

    Sky's Four Sides

    John Yau, Pat Steir, Jill Lerner, Robert Hanning, Marcia Brown, Hank Hine, Tom Pruitt, Chris Ballantyne, Eric Vontillius, Graphicstudio

    2000

    Color lithograph and waxtype on somerset satin paper  Accession ID  2002.111.30

    Not on view
  • ""

    Rice

    Liset Castillo, Marcia Brown, Erika Greenberg-Schneider, Hank Hine, Brian Mullen, Chris Ballantyne, Jill Lerner, Jennifer Melko, Robert Hanning, Deli Sacilotto, Graphicstudio

    2000

    Photogravure on somerset textured white paper  Accession ID  2002.111.4

    Not on view

  • Double Feature

    Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton

    2000

    Photolithograph in black on arches cover white paper  Accession ID  2002.111.1

    Not on view
  • The image displays a series of uneven, vertical lines and shapes on a vivid red background. This abstract composition creates an impression of streaks or smudges. White text is partially visible under the abstract lines, resembling letters that are partially washed away.

    Rain Pillow

    Pat Steir, John Yau, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Deli Sacilotto, Graphicstudio

    2000

    Color lithograph  Accession ID  2002.111.28

    Not on view
  • The image shows golden-orange irregular shapes and lines on a white background. There is a prominent streak resembling a brushstroke at the top, with scattered droplets suggesting fluid splattering. Staggered text in the same color aligns with the shapes, resembling rain, poetry, or words falling.

    Sky's First Poem

    John Yau, Pat Steir, Robert Hanning, Jill Lerner, Hank Hine, Yoon Mi Nam, Tom Pruitt, Eric Vontillius, Graphicstudio

    2000

    Color lithograph on somerset satin paper  Accession ID  2002.111.29

    Not on view
  • The image contains horizontal and vertical lines, a textured pattern in the upper half, streaks, and drips. Below these elements are rows of blurry text on a dark background. The style of the text may resemble an old typewriter or worn-out print.

    Horizon's Levitation

    Pat Steir, John Yau, Marcia Brown, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Yoon Mi Nam, Graphicstudio

    2000

    Color lithograph on somerset satin paper  Accession ID  2002.111.27

    Not on view
  • The image shows a pair of feet in a black line drawing on a white background. The feet are depicted with intricate details and minimalistic line work, positioned so the soles face each other with toes pointing slightly inward. There are no additional elements in the image.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.8

    Not on view
  • The image shows bold, black lines forming two leg-like shapes with feet positioned upwards. Below these forms, a red, textured shape with a green top is present.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.4

    Not on view
  • ""

    Abend #1

    Markus Lüpertz, Chris Ballantyne, Robert Hanning, Hank Hine, Erika Greenberg-Schneider, Stefanie Kohn, Tom Pruitt, Tim Baker, Jill Lerner, Deli Sacilotto, Graphicstudio

    1999

    Color aquatint, drypoint, and softground etching on somerset textured soft white paper  Accession ID  2002.111.13

    Not on view
  • The image shows swirling black lines in an abstract shape resembling a face with exaggerated features. Above are red circular forms with jagged edges and green lines suggesting stems and leaves. The abstract face is intertwined with elements resembling hair or facial features.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.7

    Not on view
  • The image contains distinct shapes and lines in two contrasting sections. On the left are abstract outlines resembling a human form on a white background. On the right, there is a dense area of overlapping lines creating abstract patterns on a white background. These sections highlight the contrast between soft shapes and intricate patterns.

    Title Page

    Robert Creeley, Georg Baselitz, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.1

    Not on view